IMDb-BEWERTUNG
7,2/10
11.862
IHRE BEWERTUNG
Ein Gastronom tut sich mit einem Polizisten und seinem Ex-Bruder zusammen, um den Tod der Tochter eines Freundes zu rächen.Ein Gastronom tut sich mit einem Polizisten und seinem Ex-Bruder zusammen, um den Tod der Tochter eines Freundes zu rächen.Ein Gastronom tut sich mit einem Polizisten und seinem Ex-Bruder zusammen, um den Tod der Tochter eines Freundes zu rächen.
- Auszeichnungen
- 2 Nominierungen insgesamt
Chow Yun-Fat
- Ken
- (as Chow Yun Fat)
- …
Lung Ti
- Sung Tse-Ho
- (as Ti Lung)
Shing Fui-On
- Pui's Right-Hand Man
- (as Fui-On Shing)
Empfohlene Bewertungen
This film broke off a potentially very creative relationship between Tsui hark and John Woo; and it certainly feels like more than one film Certainly, until Chow Yun Fat shows up, the plot is a little complicated, and a little unbelievable. Once Chow appears, the plot becomes wildly unbelievable, but one can follow it with amusement and interest. Ti lung must also be credited with turning in a strong and well-grounded performance, even when the script calls for him to get schmaltzy.
This is also the film that salvaged character actor dean Shek from obscurity, he wanted to prove he could act, and though he over acts occasionally, he actually does pretty well, especially in the final gun battle.
It must be said that throughout his career, John Woo has repeatedly attempted to grasp the essence of the 'battle of bloody porch' from Sam Peckinpah's "the Wild Bunch" and duplicate it - and he has always failed. that's because (to be honest) Woo is a believing Christian; and although raised in the Calvinist tradition, Peckinpah clearly does not believe. Woo simply cannot grasp the basics of Peckinpah's existentialism.
Consequently, the final battle here, while a lot of gory fun, doesn't really make the point Woo clearly wants for it (which is a believing Christian's interpretation of the Wild Bunch), but - never mind. On its own terms, as I say, it's quite fun.
As for the 'serious' story concerning the young undercover cop and his pregnant wife, I didn't believe it for a moment, and, frankly, didn't care. I'm afraid I'm not a believing Christian, either.
This is also the film that salvaged character actor dean Shek from obscurity, he wanted to prove he could act, and though he over acts occasionally, he actually does pretty well, especially in the final gun battle.
It must be said that throughout his career, John Woo has repeatedly attempted to grasp the essence of the 'battle of bloody porch' from Sam Peckinpah's "the Wild Bunch" and duplicate it - and he has always failed. that's because (to be honest) Woo is a believing Christian; and although raised in the Calvinist tradition, Peckinpah clearly does not believe. Woo simply cannot grasp the basics of Peckinpah's existentialism.
Consequently, the final battle here, while a lot of gory fun, doesn't really make the point Woo clearly wants for it (which is a believing Christian's interpretation of the Wild Bunch), but - never mind. On its own terms, as I say, it's quite fun.
As for the 'serious' story concerning the young undercover cop and his pregnant wife, I didn't believe it for a moment, and, frankly, didn't care. I'm afraid I'm not a believing Christian, either.
Even though "A Better Tomorrow II" is a pretty good sequel to its great predecessor, it is no masterpiece like "The Killer", but still much better than Woo´s awful Hollywood-garbage "MI:2"!!! Once more Chow Yun Fat´s giving an over the top performance, the gunfights are well choreographed and the score of Joseph Koo and Lowell Lo are real adrenalizers! This film doesn´t deserve the predicate "cult movie" and it will never reach the status of it, but nevertheless it´s a fine Hong Kong-actioner that lovers of Asian cinema should check out!
A BETTER TOMORROW II is the superior follow-up to the John Woo original. This time around, both Tsui Hark and Woo share directorial duties in a typical tale of gangsters. Betrayal, violent shoot-outs and madness are the order of the day, and for the most part you'll be watching for the exemplary action.
Be warned: this is a film that requires you to suspend your disbelief. Chow Yun Fat's character doesn't return from the original - for obvious reasons - so instead his 'twin brother' makes an appearance here. Still, it gives Woo the chance to feature his favourite actor in more outrageous set-pieces, with the stair-sliding scene being a real highlight here.
The storyline involves a couple of ex-cons given the task of going undercover to take down a suspected smuggler (Dean Shek, of DRUNKEN MASTER fame). They soon find themselves embroiled in a murky world where a crime boss is planning a massive takeover and murder is the order of the day. As in GOD OF GAMBLERS, one character's madness takes up a big part of the running time.
What you get here are a number of Hong Kong megastars (alongside Yun Fat, Ti Lung has a welcome role, plus A Chinese GHOST STORY's Leslie Cheung) indulging themselves in some frenetically exciting shoot-outs. Woo's action choreography is superb, with hard-hitting bullets flying around the screen, slow motion blood sprays, and all manner of outrageousness. The ending, which is impossibly violent and over the top, proves a neat precursor to the later madness of THE KILLER and HARD-BOILED.
Be warned: this is a film that requires you to suspend your disbelief. Chow Yun Fat's character doesn't return from the original - for obvious reasons - so instead his 'twin brother' makes an appearance here. Still, it gives Woo the chance to feature his favourite actor in more outrageous set-pieces, with the stair-sliding scene being a real highlight here.
The storyline involves a couple of ex-cons given the task of going undercover to take down a suspected smuggler (Dean Shek, of DRUNKEN MASTER fame). They soon find themselves embroiled in a murky world where a crime boss is planning a massive takeover and murder is the order of the day. As in GOD OF GAMBLERS, one character's madness takes up a big part of the running time.
What you get here are a number of Hong Kong megastars (alongside Yun Fat, Ti Lung has a welcome role, plus A Chinese GHOST STORY's Leslie Cheung) indulging themselves in some frenetically exciting shoot-outs. Woo's action choreography is superb, with hard-hitting bullets flying around the screen, slow motion blood sprays, and all manner of outrageousness. The ending, which is impossibly violent and over the top, proves a neat precursor to the later madness of THE KILLER and HARD-BOILED.
Disclaimer: If you are a viewer that mainly prefers art-house-type movies, then you might as well ignore this review. In addition, if you're not able to take a John Woo's best adrenaline HK classic action sequel flick , ignore this review, as well. We'll both be better off.
A Better Tomorrow II (1987) is an adrenaline action sequel flick the best one of the two from John Woo. I know that the first one is an action classic for many of the people and they always going for the first one, but my favorite flick is this sequel. I know that The Godfather (1972) is my favorite film in the series but from John Woo's A Better Tomorrow is actually A Better Tomorrow II my favorite John Woo film. I love this movie to death, the acting is wonderful, believable and very realistic and Chow Yun-Fat which is my favorite actor gives one of his best convincing performances I have ever seen as Mark Gor's twin brother Ken. Not only he but everyone of the cast gives a wonderful performances on a screen which I love it.
Plot: Restaurant owner Ken Gor, twin brother of Mark Gor, teams up with police detective Kit and his struggling ex-con brother Ho to avenge his old friend's daughter's death by a Triad gang.
What I love about this movie is: Chow Yun-Fat does not die in this movie he acted wonderful his different character Ken. Ti Lung and Leslie Cheung are back as the brothers from the first film which I am not sure but I have saw a lot of actors from The Killer in this movie. This movie was also filmed in New York which you can see Twin Towers from the distance before it was destroyed in 9/11 terrorist attack. John Woo made one of his best action debut and making a perfect shots with the camera of this film. I admitted I am not a the biggest fan of the first and the third movie but this one surprised me which I loved it. In my opinion this film is better than the original. Ti Lung and Leslie Cheung's characters Ho and Kit are actually more well written than they were in the first. I hated it how Kit was treating his older brother beating him in the rain, treating him like a peace of garbage I hated that. In this film we see Kit's love and compassion toward his older brother Lung. Both of their characters were well written.
This film is about a counterfeit dollars that are produced in the business and a new boss from Ho took over Lung Sei's business while framing Lung for a triad gang member's boss murder which he did not committed in which Lung had to flee to America New York, but his daughter was killed. The plot is about a revenge: Lung Sei (Dean Shek), Ho (Ti Lung) and Ken (Chow Yun-fat) are taking revenge against new triad boss Ko Ying-pui (Kwan Shan) and his group of army killers. Lung Sei want's revenge for the murder of his daughter Peggy (Regina Kent), Ho want's revenge for Kit's (Leslie Cheung) murder and Ken want's revenge for his restaurant in New York that has been destroyed. That is the film about. It has a lot of action and kick ass scenes and it also has a human emotional portrayal from the actors.
I love the action sequences in New York from Ken (Chow Yun-Fat) in the hotel a group of assassins comes to kill Ken and Lung Sei (Dean Shek) Which Ken (Chow Yun-Fat) uses shotgun Franchi SPAS-12 and kills several mafia gangsters in the hotel New York. He fires several rounds with two Berettas 92F on a gangsters than flees while he fires another round with another gun on an assassins car. The final showdown and the last stand off with two Berettas between Ken (Chow Yun-Fat) and Chong (Lung Ming-yan) the firing scene was outstanding performed I have ever seen. John Woo tried that scene in Hard Boiled but he didn't want to copied his own work so he change it. Ti Lung uses a samurai sword and he kills bunch of gangsters. The trio of friends uses a lot of guns and grandees while killing a bunch of gangsters. The final showdown for me was spectacular.
Overall: This flick get's a perfect 10 by me. Chow Yun-Fat and Leslie Cheung's screen time was beautiful shot, well written and acted perfectly. Theme score from the first movie was also beautiful, the action scenes where incredible. They don't make action movies like this one today. This flick is far way better than John Woo's Once A Thief. With Hard Target, Broken Arrow, Hard Boiled, Paycheck and The Killer would be a Better Tomorrow II my sixth John Woo favorite film that I love to death.
A Better Tomorrow 2 is a 1987 Hong Kong action film written and directed by John Woo. A follow-up to its popular predecessor, A Better Tomorrow, the film stars returning cast members Chow Yun-fat, Ti Lung and Leslie Cheung alongside new cast member Dean Shek. The film was released in Hong Kong on 17 December 1987.
10/10 Grade: Bad Ass Seal Of Approval Studio: Cinema City Film Workshop Distributed by Golden Princess Film Production Starring: Dean Shek, Chow Yun-fat, Ti Lung, Leslie Cheung, Emily Chu, Kwan Shan, Kenneth Tsang, Shing Fui-On, Lam Chung, Ng Man-tat, Peter Wang, Lung Ming-yan, Louis Roth, Regina Kent Director: John Woo Producer: Tsui Hark Screenplay: John Woo, Tsui Hark Rated: R Running Time: 1 Hr. 45 Mins. Box Office: HKD 22.700 (Hong Kong)
A Better Tomorrow II (1987) is an adrenaline action sequel flick the best one of the two from John Woo. I know that the first one is an action classic for many of the people and they always going for the first one, but my favorite flick is this sequel. I know that The Godfather (1972) is my favorite film in the series but from John Woo's A Better Tomorrow is actually A Better Tomorrow II my favorite John Woo film. I love this movie to death, the acting is wonderful, believable and very realistic and Chow Yun-Fat which is my favorite actor gives one of his best convincing performances I have ever seen as Mark Gor's twin brother Ken. Not only he but everyone of the cast gives a wonderful performances on a screen which I love it.
Plot: Restaurant owner Ken Gor, twin brother of Mark Gor, teams up with police detective Kit and his struggling ex-con brother Ho to avenge his old friend's daughter's death by a Triad gang.
What I love about this movie is: Chow Yun-Fat does not die in this movie he acted wonderful his different character Ken. Ti Lung and Leslie Cheung are back as the brothers from the first film which I am not sure but I have saw a lot of actors from The Killer in this movie. This movie was also filmed in New York which you can see Twin Towers from the distance before it was destroyed in 9/11 terrorist attack. John Woo made one of his best action debut and making a perfect shots with the camera of this film. I admitted I am not a the biggest fan of the first and the third movie but this one surprised me which I loved it. In my opinion this film is better than the original. Ti Lung and Leslie Cheung's characters Ho and Kit are actually more well written than they were in the first. I hated it how Kit was treating his older brother beating him in the rain, treating him like a peace of garbage I hated that. In this film we see Kit's love and compassion toward his older brother Lung. Both of their characters were well written.
This film is about a counterfeit dollars that are produced in the business and a new boss from Ho took over Lung Sei's business while framing Lung for a triad gang member's boss murder which he did not committed in which Lung had to flee to America New York, but his daughter was killed. The plot is about a revenge: Lung Sei (Dean Shek), Ho (Ti Lung) and Ken (Chow Yun-fat) are taking revenge against new triad boss Ko Ying-pui (Kwan Shan) and his group of army killers. Lung Sei want's revenge for the murder of his daughter Peggy (Regina Kent), Ho want's revenge for Kit's (Leslie Cheung) murder and Ken want's revenge for his restaurant in New York that has been destroyed. That is the film about. It has a lot of action and kick ass scenes and it also has a human emotional portrayal from the actors.
I love the action sequences in New York from Ken (Chow Yun-Fat) in the hotel a group of assassins comes to kill Ken and Lung Sei (Dean Shek) Which Ken (Chow Yun-Fat) uses shotgun Franchi SPAS-12 and kills several mafia gangsters in the hotel New York. He fires several rounds with two Berettas 92F on a gangsters than flees while he fires another round with another gun on an assassins car. The final showdown and the last stand off with two Berettas between Ken (Chow Yun-Fat) and Chong (Lung Ming-yan) the firing scene was outstanding performed I have ever seen. John Woo tried that scene in Hard Boiled but he didn't want to copied his own work so he change it. Ti Lung uses a samurai sword and he kills bunch of gangsters. The trio of friends uses a lot of guns and grandees while killing a bunch of gangsters. The final showdown for me was spectacular.
Overall: This flick get's a perfect 10 by me. Chow Yun-Fat and Leslie Cheung's screen time was beautiful shot, well written and acted perfectly. Theme score from the first movie was also beautiful, the action scenes where incredible. They don't make action movies like this one today. This flick is far way better than John Woo's Once A Thief. With Hard Target, Broken Arrow, Hard Boiled, Paycheck and The Killer would be a Better Tomorrow II my sixth John Woo favorite film that I love to death.
A Better Tomorrow 2 is a 1987 Hong Kong action film written and directed by John Woo. A follow-up to its popular predecessor, A Better Tomorrow, the film stars returning cast members Chow Yun-fat, Ti Lung and Leslie Cheung alongside new cast member Dean Shek. The film was released in Hong Kong on 17 December 1987.
10/10 Grade: Bad Ass Seal Of Approval Studio: Cinema City Film Workshop Distributed by Golden Princess Film Production Starring: Dean Shek, Chow Yun-fat, Ti Lung, Leslie Cheung, Emily Chu, Kwan Shan, Kenneth Tsang, Shing Fui-On, Lam Chung, Ng Man-tat, Peter Wang, Lung Ming-yan, Louis Roth, Regina Kent Director: John Woo Producer: Tsui Hark Screenplay: John Woo, Tsui Hark Rated: R Running Time: 1 Hr. 45 Mins. Box Office: HKD 22.700 (Hong Kong)
A Better Tomorrow II (1987) was rushed into production after the success of the first film. Armed with a bigger budget, Cinema City forged ahead with this sequel. Following after the events of part one. Lung Ti is about to be released from prison when he's offered a job as an undercover agent. His mission is to find some criminal evidence to topple his former boss (Cinema City board member Dean Shek). A first he dismisses the gig until he realizes they're going to his eager younger brother (Leslie Cheung). Once Lung is out, he notices that everything is not quite as it seems.
An interesting film. This time Tsui Hark had more of a hand in the production. He included his friend Dean Shek into the movie and he employed his best action director (Ching Siu-Tung) to direct the over-the-top action scenes. John Woo wasn't pleased with this and he voiced his displeasure. The final rift came during the editing of the film. Tsui Hark wanted the movie to be under two hours so it could have more showings, John Woo wanted it to be an epic. Guess who one out? Say what you will about this film, the action scenes are pure Ching Siu-Tung. His wild action scenes made this movie. Mr. Tsui must have liked him a lot because he went on to choreograph the action scenes in The Killer (although he was credited with stunt coordinator the action scenes have all of his visual trademarks).
The budget was huge on this one. It was filmed in Hong Kong and in the United States. Tsui Hark had another one of his friends (Peter Wang) co-star in the movie as well (he plays the inner city priest Dean Shek meets in N.Y.C.). Despite the friction caused by the behind the scenes squabbling, A Better Tomorrow II is a magnificent exercise in the ultra-violence. Awesome!
Highly recommended.
The last film in the trilogy is the epic A Better Tomorrow III: Love and death in Saigon.
An interesting film. This time Tsui Hark had more of a hand in the production. He included his friend Dean Shek into the movie and he employed his best action director (Ching Siu-Tung) to direct the over-the-top action scenes. John Woo wasn't pleased with this and he voiced his displeasure. The final rift came during the editing of the film. Tsui Hark wanted the movie to be under two hours so it could have more showings, John Woo wanted it to be an epic. Guess who one out? Say what you will about this film, the action scenes are pure Ching Siu-Tung. His wild action scenes made this movie. Mr. Tsui must have liked him a lot because he went on to choreograph the action scenes in The Killer (although he was credited with stunt coordinator the action scenes have all of his visual trademarks).
The budget was huge on this one. It was filmed in Hong Kong and in the United States. Tsui Hark had another one of his friends (Peter Wang) co-star in the movie as well (he plays the inner city priest Dean Shek meets in N.Y.C.). Despite the friction caused by the behind the scenes squabbling, A Better Tomorrow II is a magnificent exercise in the ultra-violence. Awesome!
Highly recommended.
The last film in the trilogy is the epic A Better Tomorrow III: Love and death in Saigon.
Wusstest du schon
- WissenswertesJohn Woo's first cut was about 160 minutes long. He and producer Hark Tsui had disagreements over the focus of the film. Tsui felt that it should focus more on the Lung, while Woo's original version focused more on characters Ken and Kit. Hark also insisted that the film should be shortened to a commercially viable length, which in Hong Kong is considered under 120 minutes, so theatre owners could show the film at least eight times a day.
Woo refused to cut it down and when he and Hark couldn't agree about the focus of the film and how it should be re-edited, Hark went and started secretly re-editing it himself, since he had equal control with the editing along with three other editors (Woo being the fifth). At the same time when Hark would cut some parts out, Woo would secretly put the missing parts back in. With only a week remaining before the film was to be released in theaters, and with pressure from the studio and distributors to trim the film down, Woo and Hark agreed to send the movie to "Cinema City Editing Unit", which meant that they sent each reel of the film to one of Cinema City's editors, who would then go to work on his particular reel. There was no overall supervision whatsoever by either Woo or Hark. Each of these editors just cut things out as they saw fit, then returned the reels. What they came up with is now the official released version of the film.
When Woo saw this final version, which was 105 minutes long, in the theater for the first time he was so shocked to see how badly it was re-edited that he disowned the film; to this day the only part he said he considers to be his work is the final shootout sequence. Woo's director's cut was only shown once to film executives in Hong Kong, before all the re-editing problems began. The Hong Kong trailer--5-1/2 minutes long--is the only source to get glimpses of some deleted scenes; blood-covered Kit being brutally beaten up, Kit seeing his wife while still having injuries from the beating on his face, Ken and Lung playing with the bird.
- PatzerNobody ever told Lung that his daughter is dead. Yet even Ken acts like it's a given without being told by anybody from Hong Kong.
- Alternative VersionenAll 5.1 and 7.1 sound mixes found on various DVD- and Blu-ray editions feature added and re-dubbed sound effects, and vary greatly from the original monaural soundtrack.
- VerbindungenEdited from City Wolf (1986)
- SoundtracksThe Abduction
by Gary Chang
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By what name was City Wolf II - Abrechnung auf Raten (1987) officially released in India in English?
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