Ein Mann tötet einen Ladenbesitzer und einen Polizisten. LASD-Morddezernent Jerry Beck erhält den Fall. Sein Mordverdächtiger steht in Verbindung mit einer schwer bewaffneten Gruppe weißer V... Alles lesenEin Mann tötet einen Ladenbesitzer und einen Polizisten. LASD-Morddezernent Jerry Beck erhält den Fall. Sein Mordverdächtiger steht in Verbindung mit einer schwer bewaffneten Gruppe weißer Vormachtstellung.Ein Mann tötet einen Ladenbesitzer und einen Polizisten. LASD-Morddezernent Jerry Beck erhält den Fall. Sein Mordverdächtiger steht in Verbindung mit einer schwer bewaffneten Gruppe weißer Vormachtstellung.
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- Drehbuch
- Hauptbesetzung
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Jerry Beck is one burnt out L.A detective whose personal life is on the skids, so he lives for his job. Looking on a case involving the murder of a convenient store owner and cop, leads to something much bigger when he finds himself tailing a gang of murderous white supremacists to Colorado.
In all; it's dumb, crude, snappy and loud while containing white supremacists using automatic weapons but like a good Frankenheimer feature the violently hard-hitting action was well-staged, well-framed with its camera angles and it moved at a fast clip. The story is taken from Beck's true-life exploits of his novel, where we are taken for one hell of a ride as Frankenheimer really pushes it to the brink. When it came to showing off the film's firepower, it's an outrageous assault and ballsy in its execution.
William Forsythe can be just as amusing playing uptight, than say crazy (watch "Out for Justice" for that) as the FBI agent who gets on the wrong side of Beck. Penelope Ann Miller also seems to walk onto set; sweet talks Johnson and beds him to suddenly disappear. Was I missing something there? Quite an unnecessary sub-plot involving her character. Also making appearances are Bob Balaban, Tate Donovan, Mickey Jones, Brad Sullivan (the exchanges between him and Johnson were a treat "You don't need a gun chief. Just tell them who you are."), Tim Reid, William Taylor and Michael Jeter finding himself at the end of a Woody Allen joke.
"F**k you Sheriff! And your french fries"
7.5 out of 10
Wusstest du schon
- WissenswertesDon Johnson's first attempt to establish himself as a film action star. His commitments to Miami Vice (1984) prevented him from accepting high-profile genre films such as The Untouchables: Die Unbestechlichen (1987) and Stirb langsam (1988). Johnson was able to make this film in part due to the 1988 Writer's Guild of America strike delaying production on Miami Vice's fifth and final season.
- Zitate
Jerry Beck: Come on, Kressler, open your eyes. These people aren't a rag tag bunch of yahoos that drink beer and run around in sheets on Saturday night. They've got money behind them. They've got strong pockets of community support.
Arthur Kressler: No proof. You don't know that for sure.
Jerry Beck: The hell I don't. We just walked out of one. Who the fuck do you think called ahead and warned Gephardt? They were standing on the fucking porch when...
Arthur Kressler: Excuse me. As one professional to another, I would appreciate it if you minimised your constant use of profanity.
Jerry Beck: You're kidding?
Arthur Kressler: No, sir, I'm not kidding.
Jerry Beck: I'm telling you something's going on here. I'm telling you something big is happening here, and all that grabs you is my language? What the fuck is the matter with you?
Arthur Kressler: That's a good example. I'm a Christian, Beck. I'm sure that seems like probably a joke to you, but I find your language personally offensive.
- VerbindungenFeatured in Tvennesnack: Förlåt! Det var inte meningen (2022)
- SoundtracksUn Mundo Raro
Performed by Los Tres Diamantes (as Los Tres Diamantes)
Courtesy of BMG Ariola Internacional
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Details
Box Office
- Budget
- 14.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 8.125.592 $
- Eröffnungswochenende in den USA und in Kanada
- 2.847.690 $
- 26. März 1989
- Weltweiter Bruttoertrag
- 8.125.592 $
- Laufzeit
- 1 Std. 42 Min.(102 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1