Ein überlasteter Vorstädter und seine Mitnachbarn sind überzeugt, dass die neue Familie auf dem Block Teil eines mörderischen satanischen Kultes ist.Ein überlasteter Vorstädter und seine Mitnachbarn sind überzeugt, dass die neue Familie auf dem Block Teil eines mörderischen satanischen Kultes ist.Ein überlasteter Vorstädter und seine Mitnachbarn sind überzeugt, dass die neue Familie auf dem Block Teil eines mörderischen satanischen Kultes ist.
- Auszeichnungen
- 1 Nominierung insgesamt
Theodore Gottlieb
- Reuben Klopek
- (as Brother Theodore)
Nicky Katt
- Steve Kuntz
- (as Nick Katt)
Billy Stevenson
- Ricky's Friend
- (as Bill Stevenson)
Empfohlene Bewertungen
"The 'Burbs" is writer / co-producer / actor Dana Olsens' deliberately warped invention. The idea is to remove the picture perfect outer layer of average American suburban life and reveal what potential insanity could be bubbling underneath. In so doing, he also makes fun of suburbanites who seem to make it their business to know everybody elses' business.
Tom Hanks stars as Ray Peterson, your typical 'burb dweller, who ends up severely stressed out when his nutty neighbors - Bruce Dern as ex-military man Mark Rumsfield and the late comedian Rick Ducommun as nosey instigator Art Weingartner - spur him to action. They keep hearing weird noises, and seeing weird things, concerning the newcomers to the street, the Klopeks (Henry Gibson, Brother Theodore, Courtney Gains), and wonder just what the hell is going on inside the Klopek house. To make matters more interesting, their elderly neighbor Walter Seznick (Gale Gordon) goes missing. Could the Klopeks be responsible for his disappearance?
Ray tries his best to be rational and skeptical, but finds himself drawn in more and more by his kooky comrades and the things he witnesses. Acting as a genuine voice of reason is his understandably frustrated wife Carol (Carrie Fisher).
The whole thing becomes rather over the top, but then a sense of anarchy to his stories has always been filmmaker Joe Dantes' ("Piranha" '78, "The Howling", "Gremlins") strong suit. Olsen and Dante have fun with the dark comedy aspect to this yarn, and there are some quite funny bits along the way. Viewing the whole circus from the sidelines is neighborhood teen Ricky Butler (Corey Feldman), who tries to convince his peers that the goings on here are better than any movie they could watch. Among those who really get into the spirit of the material are production designer James Spencer and composer Jerry Goldsmith.
Hanks is terrific, and much like the legendary Gene Wilder, proves to be a master at freaking out in a comedic way. But the whole cast is great, with Ducommun often going to town on the scenery. The cast is filled with familiar faces: Wendy Schaal, Dick Miller (Dantes' good luck charm for many years), Robert Picardo, Franklyn Ajaye, Rance Howard, Nicky Katt, Kevin Gage, Patrika Darbo. Olsen himself appears as a cop.
While the story is ultimately rather predictable, it does keep you watching, and amused - and may make you wonder what goes on behind your own neighbors' doors.
Seven out of 10.
Tom Hanks stars as Ray Peterson, your typical 'burb dweller, who ends up severely stressed out when his nutty neighbors - Bruce Dern as ex-military man Mark Rumsfield and the late comedian Rick Ducommun as nosey instigator Art Weingartner - spur him to action. They keep hearing weird noises, and seeing weird things, concerning the newcomers to the street, the Klopeks (Henry Gibson, Brother Theodore, Courtney Gains), and wonder just what the hell is going on inside the Klopek house. To make matters more interesting, their elderly neighbor Walter Seznick (Gale Gordon) goes missing. Could the Klopeks be responsible for his disappearance?
Ray tries his best to be rational and skeptical, but finds himself drawn in more and more by his kooky comrades and the things he witnesses. Acting as a genuine voice of reason is his understandably frustrated wife Carol (Carrie Fisher).
The whole thing becomes rather over the top, but then a sense of anarchy to his stories has always been filmmaker Joe Dantes' ("Piranha" '78, "The Howling", "Gremlins") strong suit. Olsen and Dante have fun with the dark comedy aspect to this yarn, and there are some quite funny bits along the way. Viewing the whole circus from the sidelines is neighborhood teen Ricky Butler (Corey Feldman), who tries to convince his peers that the goings on here are better than any movie they could watch. Among those who really get into the spirit of the material are production designer James Spencer and composer Jerry Goldsmith.
Hanks is terrific, and much like the legendary Gene Wilder, proves to be a master at freaking out in a comedic way. But the whole cast is great, with Ducommun often going to town on the scenery. The cast is filled with familiar faces: Wendy Schaal, Dick Miller (Dantes' good luck charm for many years), Robert Picardo, Franklyn Ajaye, Rance Howard, Nicky Katt, Kevin Gage, Patrika Darbo. Olsen himself appears as a cop.
While the story is ultimately rather predictable, it does keep you watching, and amused - and may make you wonder what goes on behind your own neighbors' doors.
Seven out of 10.
I generally do not like the movie format and category of the black comedy. Usually, they become so dark that they cease to be funny or entertaining to me...a good example of this is "War of the Roses". There have been some that I enjoyed though and this is one of them. I usually like the ones that only really edge towards the dark side a bit and I would say this one does that. It kind of goes into horror at times, but still remains funny unlike another black horror/comedy "Parents" with Randy Quaid. This film features a new family moving into a very old and not so attractive house. These newcomers are under immediate scrutiny and suspicion as they move in the middle of the night, do not do anything to really fix up the place, and are generally strange looking when some of the people in the neighborhood pay them a visit. Tom Hanks character is not really suspicious at first till his crazy neighbor and a paranoid one convince there is something up with the new family in the burbs. You get many funny scenes as these guys try to find proof that the new family is as strange as they look and are in fact up to something as the poodle a man who lives in the neighborhood shows up dirty and the neighbor ends up missing. The movie plays out rather good and is funny for the most part, at times it becomes a bit to dark as most black comedies tend to do. The cast is very funny and I think this is like the only movie I have seen Carrie Fisher in besides the Star Wars trilogy. Bruce Dern to me steals the show in terms of comedy followed by the neighbor who deduces the bone is human. Not sure of his name or any other movies he has done prior to or since this one. Even Corey Feldman does a rather good job. So all in all this is a nice trip to the burbs.
The 'burbs is a fun diversion from the usual neighborhood comedies. Joe Dante has a way of combining dark humor and outright horror and make it convincing to a mass audience (see 'Gremlins.') That this film has a lot of dark elements and remains just a light romp at the end is a feat unto itself. All credit goes to Hanks' good natured comedic performance and Dante's fun with the material.
Dante paints a portrait of the neighborhood at the very beginning. Hanks plays Ray, probably the most normal among the neighbors. Art is like a big kid and the first one to suspect the neighbors of foul play. Bruce Dern plays a war vet where Ricky Butler, played by Corey Feldman is the loud teenager. All is well in suburbia until clues pop up that might reveal the new neighbors, the Klopeks, as murderers.
With any other talent behind the film, this could have been a very dark comedy. But instead of playing up the horror, Dante has fun with it, playing up the comedy talents of his performers (notably Hanks and Dern, who take turns chewing scenery). Dante also has fun with visuals, notably in a hilarious dream sequence that Ray has.
Everything comes together to make this film work, including a great score by Jerry Goldsmith, that is part suburban comedy and part horror, complete with organs culled from a funeral march. This film is far from perfect, but it's fun diversional comedy and reminds of the great comic actor that Tom Hanks once was before becoming Oscar's golden boy.
Dante paints a portrait of the neighborhood at the very beginning. Hanks plays Ray, probably the most normal among the neighbors. Art is like a big kid and the first one to suspect the neighbors of foul play. Bruce Dern plays a war vet where Ricky Butler, played by Corey Feldman is the loud teenager. All is well in suburbia until clues pop up that might reveal the new neighbors, the Klopeks, as murderers.
With any other talent behind the film, this could have been a very dark comedy. But instead of playing up the horror, Dante has fun with it, playing up the comedy talents of his performers (notably Hanks and Dern, who take turns chewing scenery). Dante also has fun with visuals, notably in a hilarious dream sequence that Ray has.
Everything comes together to make this film work, including a great score by Jerry Goldsmith, that is part suburban comedy and part horror, complete with organs culled from a funeral march. This film is far from perfect, but it's fun diversional comedy and reminds of the great comic actor that Tom Hanks once was before becoming Oscar's golden boy.
This is a great example of what Tom Hanks was doing in his former career of a comedic actor, before he returned to serious acting.
The story follows three incredibly nosey suburbanites, spying on their new neighbours the Klopek's as they expect them to be murderers.
Winning performances all round, but especially from Hanks. He is well supported by the likes of Carrie Fisher, as his wife, and ex-army man Bruce Dern, with Henry Gibson giving his usual solid performance.
A greatly funny movie which leaves you wondering why Hanks ever turned his back on comedy.
The story follows three incredibly nosey suburbanites, spying on their new neighbours the Klopek's as they expect them to be murderers.
Winning performances all round, but especially from Hanks. He is well supported by the likes of Carrie Fisher, as his wife, and ex-army man Bruce Dern, with Henry Gibson giving his usual solid performance.
A greatly funny movie which leaves you wondering why Hanks ever turned his back on comedy.
Okay, I know Tom Hanks has done some greater than great work. Forest Gump, Saving Private Ryan, and The Green Mile are truly American classics. For some reason (maybe I AM a weirdo) this is my favorite movie of his. It has a simple plot, a light tone, shades of horror, and some GREAT one-liners that have stayed in my memory since I was nine years old. This is one of those movies that never gets old. I especially like Corey Feldman as Ricky Butler. He played the best burn-out I have ever seen and he truly is an underrated actor. Rick Duccoman is great as the obnoxious neighbor, Art and his laid back manner continues to bring a smile to my face. Bruce Dern is flat-out awesome as the war-crazed vet who has all the right gizmos for the job, but always fails miserably. Almost every line out of his mouth is memorable and his response when he steps in a pile of dog crap is a classic quote.
Obviously this is a satire on Suburban life and nosey neighbors, but I could care less about all that. This is a classic that ranks (in my mind) with the likes of "The Goonies" and "Smokey and the Bandit".
If, for some reason, you missed this one, PLEASE see it. You have no clue what you're missing.
Obviously this is a satire on Suburban life and nosey neighbors, but I could care less about all that. This is a classic that ranks (in my mind) with the likes of "The Goonies" and "Smokey and the Bandit".
If, for some reason, you missed this one, PLEASE see it. You have no clue what you're missing.
Wusstest du schon
- WissenswertesWalter's toy poodle Queenie was played by the same dog that played Precious in Das Schweigen der Lämmer (1991).
- PatzerAt the end of the film, Ray comments on Carol's shorter haircut. In her last scene, her hair is back to its original length.
- Zitate
Mark Rumsfield: Klopek... what is that, Slavic?
Reuben: No!
Mark Rumsfield: 'Bout a nine on the tension scale, Reub.
- Crazy CreditsAfter the Universal Studios logo appears, the camera zooms into Earth and to where the film takes place.
At the end of the film, the effect is played in reverse.
- Alternative VersionenThere were three filmed endings to the movie. The first is the one that is in the normal release of the movie both domestic and international. The second, available as the 'alternate ending' on the DVD version, follows the path of the first one, but is slightly different and does not contain the sequence in which the ambulance crashes into the house or the part where Mark Rumsfield slide tackles Hans Klopek. It does have a few more scenes which include Hans being interrogated by the police, Dr. Werner Klopek giving a speech to the police on what is wrong with the suburbs, and Ruben telling Ray that he was going to enjoy having him over for their final dinner. The third (and most downbeat) ending, which has not been released in any form officially, is supposed to have Ray get killed in the ambulance by Werner, the Klopeks are pronounced innocent, and garbage bags are found bound and gagged in the Klopek's car trunk. The last ending follows the original ending contained in the script.
- VerbindungenFeatured in Siskel & Ebert & the Movies: Oscar Surprises for 1988 (1989)
- SoundtracksMachine
Written by Alex Mitchell, Ricky Beck Mahler & Gary Sunshine
Performed by Circus of Power
Courtesy of RCA Records
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- S.O.S., vecinos al ataque
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 18.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 36.601.993 $
- Eröffnungswochenende in den USA und in Kanada
- 11.101.197 $
- 20. Feb. 1989
- Weltweiter Bruttoertrag
- 49.101.993 $
- Laufzeit
- 1 Std. 42 Min.(102 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen