Nightmare Beach

Nightmare Beach may not be a very good film in the classic sense, but in terms of entertainment value; the film certainly has a lot going for it. Nightmare Beach is known as a Giallo in some circles, but I think it's quite clear that the main inspiration has come from the overpopulated slasher genre. I'm not a big fan of this type of film, but Nightmare Beach succeeds where other slashers fail because it doesn't try to be anything that it isn't, and the focus is always on the dumb teens at the centre of the story and the over the top murder scenes. The movie seems to take a lot of influence from Lamberto Bava's 'Demons', as trashy eighties metal is mixed in with just about every sequence...and was that the logo for said film that I saw on the back of the biker's shirts? The plot focuses on the annual Easter celebration known as 'Spring Break' at a certain (nightmare) beach. A biker by the name of Diablo was put to death by electric chair after supposedly being framed for murder by the local officer, and now the authorities have a problem on their hands as the biker going round electrocuting people threatens the business boom.

Umberto Lenzi's career peaked in the late sixties to early seventies with Giallo classics such as Seven Blood-Stained Orchids and several awesome crime flicks such as Almost Human. It's safe to say that his career went downhill in the eighties when he started to imitate the likes of Lucio Fulci and Ruggero Deodato with enjoyable yet trashy flicks such as Cannibal Ferox and Nightmare City. While Nightmare Beach is nothing like as good as Lenzi's earlier efforts, and certainly doesn't represent a return to form, at least this film is enjoyable throughout, and personally I didn't care too much that I know the director is capable of better. As you might expect, the acting is truly diabolical, with nobody except cult icon John Saxon coming out of the film with any credibility; although Saxon does lift the entire production with hard man role. The electrocution style murder scenes are well shot, and while they don't all look particularly realistic; and don't feature much in the way of gore, it's nice to see a slasher that doesn't just feature knife killings. The mystery surrounding the identity of the murderer is never too well explored, and by the end there really is just one suspect left. Overall, this film is bound not to please everyone; but it's a lot of fun to watch, and if you can put with trash films - this one is well worth seeing!

Over-aged "Spring Breakers" are being terrorized by a biker who enjoys electrocuting his victims. The "acting" is atrocious! The hair is big! The music stinks! The heroine/bartender is puffy-faced & stiff. Lots of loose ends. What became of the sun-dried "breaker" (who looked about 45!) who was stealing everyone's money, the Reverend's slut daughter, & the redneck cop dragged off by a motorcycle? Did I miss something? Not very scary (a few fried corpses) & not much fun. (Spring Break films worth checking out, minus the "horror": "Where The Boys Are", "Where The Boys Are '84", "Girl Happy", "Revenge of The Nerds II:Nerds In Paradise").

First, the movie istelf starts pretty well because it has all the ingredients to be cool; 80's vibes, cars, girls, parties, drinks, gore and a little of Sci-Fi.

Second, I really enjoyed the first 60 minutes. Good memories from the 80's and some nostalgia from here and there. What it really worked here are the mistery aura from the killer, the gore and the main characters as acceptable actors.

Third, the settings are cool and the bikers gang and music are the best probably. The Sheriff is a classic actor from Horror movies. Don't want to spoil anything.

Last, the bad. The last 20 minutes are terrible. It ruined almost everything and everything ends really fast. Poor. Really poor. Not to mention some characters "disappear" and we don't know anything about it.

So, overall a horror entertaining b-movie with 80's vibes.

Actually, no, this is not Porky's 4. The clichéd title (Welcome To Spring Break) makes this sound like an '80's T&A teen comedy, but it's not. A biker is juiced in the electric chair and soon the teens on Miami Beach on spring break start dying, at the hands of a maniac riding a motorbike and wearing a helmet to hide his/her identity (Night School?). The villain(s) do become apparent at the 45 minute mark, and after a while the mystery killer story basically becomes secondary to all the other sub-plots. Slasher fans should look elsewhere. Mystery fans would be more at home watching one of those Perry Mason TV movies. Fans of '80's B-movies might enjoy this on a viewing, but otherwise it's useless. The slasher story set up it offers for a while is hampered with a dim-witted killing spree of useless characters, offed with electricity, which defeats the whole purpose of this being a slasher movie. The mystery angle the movie offers is supported with horrible characters and a story that goes nowhere. The movie has average production values, but scenes of real spring break action which is shown frequently is distracting, and the beach the thing takes place on is always cloudy. A waste of time. '80's B-movie fans might wanna look once. One And A Half Stars.

Nicolas De Toth and Rawley Valverde play Skip and Ronnie, a pair of college football players who, along with thousands of other like-minded youngsters, head to the beach for spring break in search of sun, sea, sand and sex. The pair's fun is interrupted, however, when they get on the wrong side of the town's local biker gang, and a mysterious killer begins to bump off the Easter revellers in truly shocking style.

Hiding behind the pseudonym Harry Kirkpatrick and shooting on location in Fort Lauderdale with an all-American cast, Italian horror director Umberto Lenzi is clearly intending to pass off this 80s slasher as a product of the US of A; to complete the illusion, he sets his sexy spring break shenanigans and murderous mayhem to a suitably loud hair metal soundtrack (he's not fooling me though: with a Claudio Simonetti score that sounds like leftovers from the Demons and Phenomena soundtracks, a really silly motorcycle that electrocutes its pillion passengers, and a daft denouement that could have come straight out of a giallo, this film's Italian origins seem only too apparent).

Whenever Lenzi's attention is focused on either the wild antics of the sex-mad teens (wet t-shirt competitions, drunken zany pranks etc.,) or the gruesome activities of the psycho killer (best death: the roasting of a young woman in front of an open incinerator), Welcome To Spring Break is reasonably enjoyable trashy fare. Sadly, the plot frequently wanders into territory far less likely to entertain, the business with the bikers soon getting tiresome and a ridiculous sub-plot about the town's corrupt officials (which sees John Saxon slumming it as a sleazy sheriff) only serving to add to the tedium.

All in all, this is a pretty uneven effort, one for those who have already seen the slasher classics and wish to explore lesser known examples of the genre, or who simply enjoy their 80s horror extra cheesy.

4.5 out of 10, rounded up to 5 for all those lovely, big-haired, 80s beach babes.