IMDb-BEWERTUNG
6,0/10
930
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA Philadelphia shop owner forms a civilian patrol to stop neighborhood crime. The patrol's actions are seen as racially discriminatory, leading to escalating conflict.A Philadelphia shop owner forms a civilian patrol to stop neighborhood crime. The patrol's actions are seen as racially discriminatory, leading to escalating conflict.A Philadelphia shop owner forms a civilian patrol to stop neighborhood crime. The patrol's actions are seen as racially discriminatory, leading to escalating conflict.
- Regie
- Drehbuch
- Hauptbesetzung
Donna de Varona
- Sara Rogers
- (as Donna DeVarona)
Empfohlene Bewertungen
I love these 1970s and early 80s gritty movies, and in this regard, the film delivers. The large old American cars, the street scenery, the police, etc. all has that feel that you don't get in today's movie. But overall, the film fails to deliver. By the middle of the movie I was starting to get bored waiting for something more interesting to happen. Much of the movie is also unrealistic. The police seem virtually non-existent, which is not genuine (even if the point is that a neighborhood watch is needed). The rivalry with the pimp also made no sense, there were a series of meetings which just did not flow with the plot. Overall, you are unlikely to be very satisfied with this film, although it is reasonably watchable. This is why the rating is in the 5-6 range and the film remains obscure. The few reviewers who gave it an 8 to 10 rating are waaaaaaay over-rating the movie and do not know what a true 9 or 10 movie is (in my view, only 4-6 movies a year can really be called a 9 or 10).
Here's an almost criminally forgotten post Death Wish gem from director Lewis Teague.
Whilst perhaps not as violent, nor as rewarding purely entertainment wise as the aforementioned pinnacle of the vigilante/revenge genre, this film approaches the issue of taking the law into one's own hands in a very different (and perhaps more realistic) manner and succeeds in delivering a solid ninety or so minutes of highly gripping viewing.
The always superb Tom Skerrit headlines as Michael D'Angelo, a humble greengrocer who is pushed too far by a series of brutal events and who subsequently decides to fight back by setting up a citizens patrol force in order to clean up the area in which he lives. Not giving too much away, but fuelled by his anger at the both the suffering of those around him and additionally the blatant inefficiency of the police force to tidy up the neighbourhood, Michael's methods are very hands on, leading to a number of violent altercations with the criminal denizens in the district.
Despite the nature of the subject material (perfect exploitation fodder), the director and cast performances manage to instill a far deeper sentiment into this than that usually found in a typical vigilante/revenge flick of the era. In fact, far from a simple tale of one mans war on crime, this serves in effect as a fascinating study of the social degeneration and general feeling of hopelessness, powerlessness and despair so prevalent in today's society at the escalating crime statistics and inefficacy of the law system to punish those responsible. The simple message is that together, as communities we can unite and turn the tide against this abject unhappiness for both ourselves and indeed future generations.
Rousing stuff indeed and highly recommended.
Whilst perhaps not as violent, nor as rewarding purely entertainment wise as the aforementioned pinnacle of the vigilante/revenge genre, this film approaches the issue of taking the law into one's own hands in a very different (and perhaps more realistic) manner and succeeds in delivering a solid ninety or so minutes of highly gripping viewing.
The always superb Tom Skerrit headlines as Michael D'Angelo, a humble greengrocer who is pushed too far by a series of brutal events and who subsequently decides to fight back by setting up a citizens patrol force in order to clean up the area in which he lives. Not giving too much away, but fuelled by his anger at the both the suffering of those around him and additionally the blatant inefficiency of the police force to tidy up the neighbourhood, Michael's methods are very hands on, leading to a number of violent altercations with the criminal denizens in the district.
Despite the nature of the subject material (perfect exploitation fodder), the director and cast performances manage to instill a far deeper sentiment into this than that usually found in a typical vigilante/revenge flick of the era. In fact, far from a simple tale of one mans war on crime, this serves in effect as a fascinating study of the social degeneration and general feeling of hopelessness, powerlessness and despair so prevalent in today's society at the escalating crime statistics and inefficacy of the law system to punish those responsible. The simple message is that together, as communities we can unite and turn the tide against this abject unhappiness for both ourselves and indeed future generations.
Rousing stuff indeed and highly recommended.
Set in South Philadelphia, Italian-American John D'Angelo (Tom Skerritt) runs a family owned deli with his pregnant wife Lisa (Patti LuPone.)
The neighbourhood is going to the dogs. His wife wants to move. Then his best friend is shot, his mother is attacked with her fingers are amputated and his wife loses the baby.
John organises a vigilante group with best friend Vince Morelli (Michael Sarrazin) a cop to make the streets safe. They form the People's Neighborhood Patrol.
Only they stir up violence and are accused of being racially motivated by Ivanhoe Washington (Yaphet Kotto) a black activist.
John has a particular grudge against a black pimp. His success though has the local politicians worried. They think John might run for the council.
The film has mixed signals about vigilante justice. The issue being who polices their excesses and it is clear that John is targeting the local blacks.
Fighting Back is supposed to be a more cerebral version of Death Wish. In the end it is just another exploitation movie but with better actors.
The neighbourhood is going to the dogs. His wife wants to move. Then his best friend is shot, his mother is attacked with her fingers are amputated and his wife loses the baby.
John organises a vigilante group with best friend Vince Morelli (Michael Sarrazin) a cop to make the streets safe. They form the People's Neighborhood Patrol.
Only they stir up violence and are accused of being racially motivated by Ivanhoe Washington (Yaphet Kotto) a black activist.
John has a particular grudge against a black pimp. His success though has the local politicians worried. They think John might run for the council.
The film has mixed signals about vigilante justice. The issue being who polices their excesses and it is clear that John is targeting the local blacks.
Fighting Back is supposed to be a more cerebral version of Death Wish. In the end it is just another exploitation movie but with better actors.
Fighting Back was unknown to me until recently. I just grabbed the Blu Ray from Arrow Films. This differs greatly from the Death Wish movies(especially past the second movie). This looks at vigilantism in a realistic and intelligent way. This is also more blue collar/working class. An Italian American deli owner (Tom Skeritt) gets fed up with the rampant crime wave that is ruining his neighborhood. He gets a neighborhood group together and they start cracking heads. Their critics accuse them of racism as the majority of the people they go after are black. This is not a shoot em up action piece, most of the violence are brawls and are very gritty and realistic in their depiction. He ends up getting media attention and is drawn into politics. Skerit's neighborhood action group often goes beyond the law and this film looks at how a man changes from the beginning of the movie, to the end. The film has a lot to say about politics and American society at this time. I thought Fighting Back was a very good movie and it was well scripted, acted and directed.
Set in an Italian neighborhood of Philadelphia "Fighting Back" tells the story of a storekeeper(Tom Skerritt),who is outraged by an incident on the streets that results in his pregnant wife losing the baby and by a robbery in which his mother's ring finger is cut off.He organizes the local people into a security patrol.The patrol does wipe out crime but operates beyond the law with our vigilante carrying on more of a personal vendetta than a campaign to establish law and order."Fighting Back" by Lewis Teague is a taut and exciting revenge thriller obviously influenced by "Death Wish" movies.The film is well-acted and looks surprisingly authentic.There is not much violence on display,however if you are a fan of thought-provoking cinema you can't miss this gritty flick.8 out of 10.
Wusstest du schon
- WissenswertesCast members, Tom Skerritt and Yaphet Kotto, both previously had about three years earlier appeared in Alien: Das unheimliche Wesen aus einer fremden Welt (1979).
- SoundtracksYou're Nobody Till Somebody Loves You
(Instrumental)
Written by James Cavanaugh, Russ Morgan and Larry Stock
Top-Auswahl
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- How long is Fighting Back?Powered by Alexa
Details
Box Office
- Bruttoertrag in den USA und Kanada
- 3.355.948 $
- Eröffnungswochenende in den USA und in Kanada
- 1.624.381 $
- 23. Mai 1982
- Weltweiter Bruttoertrag
- 3.355.948 $
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