IMDb-BEWERTUNG
5,9/10
9605
IHRE BEWERTUNG
Ein Medizinstudiumsabbrecher und eine Hausfrau/Mutter versuchen, als Stand-up-Comedians durchzustarten. Sie werden Freunde und helfen sich gegenseitig in einem New Yorker Comedy-Club aus.Ein Medizinstudiumsabbrecher und eine Hausfrau/Mutter versuchen, als Stand-up-Comedians durchzustarten. Sie werden Freunde und helfen sich gegenseitig in einem New Yorker Comedy-Club aus.Ein Medizinstudiumsabbrecher und eine Hausfrau/Mutter versuchen, als Stand-up-Comedians durchzustarten. Sie werden Freunde und helfen sich gegenseitig in einem New Yorker Comedy-Club aus.
- Auszeichnungen
- 1 wins total
George McGrath
- Singing Nun
- (as George Michael McGrath)
Ángel Salazar
- Rico
- (as Angel Salazar)
Empfohlene Bewertungen
There is something not right about this movie. What is it? I don't know. It could be one, a few or all of many things:
Characterizations change by the minute, with flimsy and/or no explanation. It bounces back and forth and back again between slapstick, light-hearted comedy, gritty drama, and sappiness. It spends painful stretches focusing on comedy acts that are supposed to be funny (everyone on the screen thinks they are) but they really aren't. It runs far too long.
But at the same time, it's okay. Amusing at least, and it has it's decent moments, among the forgettable and awkward ones.
Characterizations change by the minute, with flimsy and/or no explanation. It bounces back and forth and back again between slapstick, light-hearted comedy, gritty drama, and sappiness. It spends painful stretches focusing on comedy acts that are supposed to be funny (everyone on the screen thinks they are) but they really aren't. It runs far too long.
But at the same time, it's okay. Amusing at least, and it has it's decent moments, among the forgettable and awkward ones.
My father is a stand-up comic, and all I can say is that this film above most others shows comedians for what they truly are. Comedy is truly based out of pain, and the two main characters truly have a great deal of pain in their lives. All the actors give their performances more than two dimensions, and are truthful in what they are dong at all times. If your looking for a laugh out loud comedy, than you'll be greatly disappointed, this film is really about he drama of the life of people who are trying to make it in the entertainment business. As a closing statement, i have heard many comics who were around at the time of this picture say that Tom Hanks was one of the greatest comics that they had seen, and if he had not caught the acting bug first, that he would have been a great comic.
A moderately hard-edged drama about the private and public lives of comedians, with a special emphasis on the desperate lengths they'll go to for a laugh, or to get an edge on the competition. Sally Field is the focal figure, a mousey housewife who feels destined for greatness but can't locate her own voice, while Tom Hanks plays a big supporting role as a natural performer who's an irresponsible, selfish a-hole behind the scenes. It's an uneven picture that doesn't really click for a number of different reasons. Primary among them is this unspoken sense that a movie about comedians should be funny. Though the on-stage segments are indeed quite flat, big punchlines (if you'll forgive the pun) aren't really the point of this story. Less forgivable is the awkward, cloudy relationship between Hanks and Field that dominates the plot, and the constant shifts in tone from one scene to the next. I never got a real handle on where the film was going, what it wanted to be or to say. That writing jokes is hard, I guess? Sometimes the happiest guy in the spotlight is actually a poisonous, miserable bastard? A complicated, tentative take that's puzzling in its lack of a firm identity.
Look at the poster. "Laugh!" It says. That is an ill conceived promotion material for this movie that is sold everywhere as a comedy when it's not. Viewers and reviewers get the wrong expectation and you see this huge amount of frustrated reviews. I didn't laugh once and I'm not mad.
It competently sells the illusion of a successful and a bomb act. We can see the increasing confidence of Sally's character as a performer and clearly see Hanks' confidence on-stage and inner turmoil as the movie goes.
The problem with this movie is that it's a small story in a sense that all we get are small victories and losses. I never felt that those characters were truly pursuing their passions by doing sacrifices. The polar extreme of this is De Niro's character in The King of Comedy, also struggling to break in this business.
It's a good movie, but incapable to make you laugh or cry.
It competently sells the illusion of a successful and a bomb act. We can see the increasing confidence of Sally's character as a performer and clearly see Hanks' confidence on-stage and inner turmoil as the movie goes.
The problem with this movie is that it's a small story in a sense that all we get are small victories and losses. I never felt that those characters were truly pursuing their passions by doing sacrifices. The polar extreme of this is De Niro's character in The King of Comedy, also struggling to break in this business.
It's a good movie, but incapable to make you laugh or cry.
The late Edmund Gwenn on his deathbed said that dying was easy, comedy was
hard. I think most entertainers would agree with that. One thing for sure is
that if the laughs don't come and in the right places you are doing something
wrong.
Tom Hanks and Sally Field are a couple of hopefuls looking to break and they're regulars at the club where Mark Rydell is the emcee. Field is a wife and mother with two girls and married to John Goodman. She's also been told she's funny and wants to see if she can make a living at it.
Hanks is the son of a top flight doctor who has forced his son into going to medical school where he flunks out. There are some real issues here with Hanks desperate to succeed and get to the top of his own field as his father has done.
Hanks best moment is when he does get to perform before some TV executives he breaks down completely on stage. It was a beautiful piece of acting.
Punchline more than most films I've seen, shows that these funny people go through a lot of heartache to make it in that business. Hanks and Field are really good pair of leads and the rest of the cast, most of them playing the denizens of the comedy world lend wonderful support.
If you think you might want to be a comedian, see this movie.
Tom Hanks and Sally Field are a couple of hopefuls looking to break and they're regulars at the club where Mark Rydell is the emcee. Field is a wife and mother with two girls and married to John Goodman. She's also been told she's funny and wants to see if she can make a living at it.
Hanks is the son of a top flight doctor who has forced his son into going to medical school where he flunks out. There are some real issues here with Hanks desperate to succeed and get to the top of his own field as his father has done.
Hanks best moment is when he does get to perform before some TV executives he breaks down completely on stage. It was a beautiful piece of acting.
Punchline more than most films I've seen, shows that these funny people go through a lot of heartache to make it in that business. Hanks and Field are really good pair of leads and the rest of the cast, most of them playing the denizens of the comedy world lend wonderful support.
If you think you might want to be a comedian, see this movie.
Wusstest du schon
- WissenswertesAbout two months before the film started principal photography, Tom Hanks wrote and performed a five-minute stand-up comedy routine at the Los Angeles Comedy Store in California. Hanks once said of this: "It was pure flop sweat time, an embarrassment. That material lasted 1 minute 40 seconds, and it had no theme".
- PatzerWhen Steven and Lilah are riding the #7 subway, the Manhattan terminus of the line is shown as Lexington Avenue. The actual terminus should be 42nd Street/Times Square.
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Punchline
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 21.042.667 $
- Eröffnungswochenende in den USA und in Kanada
- 160.742 $
- 2. Okt. 1988
- Weltweiter Bruttoertrag
- 21.042.667 $
- Laufzeit
- 2 Std. 8 Min.(128 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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