Tma/Svetlo/Tma

his is one of the few short movies where my jaw was dropping almost throughout the entire presentation. I was stunned at what I was seeing, it looked so bizarre. What a genius idea and presentation!

Basically, what we see is a body being put together, putting itself together. It is a claymation (clay animation) film which all takes place in a single room which looks like a big doll house room.

We have only a hand to start, but soon there is a knock on the door and another hand comes in. Then there is a knock on the small window and in flies an ear. Well, actually two ears but molded together looking like a bat or a butterfly. To condense the story, we slowly see an entire body formed. How it's done is utterly fascinating with some things, as I said, that just had my jaw dropping. Some body parts look impossibly big to get through the door,but they manage.

This is very, very clever material and one of the short films I will never forget. It was part of the "Jan Svankmejer: The Ossuary And Other Tales" DVD.

My first entry in to Jan Svankmajer's world was with "Neco z Alenky", a surreal take on Alice in Wonderland that drew me in instantly. After watching "Neco z Alenky", I immediately started looking for more material by Jan Svankmajer, and I came across this little short animation which blew my mind out of the water.

During the 6 minutes of "Tma/Svetlo/Tma" (Darkness/Light/Darkness) we are invited to witness the different parts of the human male body entering a room separately and trying to figure out how to complete the human form. During this, the small room gets more and more crowded and difficult to move in. To me, the message this short gave me was that we should not aim higher than our capabilities, or we might end up with our goals crowding a small room, eventually turning off the light on it. But this is my interpretation, I've read several more interesting ones as well.

If you enjoy surreal / abstract cinema art, you owe it to yourself to watch this short as soon as possible, you will not be disappointed.

If you are a fan of Jan Svankmajer, definitely check this out. Subtitled as "Scenes From The Surreal," this collection of Svankmajer's short films includes "Darkness, Light, Darkness," "Manly Games" and "Death of Stalinism," plus a documentary on Svankmajer and his work. Those who are familiar with his full-length features such as "Alice" or "Faust" will instantly recognize the trademark usage of clay animation and marionettes combined with live action. On "Darkness, Light, Darkness" we witness a clay man basically building himself up from a scratch. "Manly Games" is a soccer game like you've never seen it before. (When a player is down, he is really down, I'll tell you that.) And "Death of Stalinism" is Svankmajer's unique rumination on the fall of communism and the Velvet revolution in Czech republic.

So, if you are a fan of Svankmajer, this, of course, is mandatory. If you are not, check this out and you just might become one.

I can't stop watching the short and feature films of the masterful animator Jan Svankmajer. His films manage to be surreal, creepy, weird, and funny, and "Darkness Light Darkness" manages to be one of his greatest accomplishments!

It is a very simple short film. The premise is that, in a room, various human body parts come together to create an actual human body, in only 7 minutes. It's a bizarre concept, which manages to be much less complicated than, say, "Dimensions of Dialogue" or "The Death of Stalinism in Bohemia" which both are much more political, and full of symbolism. "Darkness Light Darkness" isn't really political (at least I do not think it is, but there's the slight chance it could be, considering Svankmajer actually said that ALL of his films are political in the short documentary about him called "Animator of Prague"), but it is really surreal.

The atmosphere is somewhat uncomfortable and uneasy. No soundtrack accompanies the bizarre creation of this human body. But, as discomforting as its atmosphere is, "Darkness Light Darkness" also manages to be quite hilarious in its own weird way.

It serves as a sort of twist on the body horror genre, replacing horror with Svankmajer's dark sense of humor. He seems to play around with the strange concept, and fits some pretty funny scenarios into its short 7 minute runtime.

This is one of my favorite short films.

This 7 minutes short is a fascinating clay animation where a man constructs himself from clay (literally), being a God and his creature at the same time, putting the different parts of body together in a very small room. The more parts find their pace, the bigger the man becomes, the smaller and more suffocating the room gets. "Darkness-Light-Darkness" has been seen by many critics and viewers as a very strong allegory of suffocating life in Eastern Europe which is true, but I also see it as an allegory of a struggle every talented and deeply feeling artist goes through in the search for beauty and meaning regardless the political system or the country they live. From the darkness of non-existence to the light of knowledge to the unbearable darkness of being - that's the road Svankmajer takes us and as usual, his vision is not a cheerful or optimistic one.