Zombie 3 - Ein neuer Anfang

Off the blocks let me just say that I am a huge zombie fan so I don't make statements like the above lightly. Secondly let me say that this is an Italian zombie film and Fulci only directed 15 minutes of it before handing over to Bruno (Rats, Night Of Terror) Mattei. This is no Dawn of the Dead folks.

That said this is easily one of the most entertaining zombie films I have ever seen.

The script is wonderfully horrible. Just check out the two scientists trying to find an antidote ("Let's try putting these two molecules together").

The zombies come in all varieties. From moaning shufflers, to machete wielding maniacs, to birds!

The gore is plentiful. Legs are bitten off, arms amputated, stomachs burst open.

The pace is fast, flying from one zombie attack to the next.

Then there's the head in the fridge. Oh the head in the fridge! One of the greatest moments in horror since Ash got his hand possessed in Evil Dead 2.

You should know already whether you're the sort of person who's going to like this sort of film. Get some mates and some beer and you'll be in for a fun night.

Did I mention the head in the fridge?!?!?

I can't even began to write a review on this movie as my i.q. has dropped so sharply after watching it. Everything about it, from the atrocious acting to the recycled theme played throughout spoke of utter garbage. It's a miracle we made it all the way through the movie. Weapons are randomly placed throughout the town such as a crate of machine guns in the basement of a motel or a grenade under a jeep that had the blast radius of an atomic bomb. Don't even get me started on the dialog. It was garbage, garbage, garbage!!! For some reason the characters felt they had to spell out everything for us. Like when their car would break down they would say "Looks like our car broke down. I'm going to go to that abandoned gas station right over there and see if i can find some water" - this brings me to my next point - the director's obsession with water. At least three times the characters would wander off alone in search of water as if it was a miracle cure for the zombie disease. It's killing me to write this so i have to stop now. A warning for all those planning to see this movie: don't. You will walk away a mindless, babbling zombie yourself.

I am an avid fan of Lucio Fulci, and yet I must say that "Zombi 3" (aka. "Zombie Flesh Eaters 2") of 1988, which he made with two other directors, Bruno Mattei and Claudi Fragasso, was quite a disappointment. Especially compared to its great predecessor, Fulci's very own Gore classic "Zombi 2" (aka. "Zombie Felsh Eaters"/"Zombie") of 1979, this is vastly disappointing. Sure, the low rating of 4.5 already suggests that it's not a good film, but, these low ratings usually come from people who are not into Italian Zombie flicks, and as enthusiastic fan of Italian Horror films and low-budget Exploitation cinema, I love many films that have only been rewarded with much lower ratings. Also, many of my fellow Italian Horror buffs seem to think of this film as underrated, which I sadly cannot agree with. Not that the film was a complete disaster. It has some redeeming qualities, above all Fulci's nauseating gore effects, that are always a pleasure to watch for an Italian Horror/Gore buff. The basic idea behind the film is also not bad (allthough far from original) and I liked the ruthless portrayal of the military. Sadly, that's about it. While the great predecessor "Zombi 2" was extremely gory, but beyond that also genuinely creepy, this is not creepy or scary for a minute, and the nauseating and often grotesque gore is the only true reason to watch "Zombi 3". The film is sometimes fun to watch, but only for the gore, and as an unintentional comedy. I guess that it was mainly the gore that came from Fulci, and the disappointing rest that came from Mattei and Fragasso, the first of which was involved in a bunch of nasty cult-flicks (such as D'Amato's "Porno Holocaust"), and the second of which is responsible for one of the worst movies ever made, the god-awful "Troll 2". Overall, this is definitely watchable for the gore, but, out of all Fulci films I've seen so far, this is definitely the worst, and I've seen the majority of this great filmmaker's repertoire. I am a Fulci fan, and I always will be, but this sure isn't his magic moment. It may be fun for the gore, but I recommend to watch any other Fulci film before this!

Zombi 3 has an interesting history in it's making. Firstly, it is a sequel to Fulci's hit Zombi 2, with Zombi 2 itself being of course a marketing ploy to trick people into thinking it was a sequel to George A. Romero's Dawn of the Dead aka Zombi. Confusing enough? Basically, none of the films have anything to do with one another, but who cares when they make money. I guess Fulci himself starting to not care about the production about half way through Zombi 3 when he decided to walk out. Bruno Mattei was brought on board to help pad the film with additional scenes to lengthen the running time.

Zombi 3's plot is your typical zombie fare. Scientists develop a serum on an island in the Philippines, terrorists steal it unleashing a plague, and zombie run amok. The scientists want to create an antidote, while the military is set on mowing down everyone without prejudice. There are also brief inserts of a Radio DJ preaching about how we treat the planet.

Overall, I actually liked this film. I heard horrible things, but I find the goofy dialogue quite enjoyable. The film seems to be an attempt at raising awareness about pollution, corrupted military, Man playing God, etc. I get the feeling this was at one point a serious film, but it veered off in a weird direction, presumably when Mattei came on board.

Besides ripping off other zombie flicks, this was very reminiscent of Romero's The Crazies. You hear the Radio DJ breaking the good news with, "When you see the men in white suits & gas masks, Run to them for Help." This is of course played to the images of the men in white gunning down zombies. Later, they straight up steal a scene from Crazies in which one of the regular, uncontaminated people is killed by mistake.

The gore factor is pretty good in this one with zombie hordes around every corner. How is it cool? Let me count the ways…1. Zombie Birth 2. Flying Zombie Head 3. Zombie Birds. 4. Zombie with no legs swimming in a pool. My favorite zombie was the machete-wielding maniac at the gas station. He was bad ass and nearly tore down the entire building trying to kill a girl.

Favorite Quote – When a sergeant insists on cremating a zombie, the scientists asks, "Don't you think that once the ash is in the air, it will fall to the ground, and contaminate everything?" To which the Sargeant boldly replies, "Now you're talking science fiction." He also continues to mention the "Science Fiction" told by the scientists even at the end when everyone dies.

Extras: Gallery, Trailers, and Interviews, most notably the one with Mattei where he insists he directed 40% of the scenes, yet cannot recall which ones or any other significant details.

Bottom Line: A must see for zombie and Fulci fans.

Rating: 7/10

Molly Celaschi www.HorrorYearbook.com MySpace.com/HorrorYearbook

From the word go, Zombie Flesheaters 2 (AKA Zombi 3) makes very little sense, but thankfully it's one of those trashy 80s Euro horrors that is so shoddy in virtually every department that one cannot fail to have some fun with it.

Just one look at the film's pedigree is enough to give a pretty good idea of how crap (and therefore how enjoyable) this film actually is: Lucio Fulci, fast approaching his end-of-career worst, directed some of the action before a stroke forced him to hand over the reins to Bruno 'Hell of the Living Dead' Mattei; actor turned TV director Deran Sarafian leads the incredible no-star cast; and Claudio Fragasso, the man responsible for Troll 2 (considered by many to be the worst horror film ever made), provided the derivative, nonsensical plot that gleefully rips off a variety of zombie/infection classics, including Romero's The Crazies and Dan O' Bannon's Return Of The Living Dead.

The cause of the zombie plague in Zombi Flesheaters 2 is a top secret genetically engineered virus called Death One, which is accidentally introduced into the atmosphere after a victim is cremated (on the orders of a contemptuous general, who ignores warnings from concerned army boffins, accusing them of "talking science fiction!"). Pretty soon, the area is not only crawling with flesh hungry reanimated corpses, but also squads of haz-mat suited soldiers who have orders to contain the virus by any means necessary—which isn't exactly great news for the small group of survivors trapped inside the contaminated zone (which, within a single day, has become inexplicably derelict and overgrown with vines!).

Lacking any sense of logic, the film stumbles awkwardly from one daft scene to another in a shambolic manner that makes its mouldy walking corpses seem positively well coordinated in comparison. For connoisseurs of extremely trashy horror, this can only be good news, with the complete absence of rationale resulting in some mind-bogglingly bonkers moments: zombie birds attack a bus full of babes; a severed zombie head, shrouded in an eerie green light and smoke, flies from inside a fridge to chow down on a man's throat; a survivor discovers a box full of weapons in an abandoned building ("I found a crate full of guns downstairs," he casually declares); a lady is attacked by an unborn zombie baby that tears its way from its mother's womb; and a hand grenade, conveniently found under a truck, not only knocks down several of the undead but also destroys an entire building!

Factor in some truly awful acting, unconvincing gore, dreadful direction, zombies that can talk, jump, fight, and use weapons, and a jive-talking radio DJ who joins the ranks of the living dead, but still carries on hosting his show, and what you have is one hell of a mess—but one that really needs to be seen to be believed.

It doesn't really deserve it, but I'll give Zombie Flesheaters 2 a rating of 5/10 just for being a genuine one-of-a-kind experience.