Stripped to Kill

Those of you (And myself included) that enjoy sleazy and low budget exploitation films will find it difficult to ignore this little gem. How can you not be interested in a film about strippers, murders, and a well known actress cast in the lead that also strips? Admit it, you can't! Story is about Detective Cody Sheenan (Kay Lenz) who along with her obnoxious partner Heineman (Greg Evigan) accidentally come across a stripper being burned to death but the murderer gets away. The dead stripper works at the Rock Bottom strip joint and Heineman gets an idea of convincing Cody to go undercover there and find out what she can. Cody can't dance and is not sure about her fellow cops looking at her topless but she decides to do it. Heineman makes sure that she wins amateur night that enables her to get hired by the club owner Ray (Norman Fell) who gives her an opportunity despite her terrible dancing.

*****SPOILER ALERT*****

Cody gets to know each of the girls and the dead stripper turns out to be the lover of Roxanne (Pia Kamakahi) who is also a dancer there. After time passes Cody starts to perfect her dance routines and actually becomes pretty good. Unfortunately her superiors tell her to stop but she doesn't want to because it seems to have liberated her and also she feels that she is getting closer to finding the murderer.

This film is directed by Katt Shea Ruben who is competent at making entertaining low budget efforts but one of the flaws in this film is the amount of dancing that takes place. Every stripper in this film has her routine shown and it's not cut down in length at all. Each of the dances goes on and on for countless minutes. This film was co-produced by Roger Corman and it never ceases to amaze me how Corman can get a popular actress in his projects and get them to take their clothes off. To this day people are still talking about Angie Dickinson's nude scenes in "Big Bad Mama". Kay Lenz gets topless here in a few scenes and she's absolutely beautiful to look at but she's also a very good actress even in low budget junk like this and she's pretty good here. One thing that I did not buy was the forced romantic angle of the film between her and Evigan. He comes across as a big sleaze bag and he actually lies to Lenz about her assignment to go undercover and get topless which turned out to be for his own benefit. She was never assigned and she got topless for nothing! Some partner! I don't want to knit pick too much on a film like this because it's too easy so I'll just mention again that Lenz looks great and does a good job and Fell is fun as the grouchy club owner. This film also has an ending that you won't see coming so there is enough going on here for me to recommend it.

A whiskey stream of consciousness review

Opening strip dance sequence is impressive skill. If only the opening song lived up to it. What?! Is that a Mr. Roper sighting? Outstanding. Mr. Roper owns the strip club. So that's where he went when he gave up being Jack tripper's landlord.

Movie includes a few extended strip sequences. Some of the sequences are of poor quality. Probably poor transfer from vhs maybe? As told film progresses, however, their routines grow more and more elaborate. All of the girls are quite talented and show off well. Kay Lenz is excellent as the undercover detective hero and downright cute and tough. And Greg Evigan is also good as punky sword-pierced ear ringed partner, Detective Heineman and their chemistry is surprising considering the low brow subject matter. Heineman drives a Suzuki Samurai- which is also a plus. I'm honestly surprised this doesn't have more of a cult following. There are heaps of entertaining moments, titillation, and a few grisly horror scenes to keep you interested to make up for the few slow takes. Stripped down with a dram of Old Soul select. Cheers!

Somebody is murdering the sexy lady dancers at a low rent strip club in L.A. Ambitious undercover detective Cody Sheehan (Ms. Lenz) decides that she wants the case, and her cheerfully sleazy partner Heineman (Greg Evigan) gets the bright idea to have her pose as a stripper. She wins a gig at the aforementioned club - despite not being much of a dancer - and eventually starts to find that she may be enjoying the prospect of being uninhibited for once.

This stylish movie marked the directing debut for actress Katt Shea. She co-wrote this with her now ex-husband Andy Ruben and went on to direct such things as "Dance of the Damned", "Poison Ivy", and "The Rage: Carrie 2". With Roger Corman as the executive producer, this is engaging, deliberately seedy entertainment. The low budget helps to create a spare, sordid atmosphere, enhanced by the music by John O'Kennedy. Yes, there may be a fair amount of the running time here devoted to protracted dance numbers, but they *are* erotic and well choreographed, with the ladies showing off some great moves.

The lovely Ms. Lenz does a creditable job in the lead. Her character is reasonably strong, in the tradition of Cormans' productions which were often as empowering as they were exploitative. Evigan is amusing and engaging as the somewhat chauvinist Heineman. A glum looking Norman Fell of 'Three's Company' fame wearily walks through his role as the club owner. There are some tantalizingly sexy ladies in the supporting cast; character actress Diana Bellamy has a particularly fun role as a gruff police dispatcher, while exploitation buffs will recognize actor Brad David (who plays the D.J.) from the 70s movies "The Candy Snatchers" and "The Curious Case of the Campus Corpse".

Thankfully, some viewers may actually be caught off guard by the reveal of who the killer is, or at least how they avoided detection for so long.

Overall, this is an enjoyable B picture for lovers of the genre.

Seven out of 10.

What happens when you hire a competent female writer/director to make a low-budget T&A horror-thriller with a strip club setting? You get compromise, and a kind of tug-of-war effect between exploitation and realism. While this one has a more-than-generous amount of T&A and violence, it should also be given credit for delivering a gritty, credible and often unflattering look inside a strip club and the women who populate it. The dancing is explored for all its worth and from all possible angles; exploitation, entertainment, eroticism, even as art. Some of the dancers view their occupation as being a way to express themselves through dance while others think of it as just a paycheck for another night's work. A few are lesbians, some have drug problems, most have criminal records and a few even seem like reasonably well-adjusted women who find stripping unpredictable and exciting.

The club itself is so atmospherically represented that you can almost smell the cigarette smoke in the hallways. The door of the girl's dressing room, the congregation place where the girls change, bitch about customers, reflect on their lives and pasts, etc., has "Women" scratched out and "Sluts" amusingly spray-painted over it. Much of the dialogue between them is laced with cynicism, no doubt based on a life's worth of problems, failures and disappointments. All of the girls are given just enough personality to be likable and what seems seedy at first eventually turns into a somewhat accommodating place for outcasts of all types once the heroine of this film gains employment as one of the dancers.

The heroine is question is a reserved tomboy policewoman played by Kay Lenz, who goes undercover at the club when a serial killer begins targeting the strippers. Sure, we've seen this exact same plot many times before (at least I have), but this movie takes it a step further. Not only is Lenz trying to crack the case but her character is learning and opening up in the process. This assignment allows her an outlet from the male dominated police force and the opportunity to explore her femininity and sexuality. She also discovers an odd kinship and inner working between the women and gets a little too involved on a personal level. It's an interesting role and Lenz (a sorely overlooked actress over the years) is great in it. And yeah, she does several nude scenes and looks great doing so, but it's a thoughtful, very good performance that doesn't rely on her couple of nude scenes to be memorable. Norman Fell also has a great supporting role as the no-nonsense club owner, who's every bit as dry and world-weary as his girls.

The biggest gripe I see about this film is that there are too many dance scenes and they're too long. This is no doubt just filling producer Corman's quotient of T&A for direct-to-video profit. Well fine, we get the naked girls and get the stripping. Plenty of each. What I don't see usually pointed out is that the dance scenes themselves are entertaining. They usually incorporate some interesting props (motorcycles, fire, a giant spider web...) or have a specific theme and with the lighting mixed in, it does come off as performance art at times. In addition, you can tell the women hired in these roles are actually either professionally trained dancers or actual strippers (or ex-strippers) because their stage performances incorporate flips, splits and a flexibility that requires dance training. The soundtrack is full of dated 80s-style rock, usually with a female vocalist, but it's tolerable. The biggest gripe I had with the film is that the slasher movie plot seems almost an unnecessary afterthought. I was far more interested in the everything else that was going on that I almost lost complete interest in who was actually killing the strippers.

Without question, Katt Shea Ruben is one of the most talented writer-directors Roger Corman employed in the 80s and 90s. She was one of the few with the ability to transcend the formulaic material and anemic budgets to create films that are distinctive, thoughtful, personal and interesting. And like many other notable cult/underground directors, she has never, and may never, receive much recognition or attention, and that's a true shame. I especially recommend her films DANCE OF THE DAMNED (1988; an intriguing and original vampire film which has sadly slipped into obscurity over the years) and STREETS (1990; a grim drama/thriller starring Christina Applegate). While STRIPPED TO KILL might not be as impressive as the aforementioned films, and a bit more weighted down and padded out, it's still a bright starting point for the director and well worth checking out.

My review was written in June 1987 after a screening at Cine 2 theater on Manhattan's 42nd St.

"Stripped to Kill" is a solid little thriller set in the world of topless dancing. Nearing the end of its regional theatrical run, pic is likely to do well in the home video market on the basis of its exploitation angles.

Kay Lenz stars as a policewoman in L. A. assigned by her partner Greg Evigan to go undercover, posing as a stripper to catch a serial killer of dancers at a local club. She gets a dancing job from club owner Norman Fell after winning an amateur sriptease contest there with help from an audience stacked with off-duty cops.

Scripters Katt Shea Ruben (former actress who also makes her helming debut here) and Andy Ruben play fair with the audience, offering legitimate clues and red herrings regarding the killers identity. Solution to the whodunit is ingenious; though very difficult to guess even by the alert viewer it is satisfying.

Lenz, firmly established as a sexy screen presence 15 years ago in her debut in Clint Eastwood's "Breezy". Is extremely effective here, faking several stripteases which substitute acting for professional dancing. Director Ruben stylizes the frequent strip sequences, using stylish pastel lighting effects and elaborate, acrobatic choreography by Ted Lin to create more traditional burlesque routines than the strictly sex approach. A cast of maily pro dancers perform well, ditto support roles by Evigan and Fell plus a funny turn by Diana Bellamy as a taciturn lady at police headquarters.