Blue Jean Cop

There's a weird tonal shift in this movie where the Peter Weller stuff is a well done legal thriller about defending a bad man and the Sam Elliot stuff is a totally over the top action movie with crazy stunts, car chases and shoot outs. But you know what? In a crazy way it works! With a balls out insane ending that makes no sense whatsoever I had a lot of fun. It was very competently made and acted and is well worth tracking down.

Not a classic, but an enjoyable 80s action flick with the always charming Sam Elliott as a gruff NYPD detective and Peter Weller as a quirky lawyer teaming up to take down some dirty cops. From writer/director James Glickenhaus, who brought us the grindhouse classic THE EXTERMINATOR, this is his most polished film, but its major weakness is how conventional it is compared to his rule-breaking grindhouse classic. Still, the leads are great, even if Elliott doesn't get enough screen time, 80s character actors litter the screen everywhere, and the film does a great job of using practical locations on the filthy streets of NYC before Giuliani cleaned it up. Behind the scenes, Weller and Elliot were assigned bodyguards for the night shoots in Times Square, back when it was still populated with peepshows, pimps, and criminals before it became Disneyland. Another strength of the film is all of the practical stunt work. There's no CGI here! Stuntmen really did all the leaping from buildings, crazy car rolls, and hanging off of bridges. Outside of some awful blue screen during the film's finale, the film has a gritty and grounded feel to the action that makes it a must-see for fans of 80s action films.

4-7-19 Enjoyably cliched 80s buddy cop film with more mullets than you can shake a stick at!

Shakedown (1988) *** I don't think I'd seen this film since it originally came out in the theater. I remember thinking it was pretty ridiculous then, but it's aged better than I'd expected, mainly thanks to it's cast, the use of actual NYC locations, and 80s action film nostalgia value. Peter Weller plays a groovy lawyer and Sam Elliott plays a renegade narcotics detective. It's a cliche ridden story of Weller and Elliott then face off against drug dealers, corrupt police officers, and other assorted low-lifes. The script by writer/director James Glickenhaus is pretty awful, but his action sequences are serviceable. In the film's favor is the fun pairing of Elliott and Weller and also the use of grimy pre-Giuliani NYC locations, including one action sequence filmed at 42nd Street in Times Square when it was still a den of go-go bars, peep shows, and adult theaters. It was certainly a good thing that Giuliani cleaned up the streets of NYC, but when it comes to movies filmed in The Big Apple, I have a fond affection for films like "The Warriors", "Maniac", "Gloria", "C. H. U. D.", "Black Caesar", "Across 110th Street", "Combat Shock", or even Glickenhaus' own "The Exterminator" which all prominently featured the seedy side of the city that never sleeps. Also in the film's favor is that it featured more mullets than any recent action film I can think of outside of "Roadhouse". Overall, "Shakedown" is a highly routine buddy cop picture to the degree of being a genre stereotype, but it has enough positives to be enjoyed by fans of these sorts of films.

From James Glickenhaus, director of "The Exterminator", comes this buddy flick that proves that you don't have to reinvent the wheel in order to make a solid action flick. Its characters are always watchable and its action scenes are expertly done. Glickenhaus's script is on the routine side but his execution helps to make up for that.

Peter Weller plays Roland Dalton, a public defender who takes the case of a drug dealer (Richard Brooks) who shot an undercover cop - but who apparently did it in self defense. Teaming up with a maverick detective played by Sam Elliott, he finds that the case leads to revelations about corruption in the NYC police department.

It's nice to see Weller looking like he's really having fun, and Elliott is likewise quite engaging. Weller strikes some sparks with Patricia Charbonneau, who plays a district attorney who just so happens to be an old girlfriend of Daltons'. It doesn't take long for him to submit to her charms even though he's already engaged to be married (to Gail Feinberger, played by Blanche Baker). Antonio Fargas is smooth as ever as big shot criminal Nicky Carr; Brooks and Larry Joshua are good in their supporting roles. While watching, the viewer can have a busy time playing spot the familiar face: Thomas G. Waites, Shirley Stoler, John C. McGinley, Jude Ciccolella, Vondie Curtis-Hall, Kelly Rutherford, Paul Bartel, James Eckhouse, David Proval, Harold Perrineau, William Prince and Holt McCallany all turn up.

Ultimately, this does get silly, and it doesn't tie up its loose ends well, but it's so well paced, and so undeniably exciting at times, that it sizes up as a good time for action aficionados. Among the highlights are a chase / fight Elliott has with a street thug that finishes nicely with a runaway roller coaster moment. It's also good for a look at 42nd Street when it was still in its decadent period.

Look for a theatre marquee displaying "Fatal Beauty", which also featured Elliott; a previous Glickenhaus picture, "The Soldier", can be seen playing on a movie screen.

Seven out of 10.

The movie follows Peter Weller who plays an attorney tasked with defending a crack dealer who shot a corrupt police officer in self defense. He goes to his friend in the NYPD, played by Sam Elliot, to unravel a deep web of conspiracy and corruption within the NYPD. In the meantime, Weller is caught in a love triangle between his fiancé and ex-girlfriend.

Weller does a decent job as well as Sam Elliot, but the star of the movie was 1980s New York City. It's decadent and gritty landscape make for some great atmosphere and over-the-top action involving hit men, drug dealers, and one of the most beautiful Porsche 930 Turbos you would ever lay eyes on. Action sequences, when they occur, are thrilling and fun.

Alas, the love-triangle scenes keep the sequences spaced out, so things can seem kind of slow. Those scenes really feel more like padding rather than essential to the plot. Still, it's a movie I enjoy watching time and time again. I know the gentrification of New York by Giuliani in the 90s made it cleaner and safer, but it also stripped the soul of 70s and 80s New York and turned it into a lifeless shell of a city you can find just about anywhere else in the US. It's always nice to see old school NYC encapsulated whenever possible.

All in all, I love this movie. No, it's not the most deep or meaningful movie, and the supporting actors turn out some pretty cheesy moments (like a group of cops circling around Weller and then just walking away), but the dark and gritty atmosphere gives it life and is a fun movie to just sit back and relax to.

It's an enjoyable action flick overall. However it's also a buddy comedy and a courtroom drama quickly whisked together and served in one massive high protein shake. And that's its biggest downfall. Don't get me wrong I deeply enjoy the mindless entertainment of 80s "tough policemen" movies but the usual straightforwardness of a Schwarzenegger or a Stallone is lost here. An amazing cast (Sam Elliott, Peter Weller and Patricia Charbonneau) which would have done really well in any high budget Hollywood production, gets involved in all kinds of extravagant and adrenalin inducing events while distilling great acting throughout and keeping up with the highly energetic pace set by director James Glickenhaus. Not cohesive but if you're a fan of Lethal Weapon, 48 hrs or Tango and Cash it will serve you well.