Fire Syndrome

Righty right. Here's a bit about SPONTANEOUS COMBUSTION: the government is trying to engineer the perfect weapon for war. It fails, and the project is supposedly buried. Years later, however, a young college student by the name of David (Sam), is finding out slowly that he is something more than human. So, he intends to find out just what he is, and a path of destruction and fire is left in his wake. Now, I can see why this has been called Tobe Hooper's only failure at a movie, but it is a gem. But, the only reason why this is a good flick is because of the presence of Brad Dourif. As always, he's excellent. Rent this flick, that is if you can find it. The beginning is slow, but it is very entertaining.

Eccentric but interesting thriller. Brad Dourif puts a lot into his portrayal of the lead character, a school teacher who discovers he can start fires, and the performance is one of the main things thats lifts the film out of the rut.

With its evocation of a strange little town dominated a large nuclear plant the film recalled for me "Strange Behavior" (1981) (AKA "Dead Kids"). The films show an odd mix of architecture, clothing fashion and interior decoration from different eras that makes placing and dating the film difficult. Overall its look and generally offbeat characters gives the film an effective unreal sort of quality. Also similar to "Strange Behavior" is the murky, complex, slowly unfolding story and the sinister scientist who is controlling everything. Also Dey Young is a cast member of both films, sadly underused here.

God i love those transparent, glowing phones and radios that chick has.

Anyway, not as bad as many people say it is. I'm actually a fan of Tobe Hooper's later work (well, some of it). I think people expect far too much of him based on the cultural impact of TCM and its just not fair. Tobe Hooper's films have always been rather fun and campy, while simultaneously making (sometimes rather heavy handed) sociocultural critiques. As others have noted, Spontaneous Combustion has underlying themes relating to the way that the 50's atomic bomb influenced and informed the culture of the 80's. A lot of biting references to the 'nuclear family' and its place in society as well as how both the presence and absence can affect us as we grow up and become adults. I honestly have no idea why most people say this started his downward slide cause its actually pretty good- a lot better than his remake of Invaders, that's for sure.

Not as bad, as it's credited to being (Hooper's done far worse)… more so disappointing for me. Such an imaginative concept, which is never really tapped in to by Hooper with his economical direction and even less so in the smoky (excuse the pun) writing. It goes so sinister and over-the-top in a dead serious tone, becoming ridiculous and unfocused letting the whole pessimistic mystery / conspiracy-laced narrative being easily telegraphed to end on something completely abrupt. Because of that, the pacing goes on to be rather sluggish and Brad Dourif (cool to see him in a leading role) seems to struggle with an off-balanced performance, despite etching out a bemusedly quirky intensity to his off-colour character. Even though it's cheaply done, there's a competent technical attitude to it. However it doesn't seem to go anywhere out of the ordinary with its idea and wants to plaster in nasty jolts (which some do work) and strikingly steaming special effects (flames, flames everywhere) instead. Hooper does display some stylishly frenetic imagery (more so towards the latter end), and the camera-work is swiftly manoeuvred and the beaming score is titillating. The performances are bit all over the shop with the appearances of William Prince, Cynthia Bain, Dey Young, Jon Cypher and Melinda Dillon. Also Geroge Buck Flower and John Landis have small, but amusing cameos… especially Landis. Nothing surprises, but it's passably engaging.

I really wanted to love Spontaneous Combustion: I like the basic idea, Brad Dourif is a cool actor, Tobe Hooper is the legendary director responsible for my favourite horror film, and some of the flame effects are pretty intense (I repeat: 'some'). Hell, there's even a fun cameo from John Landis. The problem is that the film just doesn't make a lot of sense.

Dourif plays Sam, a young man who discovers that the anti-radiation experiment which caused his parents to spontaneously combust in the 1950s is now responsible for some equally strange side effects in his own body. As Sam tries to prevent himself turning into a small pile of smouldering ash, he realises that his whole life has been a lie perpetrated by sinister industrialist Lew Orlander (William Prince).

With some incomprehensible cobblers about an evangelist who preaches to Sam over the radio, a puzzling sub-plot involving a nuclear power station, a killer who inexplicably uses glowing green goop in a syringe to bump people off, and the never-adequately explained presence of a continually growing birthmark on Sam's hand, I lost the plot about half-way through and had to content myself with the occasionally impressive body burn stunts and a modicum of manky make-up effects.

The first movie made by Hooper after his unsuccessful three film deal with Cannon, Spontaneous Combustion unsurprisingly didn't set the box-office on fire either, and the director's career has failed to reignite ever since.