Tödliche Abrechnung

Fighting Back was unknown to me until recently. I just grabbed the Blu Ray from Arrow Films. This differs greatly from the Death Wish movies(especially past the second movie). This looks at vigilantism in a realistic and intelligent way. This is also more blue collar/working class. An Italian American deli owner (Tom Skeritt) gets fed up with the rampant crime wave that is ruining his neighborhood. He gets a neighborhood group together and they start cracking heads. Their critics accuse them of racism as the majority of the people they go after are black. This is not a shoot em up action piece, most of the violence are brawls and are very gritty and realistic in their depiction. He ends up getting media attention and is drawn into politics. Skerit's neighborhood action group often goes beyond the law and this film looks at how a man changes from the beginning of the movie, to the end. The film has a lot to say about politics and American society at this time. I thought Fighting Back was a very good movie and it was well scripted, acted and directed.

First of all I concur with all my fellow reviewers who can't seem to fathom that "Death Vengeance" is still so underrated, unknown and unavailable on DVD. This is a cult movie in the purest definition of the term, for crying out loud, with an acclaimed director and cast and a harshly realist subject that is applicable to all times and all big cities! Even more so, there were most vigilante thrillers all too easily revert to crowd-pleasing violence (Charlie Bronson's "Death Wish" being the best example of this), at least "Death Vengeance" attempts to remain more rational, with ordinary characters, dramatic sub plots, politically engaged and socially relevant. Tom Skerritt, in one of his best performances ever, stars as the Italian-American John D'Angelo who owns a deli shop in the roughest and most crime-infested neighborhood in Philadelphia. Following a couple of dramatic incidents where his wife lost their unborn baby and his mother her ring finger, John mobilizes his fellow petrified neighbors into founding the People's Neighbourhood Patrol. In a relatively short time, they free the park and streets around their houses of muggers, drug dealers, pimps and prostitutes and organized crime. Even though John's family life suffers under his obsession and he often has difficulties of drawing the line between what's legal and what's not, his achievements grow increasingly important. So important even, that the current mayor fears John to become an unbeatable rival in the next elections. "Death Vengeance" is a strong and compelling revenge/vigilante thriller with the emphasis on character development and grim atmosphere. The sequences where John D'Angelo confronts Ivanhoe Washington (a black volunteer who tries to keep petty criminals off the streets) are equally important as the sequences where the vigilantes battle hardcore thugs in the park. For the real die-hard fanatics of grisly early 80's cult cinema, "Death Vengeance" has quite a lot of brutal images to offer as well, like the drug store hold-up, but the violence never becomes gratuitous or overly exploitative. That alone is a remarkable accomplishment of director Lewis Teague ("Alligator", "Cujo"). The supportive cast is excellent as well, with Michael Sarrazin ("The Reincarnation of Peter Proud"), Yaphet Kotto ("Across 110th Street") and David "Sledge Hammer" Rasche! Is there an online petition anywhere to release this gem on DVD that I can sign?

Set in South Philadelphia, Italian-American John D'Angelo (Tom Skerritt) runs a family owned deli with his pregnant wife Lisa (Patti LuPone.)

The neighbourhood is going to the dogs. His wife wants to move. Then his best friend is shot, his mother is attacked with her fingers are amputated and his wife loses the baby.

John organises a vigilante group with best friend Vince Morelli (Michael Sarrazin) a cop to make the streets safe. They form the People's Neighborhood Patrol.

Only they stir up violence and are accused of being racially motivated by Ivanhoe Washington (Yaphet Kotto) a black activist.

John has a particular grudge against a black pimp. His success though has the local politicians worried. They think John might run for the council.

The film has mixed signals about vigilante justice. The issue being who polices their excesses and it is clear that John is targeting the local blacks.

Fighting Back is supposed to be a more cerebral version of Death Wish. In the end it is just another exploitation movie but with better actors.

Set in an Italian neighborhood of Philadelphia "Fighting Back" tells the story of a storekeeper(Tom Skerritt),who is outraged by an incident on the streets that results in his pregnant wife losing the baby and by a robbery in which his mother's ring finger is cut off.He organizes the local people into a security patrol.The patrol does wipe out crime but operates beyond the law with our vigilante carrying on more of a personal vendetta than a campaign to establish law and order."Fighting Back" by Lewis Teague is a taut and exciting revenge thriller obviously influenced by "Death Wish" movies.The film is well-acted and looks surprisingly authentic.There is not much violence on display,however if you are a fan of thought-provoking cinema you can't miss this gritty flick.8 out of 10.

Here's an almost criminally forgotten post Death Wish gem from director Lewis Teague.

Whilst perhaps not as violent, nor as rewarding purely entertainment wise as the aforementioned pinnacle of the vigilante/revenge genre, this film approaches the issue of taking the law into one's own hands in a very different (and perhaps more realistic) manner and succeeds in delivering a solid ninety or so minutes of highly gripping viewing.

The always superb Tom Skerrit headlines as Michael D'Angelo, a humble greengrocer who is pushed too far by a series of brutal events and who subsequently decides to fight back by setting up a citizens patrol force in order to clean up the area in which he lives. Not giving too much away, but fuelled by his anger at the both the suffering of those around him and additionally the blatant inefficiency of the police force to tidy up the neighbourhood, Michael's methods are very hands on, leading to a number of violent altercations with the criminal denizens in the district.

Despite the nature of the subject material (perfect exploitation fodder), the director and cast performances manage to instill a far deeper sentiment into this than that usually found in a typical vigilante/revenge flick of the era. In fact, far from a simple tale of one mans war on crime, this serves in effect as a fascinating study of the social degeneration and general feeling of hopelessness, powerlessness and despair so prevalent in today's society at the escalating crime statistics and inefficacy of the law system to punish those responsible. The simple message is that together, as communities we can unite and turn the tide against this abject unhappiness for both ourselves and indeed future generations.

Rousing stuff indeed and highly recommended.