Downtown

My review was written in January 1990 after watching the movie at a Chelsea theater in Manhattan.

"Downtown" is a routine buddy cops film, with no chance to give 20th Century Fox a hit in the genre to parallel its loner cop annuity, "Die Hard".

Scripter Nat Mauldin's by-the-numbers premise has white bread young cop Anthony Edwards become the fish out of water transferred from the comfy suburbs to Philadelphia's inner-city Diamond Street district. He's had a run-in trying to arrest powerful businessman David Clennon for speeding. It's telegraphed tha Clennon will be back as the main plot cog.

Emphasizing his flair for slapstick (with oodles of blood and bruises that the Three Stooges never incurred), Edwards displays myriad forms of incompetence, instantly incurring the wrath of his new boss (Art Evans). He attaches himself, unwanted, to young but seasoned black detective Forest Whitakr and tries to solve the murder of his former partner from the 'burgs, perpetrated near the Diamond Street police station. A scam involving stolen Mercedes autos and corrupt police provides some interest along the way.

Chemistry between the two leads occasionally works, but helmer Richard Benjamin fails to maintain a consistent tone. Atop the slapstick and black humor there is some unnecessary ultra-violence and both mawkish and dramatic scenes that clash with the intended good-timey feel. Best attempt at injecting depth beyond the surface gags is Whitaker's lengthy monolog recalling the death of his first partner, delivered movingly by the "Bird" star.

Supporting turns by Penelope Ann Miller and Kimberly Scott as the leads' wives are well-played, and ic's most memorable role is Evans' showy effort as the foul-mouthed, explosive top cop downtown. Villains Clennon and Joe Pantoliano seem miscast and he thesps play it tongue-in-cheek and way too light.

Pic's biggest bone comes when Whitake is written out of the film before the last reel. It's designed as a plot twist, but comes off as pointless -one infe4rs while watching that the thesp had to run off and fulfill another film assignment. He pops back in for a coda scene but it's too late since he's missing at the de rigeur shootout with the heavies.

Tech credits are impressive, notably Terry Leonard's frequent and scary car chases and stunts. War zone atmosphere of the Philly setting is well conveyed, though the film was shot primarily in L. A.

Simply a boisterous, if run-of-the-mill buddy cop action comedy that won't offer much in a way of surprises, but delivers a good amount of laughs, action, "Beach Boys" tunes and actor chemistry between Anthony Edwards and Forest Whitaker as two mismatched cops. One that is a rookie, by-the-book civil officer compared to the other who's a rogue, street-smart cop who does anything to get the job done. This wouldn't have been the first time these guys shared the screen, as Edwards and Whitaker had worked with each other in the classic 1982 teen comedy "Fast times in Ridgemont High". The plot follows that of a idealistic young rookie cop Kearny of a rich, peaceful suburb taking a transfer to downtown; Diamond street the most brutal and crime-ridden district. When his ex-police partner is brutally murdered in the area, he goes about trying to get those responsible but he will need the help of a detective Curren who knows how to get around this neighbourhood. Director Richard Benjamin provides many chaotic situations, clichéd but amusing and surprisingly brutal at times with its war zone like feel etched out from its urban settings. The bad guys here really do earn their strips. David Clennon is perfectly smug and showy as a rich, important community figure and Joe Pantoliano is effective as the ruthlessly psychotic hired killer who goes out in a very memorable manner. But where the amusement arises is the constant clashes between Edwards and Whitaker. Also showing up is Penelope Ann Millar, Ricky Aiello, Art Evans and Roger Aaron Brown. Generic, but still a fine addition to the fold.

"See I have this problem with authority".

"Downtown" is a box office crash & burn from 1990. Basically it is yet another unsuccessful attempt to follow-up on the success of "Beverly Hills Cop" (without the benefit of Eddie Murphy). These inter-racial, buddy picture, cop movie, comedy-action features simply don't work without a talented comic and Anthony Edwards of "Revenge of the Nerds" fame is only mildly funny. Add to this a more serious group of themes than Murphy had to deal with and the incongruity of mixing these conflicting genres makes the whole a lot less than the sum of its parts.

Yet "Downtown" is more entertaining than its "bomb at the box office" reputation would lead you to believe. The production design, filming, and editing are first class. Although the action scenes are unconvincing, this is due more to lamely inserted comedy elements than cheap staging.

Much is genuinely embarrassing such as when a PCP abuser holds a little girl hostage, with a gun to her head, and the subtext lamely plays the scene for laughs. What genius thought that scene would work? And they wonder why these things lose money? In this exercise in schizoid film-making, Anthony Edwards and Forest Whitaker are the standard odd couple partnering up to solve the murder of Edwards' former partner. Nerd boy Alex (Edwards) in his worst scenes listens to Beach Boys music and in his best scenes is paired with his girlfriend (Penelope Ann Miller).

Alex is a suburban patrolman who has been banished to the worst downtown Philly division because of a confrontation with a slimy bigwig (unconvincingly overplayed by David Clennon). Dennis (Whitaker) is a detective with a lot of baggage that makes it difficult for him to warm up to Alex.

But Alex and Dennis eventually bond (big surprise) and Whitaker turns in a pretty good performance (much too good for this material). Whitaker and Miller assist the marginally talented but generally likable Edwards enough that it is possible for the average viewer to suspend disbelief most of the time and actually get into the story. Just be prepared for a lot of extremely lame moments that would have been more entertaining had the editor relegated them to his deleted scenes bin.

Then again, what do I know? I'm only a child.

I had been eying this movie for a while in cheap DVD bins but didn't think I would risk spending all the money I had in my pocket at the time on it. Luckily I found it at a video library so decided to check it out.

Forest Whitaker did a good job acting in this one. He's a skilled actor. He's been in a lot of movies I've seen but I didn't know it was him at the time because he wasn't one of the main characters so I couldn't pick him in the credits.

It is a good blend of action and comedy. There are some exciting chase scenes and good jokes.

Overall I thought it probably isn't worth all the money I had in my pocket at the time but is still worth a rent. It is a good buddy cop movie, any fans of the Lethal Weapon series will probably find this enjoyable.

OK, so it's not Mel Gibson and Danny Glover, but this cop movie deserves a look.

It's not really a cop movie. Yes, the scumbags are dealing dope and killing cops, but this is about a black cop that lost his partner (Forest Whitaker) and a fish out of water - a white cop in the worst precinct in the inner city (Anthony Edwards). One is afraid of losing another partner, and the other just wants to learn how to do real police work.

It's funny, it's tender, it's sickly sweet at times, but it is really a good story about relationships; not only between cop partners, but between the wives and their husbands.

Give it a chance.