IMDb-BEWERTUNG
6,2/10
2904
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA down-and-out American boxer becomes involved in a feud between two Japanese brothers.A down-and-out American boxer becomes involved in a feud between two Japanese brothers.A down-and-out American boxer becomes involved in a feud between two Japanese brothers.
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What seems to be just another "east meets west" actioner is given the John Frankenheimer treatment and comes up a winner. Scott Glenn is fantastic as a loser boxer recruited to help escort a priceless family heirloom back to Japan, and by the end o f the film he rediscovers his worth as a human being and man. Frankenheimer has always dealt extremely well with themes of "manliness" and this one is no exception. For a good companion piece, check out his even better "round-eye on the loose in Japan" flick THE YAKUZA.
This action film from 1982 is pretty long in running time but the film is interesting and it is skillfully directed. (Sword)fighting scenes are great but not as great as in Hong Kong or Japan films.
Scott Glenn plays an American boxer who is thrown in the middle of a fight for two old swords. Two men who are enemies want the swords and Glenn has to decide on whose side he is..
This is not a classic but definitely not a bad film especially for fans of this kind of films. Action scenes and training scenes are great and Glenn is okay with his strong presence. He is great in Michael Mann's masterpiece The Keep, too.
6 out of ten and recommended to action fans only.
Scott Glenn plays an American boxer who is thrown in the middle of a fight for two old swords. Two men who are enemies want the swords and Glenn has to decide on whose side he is..
This is not a classic but definitely not a bad film especially for fans of this kind of films. Action scenes and training scenes are great and Glenn is okay with his strong presence. He is great in Michael Mann's masterpiece The Keep, too.
6 out of ten and recommended to action fans only.
Geez, I kinda like this one. It's an interesting look at Japanese culture from an outsider's viewpoint (compare it to The Hunted, with Christopher Lambert and Joan Chen). It makes good use of the same hotel as the one used for the Tyrell Corporation in Blade Runner, and the office/swordfight at the end is a hoot as Scott Glenn turns mere office equipment into deadly kung fu weaponry! Glenn's always worth seeing, even in this, one of his earlier works.
Wow, it's a crying shame that more people haven't seen this one. It's really a lot of fun to watch. Frankenheimer's direction is sharp (as always) and the performances from Glenn and Mifune are pretty okay. The fact that John Sayles worked on the screenplay is what first drew me to it. My expectations were definitively on the lower end (I mean Alligator, Battle Beyond the Stars and Piranha are fun, but.....). So I was pleasantly surprised to find a film that I ended up really enjoying. It's not as good as Sidney Pollack's somewhat similar Yakuza, but they'd make an interesting double feature. The final raid on Mifune's brother's complex is a nice finale.
The Challenge is one of those genre movies that is so good that it not only breaks the genre mold but gets lost in the shuffle, hidden by lots of other movies not nearly as good.
Scott Glenn and Toshiro Mifune give excellent and their usual intense performances as a budding samurai cum boxer and his instructor, bonding as the instructor is caught up in a clan feud with his brother.
This movie is good for three reasons. One reason is the normal steadfast performances of its stars. The second is the keen, insightful direction of John Frankenheimer, a grossly underrated director who helmed such classics as The Train, Ronin, and The Manchurian Candidate. And the third is the able kenjutsu (swordfighting)and aikido of a then unknown American martial arts instructor based in Japan who at the time was going by Steve Seagal. I guess I don't have to tell you who he grew up to be.
Scott Glenn and Toshiro Mifune give excellent and their usual intense performances as a budding samurai cum boxer and his instructor, bonding as the instructor is caught up in a clan feud with his brother.
This movie is good for three reasons. One reason is the normal steadfast performances of its stars. The second is the keen, insightful direction of John Frankenheimer, a grossly underrated director who helmed such classics as The Train, Ronin, and The Manchurian Candidate. And the third is the able kenjutsu (swordfighting)and aikido of a then unknown American martial arts instructor based in Japan who at the time was going by Steve Seagal. I guess I don't have to tell you who he grew up to be.
Wusstest du schon
- WissenswertesAccording to Scott Glenn, the original script was about a ruthless club fighter from California with no family and no real background who gets involved in bringing a sword to Japan, and through a lot of crazy adventures he winds up with a martial arts sensei. The core of the movie would have been about father and son finding each other from completely different cultures. After shooting started, Glenn became aware very quickly that all those character-driven scenes were either being cut or shortened to almost non-existence, and that he was doing a martial arts movie. Toshirô Mifune came to him and told him: "Look, this is what's happening. I'm disappointed, and I know you are, but this is what it is. So you can either have your heart broken every day, or you can use this experience as an opportunity to be spending an interesting time in Japan with me as your tour guide." Glenn accepted Mifune's offer.
- PatzerAfter Akiko disappears at the street festival, Rick runs into a guy with a walkie-talkie. As they're talking, people passing in the background look at the camera, duck, and run out of frame.
- Alternative VersionenThe movie was renamed "Sword of the Ninja" for the U.S. Television version shown and was drastically reedited by about ten minutes due to it's graphic violence (decapitations, gun play, etc.) It also features commercial interludes that go into a silver portrait that would stop the film where the commercial break would begin and then return to the film after the commercial with the same interlude fading back into the film. This version of the film has rarely been seen since the late 90's and has been shown it's original 108 min. uncut version on cable networks since then.
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Box Office
- Bruttoertrag in den USA und Kanada
- 2.977.706 $
- Weltweiter Bruttoertrag
- 2.977.706 $
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