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his is one of the few short movies where my jaw was dropping almost throughout the entire presentation. I was stunned at what I was seeing, it looked so bizarre. What a genius idea and presentation!

Basically, what we see is a body being put together, putting itself together. It is a claymation (clay animation) film which all takes place in a single room which looks like a big doll house room.

We have only a hand to start, but soon there is a knock on the door and another hand comes in. Then there is a knock on the small window and in flies an ear. Well, actually two ears but molded together looking like a bat or a butterfly. To condense the story, we slowly see an entire body formed. How it's done is utterly fascinating with some things, as I said, that just had my jaw dropping. Some body parts look impossibly big to get through the door,but they manage.

This is very, very clever material and one of the short films I will never forget. It was part of the "Jan Svankmejer: The Ossuary And Other Tales" DVD.

My first entry in to Jan Svankmajer's world was with "Neco z Alenky", a surreal take on Alice in Wonderland that drew me in instantly. After watching "Neco z Alenky", I immediately started looking for more material by Jan Svankmajer, and I came across this little short animation which blew my mind out of the water.

During the 6 minutes of "Tma/Svetlo/Tma" (Darkness/Light/Darkness) we are invited to witness the different parts of the human male body entering a room separately and trying to figure out how to complete the human form. During this, the small room gets more and more crowded and difficult to move in. To me, the message this short gave me was that we should not aim higher than our capabilities, or we might end up with our goals crowding a small room, eventually turning off the light on it. But this is my interpretation, I've read several more interesting ones as well.

If you enjoy surreal / abstract cinema art, you owe it to yourself to watch this short as soon as possible, you will not be disappointed.

This 7 minutes short is a fascinating clay animation where a man constructs himself from clay (literally), being a God and his creature at the same time, putting the different parts of body together in a very small room. The more parts find their pace, the bigger the man becomes, the smaller and more suffocating the room gets. "Darkness-Light-Darkness" has been seen by many critics and viewers as a very strong allegory of suffocating life in Eastern Europe which is true, but I also see it as an allegory of a struggle every talented and deeply feeling artist goes through in the search for beauty and meaning regardless the political system or the country they live. From the darkness of non-existence to the light of knowledge to the unbearable darkness of being - that's the road Svankmajer takes us and as usual, his vision is not a cheerful or optimistic one.

If you are a fan of Jan Svankmajer, definitely check this out. Subtitled as "Scenes From The Surreal," this collection of Svankmajer's short films includes "Darkness, Light, Darkness," "Manly Games" and "Death of Stalinism," plus a documentary on Svankmajer and his work. Those who are familiar with his full-length features such as "Alice" or "Faust" will instantly recognize the trademark usage of clay animation and marionettes combined with live action. On "Darkness, Light, Darkness" we witness a clay man basically building himself up from a scratch. "Manly Games" is a soccer game like you've never seen it before. (When a player is down, he is really down, I'll tell you that.) And "Death of Stalinism" is Svankmajer's unique rumination on the fall of communism and the Velvet revolution in Czech republic.

So, if you are a fan of Svankmajer, this, of course, is mandatory. If you are not, check this out and you just might become one.

I can't stop watching the short and feature films of the masterful animator Jan Svankmajer. His films manage to be surreal, creepy, weird, and funny, and "Darkness Light Darkness" manages to be one of his greatest accomplishments!

It is a very simple short film. The premise is that, in a room, various human body parts come together to create an actual human body, in only 7 minutes. It's a bizarre concept, which manages to be much less complicated than, say, "Dimensions of Dialogue" or "The Death of Stalinism in Bohemia" which both are much more political, and full of symbolism. "Darkness Light Darkness" isn't really political (at least I do not think it is, but there's the slight chance it could be, considering Svankmajer actually said that ALL of his films are political in the short documentary about him called "Animator of Prague"), but it is really surreal.

The atmosphere is somewhat uncomfortable and uneasy. No soundtrack accompanies the bizarre creation of this human body. But, as discomforting as its atmosphere is, "Darkness Light Darkness" also manages to be quite hilarious in its own weird way.

It serves as a sort of twist on the body horror genre, replacing horror with Svankmajer's dark sense of humor. He seems to play around with the strange concept, and fits some pretty funny scenarios into its short 7 minute runtime.

This is one of my favorite short films.

"Darkness, Light, Darkness" is a creepy stop-motion film. However, it's not nearly as creepy as many of Jan Svankmajer's other films...that's for sure!

The film begins with a pair of clay hands in a room. The hands seem to have a mind of their own. Soon, other body parts begin to come into this very crowded room--first some eyes, then ears, a head and so on until eventually the entire body is assembled by the hands and crowds the room.

While this doesn't sound like a lot of plot, the film IS highly entertaining. In fact, I cannot recall another stop-motion film I enjoyed more. I think it's because of the amazing quality of the film combined with a sick and bizarre sense of humor that really kept my interest. Not to be missed!!

An inventive, even witty Svankmajer short (lasting 6 minutes) which basically sees the various disembodied components of the human body converging inside a low-ceilinged house(!) on their way to assembling the whole. Sometimes, though, it seems they're not quite sure how it's all supposed to turn out – as ever more organs knock at the door demanding entry; the biggest laugh unsurprisingly involves male genitalia as a very loud thud is heard prior to its (unimpressive) appearance! The claymation effects, naturally, are splendid and the results are delightful and striking enough (even at this modest scale, compared to the feature-length ALICE [1988], to which it's been attached on DVD) to definitely make me interested in checking out more of this celebrated animator's work.

What a cool and weird mind thinks up a short like this! This is basically Jan Svankmajer working out what it means to get connected to (or rather reconnected to) the parts of your body as a man. This means setting up the eyes right, hooking together the hands and fingers and legs and toes, the tongue (such an ugly thing), the brain, the genitals (the water bucket thrown on them off camera is a big laugh), and finally all of the other parts. Darkness Light Darkness is the kind of title that reminds one of the pretentious title of an art piece in Ghost World (Mirror, Father, Mirror), but luckily that's not the case here. It's like Gumby with an extra spike of danger to it, of surprise, and there's not a whole lot that's exactly 'cute' about it. There's probably a 'message' to it somewhere, like the meaning of a human being being 'complete', and how anatomy's quirks are taken for granted. But aside from the message, it's just mind-blowing artistry, with a fascination with gyrating green matter and doors. I loved it.

Like a lot of short movie ,this one is completely visual and really have nice animation. I found the reconstruction pretty pleasant to watch and found it really good . It have also nice sound effect . What else to say ? Pretty nothing .it just the reconstruction of a human body .whats interesting here is the animation .Pretty interesting anyway.

Czech stop-motion animator Jan Švankmajer has made a career out of bizarre short films, usually featuring inanimate objects - stones, pendulums, mannequins - as the stars. "Tma, světlo, tma" ("Darkness, Light, Darkness" in English) features clay body parts that assemble themselves into the shape of a person.

One can easily see an influence on Terry Gilliam in Švankmajer's shorts. I figure that in Soviet-ruled Czechoslovakia he didn't have a lot of fancy equipment to make his movies, but he obviously had the talent. "Darkness, Light, Darkness" is one that you'll probably like.

I understand that another notable Czech animation master was Jiří Trnka, known as the Walt Disney of Eastern Europe.

A couple of hands start the ball rolling. Then two eyes appear and the darkness disappears. During this film, body parts emerge and attach themselves to one another, creating a man. Some of the animation is uncomfortable to watch, but all the components get the job done. Now we need to look at what has been wrought. Very thought provoking producton from a Soviet Bloc country.

This really cool short film is everything you want from surrealism.

It's bizarre, freaky, but it's not arbitrary. It establishes a simple concept and follows it through with a fetishistic weirdness in every moment.

It's not meant to convey some cryptic message, it just gets it's hands dirty as it delves into the dream like and reshuffles the familiar human body.

A testament to Svankmajer being a singular figure in the film cannon. His allegories are simultaneously deceptive, revealing, secretive - an artist working at top command. The balance of ingredients is spot on here, as it is in every other of his films. The way he advances the story in every shot with an intelligent, subtle new story beat is brilliantly ingenious. Those who call it bleak misunderstand its truthfulness of that which it records.... A master, and a hero; the Kubrick of animation!

Never has the human condition been rendered more acutely in clay than here - a centennial allegory !

"Darkness/Light/Darkness" is one of the most creative films from Jan Svankmajer, if not exactly his best or most praised work. To be sure, it doesn't carry an underlying meaning as in "Dimensions of Dialogue" and it lacks the story aspect of some of his earlier, less characteristic work, but even despite all of this the short is guaranteed to be perhaps the most memorable one anyone watching Svankmajer's work could imagine. The creativity exercised is remarkable and the craft is brilliant, including the setting and stop motion that is genius and entertaining.

Svankmajer's film basically consists of a body constructing itself from a number of body parts inside what appears to be a doll's house. It's quite enjoyable watching the different parts figure out where they're supposed to go and what the final result looks like. The title seems to be unrelated initially, but thinking about its relative meaning to what's happening in the film, I think it's a reference to the first day in history after God created the heavens and the earth, thus making an allusion to the theme of creation that both the movie and the creation story share. Overall on par with all of Svankmajer's other work and it's no wonder it is so well known.a.

Each film of Jan Svankmajer is, for me , kick to wake up. Tma/Svetlo/Tma is one par excellence. Because it reminds the universe of Alice in the small room and its significances, the build of a body , in which the hands are the first workers , the sexual organs before the clay as material for the body . So, a seductive parable , poetic and profound useful.