Die Rap-Gang

The main focus of this movie is the set-up of various action sequences, the debating over what to do in the characters' situations, and – what Walter Hill has always been especially good at – the overall machismo. Most of "Trespass" is a drawn-out standoff between the bad guys in a remote, long-abandoned warehouse and the grossly outnumbered good guys in a tightly-sealed room with the bad leader's brother as a hostage. David Fincher may have wanted to watch this movie and taken notes, since "Panic Room" has got absolutely nothing on this movie. The action begins very quickly and doesn't let up until the fiery, casualty-counting conclusion, making the film's 101min length seem like not even half that. "Trespass" is ripe with Hill's inimitable style and pace, combining with Ry Cooder's score and Lloyd Ahern's sepia-toned cinematography to create a sense of desolation and high tension for the setting.

Add to this an excellent cast of genre and character actors for a very captivating film. Bill Paxton and William Sadler ("Die Hard II") turn in intense performances as the lone protagonists, especially Sadler whose career unfortunately never reached the level it should have. Ice-T is in one of his more effective roles as King James, the gangsta leader. Ice Cube also stands out as the upstart, rebellious follower of James, Savon; his "king of the streets" speech is the monologue highlight of the movie. Art Evans (also from "Die Hard II") is perfect as the wise old angry homeless man, who reluctantly helps out Paxton and Sadler despite their initial treatment of him. And the criminal elements include noticeable performances from De'voreaux White as the unfortunate hostage 'Lucky'; Tiny 'Zeus' Lister Jr. as the musclebound henchman 'Cletus'; and the underused Stoney Jackson as the overly-suave crony 'Wickey'.

This was the last of a string of box office disappointments (including "Johnny Handsome" and "Another 48 Hrs.") that Hollywood allowed Walter Hill to make before relegating him to the role of mainstream hack. "Trespass" was released with little fanfare, having its release date postponed from summertime to after Christmas as a result of the 'crisis' that was the LA riots. Besides its original title of "Looters", "Trespass" also includes the recurring theme of seeing events via videocamera (which would have been a troubling reminder of the Rodney King and Reginald Denny beatings), not to mention a heavy, uncompromising racist slant not too common in modern-day action movies.

Though not Hill's best, it is far from his worst. A must-see for fans of stylized action. 8/10

i was flicking thru tv channels when i came upon this film playing a few years back, im a big bill paxton fan so sat down and watched it, im glad i did as its great. basically it boils down to 2 fireman (paxton and sandler)getting hold of a map that shows a trove of gold which is buried in a warehouse on wasteland. they go to find it at and get interupted by a gang fued in the same warehouse they are in. the gang (ice-t, ice cube among others) find out why they are there and a standoff ensues leading to gunfire and carnage.....SWEET!

good acting throughout from all concerned (including lesser known stars). it is a simple idea for a film played out very well with lots of tension and bursts of violence.

it features a good rap soundtrack by the stars in the film too (considering im a metal fan and dont like much rap thats kinda shows its not too bad hehe)

well worth watching, i've just got to find it on dvd now hehe

Trespass is directed by Walter Hill and written by Bob gale and Robert Zemeckis. It stars Bill Paxton, Ice-T, William Sadler and Ice Cube. Music is by Ry Cooder and cinematography by Lloyd Ahern II. Plot finds Sadler and Paxton as two fireman who learn of stolen treasure hidden in a disused building in East St. Louis. Upon arriving there they begin their search but are interrupted when a gang led by Ice-T's King James decides to use the building to execute an enemy. A stand off ensues....

It was held back from release under its original title of "The Looters" due to the L.A. riots in the summer of 92. Where under its new title it was released at Christmas and promptly bombed at the box office. A shame since it's a taut and claustrophobic thriller crafted with knowing skill by Walter Hill. Clearly an urban take on The Treasure of the Sierra Madre, with dashes of Rio Bravo thrown in for good measure, film makes the most of the premise without using pointless filler and by not being afraid to up the racial hatred aspects of the stand off. Hill's construction of the action is first rate and smooth, and the cast are firing on all cylinders to make the material work in what is practically a one location picture. 7/10

Another stylish movie from Walter Hill since Streets of Fire.

The interesting part is, none of the characters are good. So it's truly a story about wrong guys in a wrong place and a wrong destiny and luck.

Maybe the story gets dry in the middle, but if you enjoy Walter's style, you'll end up buying a copy of this movie and watch it whenever you need some stylish booze... Like me.

Trespass is an action movie. No doubt about it. But to judge it accordingly would be a mistake. Walter Hill, one of the best action directors ever, is at the helm of this movie, which automatically makes it worth a look.

The movie concerns a couple of hick fire fighters (Bill Paxton and Bill Sadler, in great roles): one a classic hick, the other a borderline psycho, chasing treasure in the ghetto. They eventually cross paths with some big-time G's (gangsters) led by Ice-T and Ice Cube.

The story still sounds familiar, and for Hill it is a return to certain familiar territory. Like many of his pictures the movie centers around machismo and male posturing, but not since Hill's 48HRS had he done a film that contained some subtle social commentary on race relations, and paranoid stereotyping. There are fierce gun battles as expected, and the story is never boring. "Die Hard in the Ghetto" , may have been an equally suitable title.

The movie is tense , funny and great, and sadly, was ignored at the box-office during its' Christmas 1992 release. Fortunately, it has been immortalized on home video and DVD.