Bullet in the Head

How can you not like a movie that starts out with a bloody street fight to an instrumental version of The Monkees "I'm a believer"?

When you start watching this you'll probably laugh at some of the sentiment of the beginning, (the three main guys jump rope, ride bikes, and sing together for instance. Go ahead, try not to snicker, you won't succeed.) This is all a perfect setup for the following sucker punch of the most brutally and entertainingly violent and horrifying series of events ever put on film. People are shot in their head, people explode, demonstrators are shot, exploding Cuban cigars, etc. The thing is that this mix of melodrama, action, and violence comes together into a cohesive whole and works amazingly well.

By the end of the film will drain you physically and emotionally from what you have seen, which is probably why so many people would prefer the shorter ending of this movie. The ending fight is one of the best ever filmed, but by the time you get to it you'll be exhausted. Personally, I like the long ending.

Honestly, this is the best movie I have ever seen. It is the best mix of melodrama and violence ever put on film. It's over the top in almost every way imaginable. It's suprisingly moving. I love it.

In 1989, John Woo made a film that would simultaneously redefine and reinvent the action genre forever. The film I speak of is, of course, The Killer. Blending a touching storyline with exuberant gunfights, The Killer worked through excess and it was an absolute delight to be behold. It's hard to follow up on something like that, and for his next A-class feature; Bullet in the Head, John Woo wasn't quite able to recreate that what he did so incredibly well a year earlier. However, what he has created is still an excellent thrill ride and one that fans of The Killer wont want to miss! Woo is keen to keep that gang element from The Killer, except this time he fuses it was action from the Vietnam war, and as the story spans across many different locations, it can aptly be considered an epic. We follow the stories of three young men who leave Hong Kong after two of them kill another gang member. They decide to become smugglers and take advantage of the Vietnam War, but little did they know that they would end up in the thick of it.

The film takes obvious influence from the classic Vietnam war dramas such as 'The Deer Hunter' and 'Platoon', but through Woo's stylising, it takes on a life of it's own and stands apart from those films that influenced it. Woo is known for going over the top, and seeing three men in suits in the middle of the Vietnam war is over the top alright! However, also going over the top is the sentiment and I don't know if it's just the way that Chinese translates into English or what, but this film is definitely cheesy! The sentiment boded well in The Killer, but here it definitely doesn't and the film would be a lot better if the amount of sentiment was more realistic. The sentiment messes up the characters as well as the film too, as seeing one or more of them break into great long speeches undermines the fact that they're supposed to be criminals. However, all this doesn't matter once you get into the gun battles; which are incredible to say the least. If it wasn't for the sentiment, it would have been a complete whole; but it's still a damn good movie regardless.

One of the most intense, powerful, and profound cinematic motion pictures. BULLET IN THE HEAD (The original Cantonese title is known as DIE XUE JIE TOU.) is mesmerizing and perplexing, yet equally emotional motion picture that gives the audience a completely different perspective on the Vietnam War...and how this event has changed the lives of three friends forever.

Ben (Tony Leung), Frank (Jacky Cheung), and Paul (Waise Lee) are three companions who have decided to escape from the perils of their native homeland in Hong Kong. Since Ben and his other two friends wanted to escape from their troublesome pasts, they felt that they could start over and make new, enriching lives for themselves. The three saw opportunity in the country of Vietnam. Little do these three realized that no matter where they would settle, violence was bound to ensue.

In 1967, the conflict between North and South Vietnam has elevated. Riots have been precipitated, fear and panic are widespread, and carnage is rampant. The three main characters are unfortunately caught in the middle of the Vietnam War. Eventually, more mayhem is not far behind.

As the three are trapped and incarcerated in the prisons of the Vietcong main quarters, their friendship with each other is slowly disintegrating...their lives hang in the balance... Whether all three of them can trust each other now and make it out alive is a question that remains ambiguous...

BULLET IN THE HEAD is one of the most sickening albeit cathartic films the viewer will ever witness. Director John Woo is definitely one of the most contemporary action directors around. He spares no punches or bullets with his incredible bursts of action sequences; yet he can still deliver a striking message about the powers of morality and how a humane attitude can help overcome all opposition. BULLET IN THE HEAD has more than enough action to satiate viewers of effervescent action films. There are tons of explosions, shoot-outs, and an even riveting helicopter rescue mission that is a true, vivid climax. These haunting images of BULLET IN THE HEAD, from the unspeakable acts of slaughter, to the moments where friendships triumph over all, will paint an indelible picture in one's mind.

BULLET IN THE HEAD is an unconventional, action-packed film that is moving and enthralling. The disturbing violence in this movie grips the audience as it coerces them to feel the pain. BULLET IN THE HEAD, instead of glorifying violence, rather shows the anguish, the abhorrence, and the abomination of how a once potentially prosperous country now lays in shambles thanks to the devastating war. Cities have been destroyed, villages are burned, and lives are forever scarred, physically and mentally.

Through the experiences of three unlikely heroes in BULLET IN THE HEAD, the viewer can commiserate with all the suffering the people in Vietnam have tangibly felt. The realism of the atrocities of the Vietnam War are captured thanks to the astute direction by John Woo.

BULLET IN THE HEAD is one movie which will adhere to your thoughts forever, even if you watch it only once. This film has excellent action scenes, and a constant mix of feelings as the movie jerks around with the character's emotions. They range from victorious, to heartbroken, to horrific. The cast, including the three leads along with Simon Yam and Fennie Yuen are excellent.

BULLET IN THE HEAD may well be John Woo's best film. Although the graphic violence in BULLET IN THE HEAD is unbearable, it is not gratuitous. The inhumanity of the supercilious villains is shown as they evoke trepidation in their victim's eyes. BULLET IN THE HEAD is one violent, relentlessly brutal yet provocative thriller.

If you feel that you are mature enough to handle the violence in BULLET IN THE HEAD, then by all means, rent this film. You'll discover the true brilliance of John Woo in this rarely seen film in America. He has talent for creating some of the most versatile action films ever! Thrills, character development, and a thought-provoking plot all commingle together in BULLET IN THE HEAD. This is one movie that is impossible to watch throughout its entire duration without cringing, but the chance to see this rare gem is well worth the time.

RATING: ***1/2 out of ****.

I saw this film once with my friends and it ruined our nerves. This film grabs and doesn´t let loose till its finished. It is the only film I ever saw that had violence really, not only so to say, non-stop. Even if the guys crossed a street or bought something to eat the bullet-showers didn´t stop. Watching this film is a nightmare because it just doesn´t stop till nearly everyone is dead. What it makes so attracting is the fact, that it works, this film is the climax of its genre, it is hard to imagine that any film can be more focused on violence than this film. Its also hard to tell entertainment from rejection and thats what John Woo can do better than anyone. His intensity in violence is close to Pasolinis 120 Days Of Sodom And Gomorrha and some films of David Lynch, but he does it in his own unique consequent ways, which certainly generated a new set a new style and standard in filming. This film though not so amusing as hard boiled got 10 instead of 9 because of its extraordinary strangeness. Watch this film and be sure to have a good beer with friends afterwards to come down again, otherwise your sleep will be affected.

Crouching Tiger set the standard that HK and Taiwan were able to produce films that were at the same, perhaps even higher caliber than american films. I have always felt that their films were better even before this. One film that convinced me that HK films could reach out further than american films was this film, John Woo's Bullet in the Head. To sum this film up, its basically John Woo's take on Vietnam, but it really hits you harder than any Nam film ive ever seen. Woo pours alot of thought and emotion into the script and characters, making it more than his shootout/gangster outings. the film never pretends to have a positive connotation, and the ending is absolutely one of the best endings in HK cinema. An absolute masterpiece, see it, or you may never understand how a good action/drama should be done.