Gottes vergessene Kinder

William Hurt plays a speech therapist, James Leeds, a gifted teacher. His success in his field has not prevented him from being an egotist, anddisrespecting other cultures.

Marlee Matlin plays a Deaf woman, Sarah Lee, who's damaging family experience has caused her to become so angry that even though she is an intelligent, sassy, sensual, independent woman, she prefers to mop floors in her old school.

Sarah is contrasted with the other Deaf people who are working on their speech. Although he signs, James is highly dogmatic about the primary necessity of speech. The other Deaf people come across as disabled in comparison, their speech flawed compared to Sarah's eloquent and expressive signing. Their vocabulary is basic; in one scene their attempt at signing delights the hearing audience as they imagine the Deaf kids getting closer to being "normal".

James falls in love with Sarah's strong and commanding personality, but paradoxically still treats her in a patronising way, aiming to "improve" her by working on her speech. It becomes a battle of wills between them as Sarah seeks to have autonomy over her preferred medium of communication.

Even so, the dynamic of the relationship spurs Sarah on beyond the narrow horizons of her menial job.

James (William Hurt) is a new speech teacher at a school for the deaf. He falls for Sarah (Marlee Matlin), a pupil who decided to stay on at the school rather than venture into the big bad world. She shuns him at first, refusing to read his lips and only using signs. Will her feelings change over time? Every so often a different sort of love story comes along. This is one of those, featuring a deaf woman and a man who wants to be her teacher (and more). It is interesting, and one has to wonder how deaf people react to it. Is this a compassionate and understanding film, or is it exploiting the deaf community? Certainly it seems that the intentions were good.

Marlee Matlin is excellent, and it's nice to see she was honored for her role. I mean, I guess it's not a huge stretch to play a deaf woman, but it was probably an emotional role for her, knowing she was representing a great many people.

Hollywood is full of overly wrought love stories in which the conflict seems contrived merely to create drama or comedy or both. In Children of a Lesser God the love is so simple, and the conflict so believable, that it feels less like watching a movie, and more like watching friends walk through their own personal story. The attraction between Matlin and Hurt is obvious, but genuine, and is filled with the kind of "touches" that make it feel real. It is also a visually beautiful film. Each shot is set like a still photographer capturing an image. The overwhelming beauty of the New Brunswick coast creates a background for the film that leaves one with the feeling of watching a moving painting. Matlin has unfortunately not since been offered anything near this piece in which to display her amazing talent. It is a shame that a woman who could stand alongside Katherine Hepburn and Jodie Foster as all time great actresses is not having the opportunity to display that talent because of her hearing disability.

There are certain minorities that are not often represented in films, and the deaf is one of these groups. It is fascinating to watch this film, as it provides an insight into working with the deaf, and trying to make it so they can cope in a world full of noises. William Hurt gives off a very naturalistic performance, managing to add eccentricity to his role without overdoing it, and his acting also includes having to sign naturally. Even though it seems like an audience pleaser to have him translate out loud everything that Marlee Matlin is saying, it is still a credible performance. Matlin is also very good, deaf in real life, and she won an Oscar for her role. The film is let down however by the choice of a generic plot structure. The impending character relationships and storyline are very predictable, although the screenplay has some interesting ideas to keep it afloat. A lot of the film is concerned with being able to accept a person for who he or she is, and whether one should adjust one's ways or having others adjust for them. It is a good film, and has careful sound mixing work too. Matlin's constant anger is perhaps not realistic, and it is very easy to see where the film is going, but these points do not stop it from being effective viewing and good film-making in general.

This is perhaps the most moving and thought-provoking film about love and being in a relationship that I have ever seen. Matlin takes your breath away as you fall in love with her and she breaks your heart. Randa Haines documents, meticulously, the real effort and struggle that must go into negotiating a romantic relationship between any two individuals, and also the priceless dividends we reap by doing so- namely, love, home, friendship, acceptance, family: life.

"Children of a Lesser god" allows you to think, feel, and experience the things all good movies should. I highly recommend it...Matlin gives an awe-inspiring performance, 100% deserving of the Oscar she won for it. William Hurt balances the entire film, a feat which perhaps made him even more deserving of an Academy Award. All-in-all, if you want to watch a movie that tackles the timeless and immortal themes of love, communication, our relationship to the world, our relationship to our significant other, and most importantly our relationship to ourselves, I highly recommend this film. It will move you to tears.