Ein schwuler Mann und ein politischer Gefangener sind zusammen in einem Gefängnis. Der schwule Mann erzählt die Geschichten von zwei gefälschten Filmen und seinem eigenen Leben.Ein schwuler Mann und ein politischer Gefangener sind zusammen in einem Gefängnis. Der schwule Mann erzählt die Geschichten von zwei gefälschten Filmen und seinem eigenen Leben.Ein schwuler Mann und ein politischer Gefangener sind zusammen in einem Gefängnis. Der schwule Mann erzählt die Geschichten von zwei gefälschten Filmen und seinem eigenen Leben.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 14 Gewinne & 12 Nominierungen insgesamt
Míriam Pires
- Mother
- (as Miriam Pires)
Denise Dumont
- Michele
- (as Denise Dummont)
Antônio Petrin
- Clubfoot
- (as Antonio Petrin)
Luiz Guilherme
- Agent #2
- (as Luis Guilherme)
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Reading the other reviews, I see that homophobes have been duly warned about this movie, so I won't say anything about the relationship between the two men beyond that it is complex and beautiful.
What interests me more for the purposes of this little blurb is that no one has commented on how the "film within a film" (much like the "play within a play" in Hamlet) reflects the actual events unfolding in the prison cell. Molina (William Hurt) is ostensibly retelling his favorite film to entertain Valentin (Raul Julia) and make the time pass more quickly, but he himself admits that he "embroiders" the story to make it more real. So who is to say if this film exists except in Molina's mind, and if it does, what really transpired in the film? The story about the French woman who is in love with a German officer during World War II, and must decide whether or not to betray him, is an obvious parallel to Molina's decision to betray Valentin or not. Even Molina says that he most identifies with Leni La Maison (Sonia Braga) in this film of his, and it's not just because he is a drag queen. It's because he has to choose between the man he loves and "patriotism" (in his case, represented by the police/government as well as his ailing mother).
This storytelling tactic works brilliantly, in my opinion. Kiss of the Spider Woman is indeed original, quirky, and a must-see.
What interests me more for the purposes of this little blurb is that no one has commented on how the "film within a film" (much like the "play within a play" in Hamlet) reflects the actual events unfolding in the prison cell. Molina (William Hurt) is ostensibly retelling his favorite film to entertain Valentin (Raul Julia) and make the time pass more quickly, but he himself admits that he "embroiders" the story to make it more real. So who is to say if this film exists except in Molina's mind, and if it does, what really transpired in the film? The story about the French woman who is in love with a German officer during World War II, and must decide whether or not to betray him, is an obvious parallel to Molina's decision to betray Valentin or not. Even Molina says that he most identifies with Leni La Maison (Sonia Braga) in this film of his, and it's not just because he is a drag queen. It's because he has to choose between the man he loves and "patriotism" (in his case, represented by the police/government as well as his ailing mother).
This storytelling tactic works brilliantly, in my opinion. Kiss of the Spider Woman is indeed original, quirky, and a must-see.
10pup-3
"Spider Woman", although an emotionally draining film, is a true classic. Right from the first scene, you feel the frustration of Valentin and Molina, both outcasts of society, yet for very different reasons.
The acting is nothing less than extraordinary. William Hurt as the lonely homosexual, Molina, the late Raul Julia, as the stern, but deeply caring political prisoner, Valentin, and Sonia Braga, who takes on three different roles, including the title role, and plays them all brilliantly, are what makes this film
so great.
Although Hurt deservingly won the Oscar for Best Actor, the same consideration should have been given to Julia and Braga for their contribution.
If you've seen it, see it again....if you haven't, I highly recommend you do.
The acting is nothing less than extraordinary. William Hurt as the lonely homosexual, Molina, the late Raul Julia, as the stern, but deeply caring political prisoner, Valentin, and Sonia Braga, who takes on three different roles, including the title role, and plays them all brilliantly, are what makes this film
so great.
Although Hurt deservingly won the Oscar for Best Actor, the same consideration should have been given to Julia and Braga for their contribution.
If you've seen it, see it again....if you haven't, I highly recommend you do.
The first time I saw this movie it had just been released. The theater was packed and my wife and I ended up sitting in the front row on a wing. I hated the movie. I couldn't understand what all the hoopla was about and it just didn't sit well. My wife and I discussed the movie after wards and she couldn't believe I didn't like it. She liked it a lot. After discussing it I agreed to see it again and not sit in the front row. I quickly discovered I was wrong about the movie. William Hurt and Raul Julia are outstanding. This movie resonated on many different levels that it's hard to describe. The friendship between the two main characters was absolute regardless of their present unfortunate situation. They are two ordinary people thrown together by fate in an extremely difficult situation and they make the best of it. The conflicts going on around them would destroy lesser men. Their reality is bleak, at best, and they find a way to survive. Powerful performances at every level are the order of the day. Sonja Braga is a delightful distraction as real as any fantasy. I can't wait for this movie to come out on DVD!
Babenco's, Kiss of the Spider woman, is one of many forgotten master pieces. Forgotten simply because it's themes, content and style is still too obscure even by todays standards. The movie is a rich myriad of imagery, poetics and emotions which all become thicker and more complex as the movie unfolds.
On the surface, Kiss of the Spider woman, appears as a prison thriller. However what differentiates this movie from other movies of it's genre, is the emotional questions that the movies raises. The movie is a study of moral rights in the modern world. In this movie the two leads are forced to evaluate themselves and rationalise their feelings with one another, this is shown in the way the movie contrasts the politics of the free thinking individual; that being revolution, individual rights of man, people forcing change, with the prejudices of modern society, mainly the modern day fear of homosexuality.
Stylistically the movie is also outstanding, taking an unconventional narrative that mixes the 'dream' with the 'real'. The character of Valentin represents the modern day hero, with his idealism and dreams of change. Where as the character of Luis represents the failed dreams of the individual and the longing for fulfilment.
The Nazi movie that is intertwined within the story, should also merit a comment, as it is through this sub plot where the story is able to ensnare it's audience into a labyrinth like world within a fictitious/mythological past within thirties Europe. The black and white movie, within the movie, 'The kiss of the Spider woman' serves as a continuous reminder of the power of the dream world with that of our everyday reality.
The eighties was a bizarre time for art, there was the prevailing sense of change in the air. With the Cold War coming to an end, there was the popular belief of a new world emerging from the lesson learnt from two world wars. This movie, 'The Kiss of the Spider woman', serves as a cautious warning that mans is a nostalgic yet forgetful beast and that hope of change and the dream of freedom, within a society that is not yet ready to take on all of the social/political dynamics of freedom, remains nothing but a failed romance.
A worthy classic. A movie experience that anyone who loves cinema or is interested in a study of humanity should seek out..
On the surface, Kiss of the Spider woman, appears as a prison thriller. However what differentiates this movie from other movies of it's genre, is the emotional questions that the movies raises. The movie is a study of moral rights in the modern world. In this movie the two leads are forced to evaluate themselves and rationalise their feelings with one another, this is shown in the way the movie contrasts the politics of the free thinking individual; that being revolution, individual rights of man, people forcing change, with the prejudices of modern society, mainly the modern day fear of homosexuality.
Stylistically the movie is also outstanding, taking an unconventional narrative that mixes the 'dream' with the 'real'. The character of Valentin represents the modern day hero, with his idealism and dreams of change. Where as the character of Luis represents the failed dreams of the individual and the longing for fulfilment.
The Nazi movie that is intertwined within the story, should also merit a comment, as it is through this sub plot where the story is able to ensnare it's audience into a labyrinth like world within a fictitious/mythological past within thirties Europe. The black and white movie, within the movie, 'The kiss of the Spider woman' serves as a continuous reminder of the power of the dream world with that of our everyday reality.
The eighties was a bizarre time for art, there was the prevailing sense of change in the air. With the Cold War coming to an end, there was the popular belief of a new world emerging from the lesson learnt from two world wars. This movie, 'The Kiss of the Spider woman', serves as a cautious warning that mans is a nostalgic yet forgetful beast and that hope of change and the dream of freedom, within a society that is not yet ready to take on all of the social/political dynamics of freedom, remains nothing but a failed romance.
A worthy classic. A movie experience that anyone who loves cinema or is interested in a study of humanity should seek out..
"Kiss of the Spider Woman" is a fine portrayal of how two completely different men can come to understand one another and how unselfish love can transcend sexual preference. The story slowly reveals itself as the movie progresses, and in the end,the film is about much more than is first apparent. I admired the gutsy performances by Hurt and Julia, and the direction by Brazilian Hector Babenco, who uses long, involved shots, instead of cutting away quickly (which, unfortunately, is used so often). The film hasn't remained very well known since it was released in 1985, but it is definitely worth seeing if you can find it. 8/10
Wusstest du schon
- WissenswertesReportedly, William Hurt and Raul Julia worked for nothing but the payment for their air tickets and hotel bills in Brazil, where the film was shot.
- Zitate
Luis Molina: The nicest thing about feeling happy is that you think you'll never be unhappy again.
- VerbindungenFeatured in The 58th Annual Academy Awards (1986)
- SoundtracksJe me moque de l'amour
Lyrics by Manuel Puig, David Weisman
Music by John Neschling (uncredited)
Sung by Sonia Braga (uncredited)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- El beso de la mujer araña
- Drehorte
- Minhocão, Via Elevada Presidente João Goulart, São Paulo, Brasilien(Molina's apartment is located near the elevated highway)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 17.005.229 $
- Eröffnungswochenende in den USA und in Kanada
- 55.962 $
- 28. Juli 1985
- Weltweiter Bruttoertrag
- 17.009.654 $
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