IMDb-BEWERTUNG
5,5/10
9054
IHRE BEWERTUNG
Das friedliche Vorstadtleben eines ruhigen Mannes wird durch das neue, unausstehliche Paar, das nebenan einzieht, bedroht.Das friedliche Vorstadtleben eines ruhigen Mannes wird durch das neue, unausstehliche Paar, das nebenan einzieht, bedroht.Das friedliche Vorstadtleben eines ruhigen Mannes wird durch das neue, unausstehliche Paar, das nebenan einzieht, bedroht.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
Sherman G. Lloyd
- Fireman #1 (DOC)
- (as Sherman Lloyd)
Edward S. Kotkin
- Additional Fireman
- (as Edward Kotkin)
Empfohlene Bewertungen
Anyone familiar with John Belushi's work will remember him as rarely being reputed for his subtle acting style. While Aykroyd delivers his usual quality performance, for me, the brilliance of the film lies in Belushi's performance as a suburban loser. They say that outsiders are the best observers of any culture. Examples might be De Tocqueville's book Democracy in America or even Christian Bales's performance in American Psycho. In Neighbours, Belushi is no exception. He plays the suburban American loser better than the real thing! Consider his appearance, his sexual frustration, the way he automatically goes for the TV when he gets home, how he expects his wife to make dinner when he comes home from work... In fact, he's so devoted to this role that through the entire film he manages to invariably avoid slipping into the hysterical personality that made him famous. He is fantastic at satirizing everything that his lifestyle defies.
not a mainstream comedy by any means This movie fails on nearly every front but has 2 things going for it, the cast, its an almost forgotten piece of Ackroyd and Belushi in their prime, secondly its off kilter pace and atmosphere, these alone are enough to give it a place in my collection.
If your not into either of the above then give this a wide berth as its sure to disappoint. apparently the film had a difficult gestation and this seems plausible as its very inconsistent and aimless at times, shifting gear unexpectedly. an eclectic and patchy dark comedy it should suit die hard fans who want to see more of A&B
If your not into either of the above then give this a wide berth as its sure to disappoint. apparently the film had a difficult gestation and this seems plausible as its very inconsistent and aimless at times, shifting gear unexpectedly. an eclectic and patchy dark comedy it should suit die hard fans who want to see more of A&B
Belushi and Aykroyd team up for a dark comedy unlike any I've seen.
Earl (Belushi) is quietly living his life in the suburbs with his wife and daughter, but it takes a decided turn for the worse when a lunatic (Aykroyd) and his wife move in next door.
Earl's life is turned into a nonsensical nightmare by the new couple; Vic tells nonstop lies about everything including whether his 'home-made' spaghetti sauce came from a jar and if the spaghetti is from a non-existent Italian restaurant while his wife Ramona (Cathy Moriarty) alternately seduces and blackmails Earl. Particularly funny is the segment in which Earl tries to sneak out in the middle of the night for a rendezvous with Ramona, only to be caught by Vic, who is awake, on his rooftop, and wearing scuba gear.
I didn't really care for this movie the first time I saw it, because almost nothing made any sense. Now, it's one of the few movies I've purchased. I suppose it's an acquired taste, but don't give up too quickly on it. After all, Belushi isn't making any new ones, is he?
ps- Great musical score! No instruments lend themselves to bizarre going-ons quite as readily as a trombone and kazoo.
Earl (Belushi) is quietly living his life in the suburbs with his wife and daughter, but it takes a decided turn for the worse when a lunatic (Aykroyd) and his wife move in next door.
Earl's life is turned into a nonsensical nightmare by the new couple; Vic tells nonstop lies about everything including whether his 'home-made' spaghetti sauce came from a jar and if the spaghetti is from a non-existent Italian restaurant while his wife Ramona (Cathy Moriarty) alternately seduces and blackmails Earl. Particularly funny is the segment in which Earl tries to sneak out in the middle of the night for a rendezvous with Ramona, only to be caught by Vic, who is awake, on his rooftop, and wearing scuba gear.
I didn't really care for this movie the first time I saw it, because almost nothing made any sense. Now, it's one of the few movies I've purchased. I suppose it's an acquired taste, but don't give up too quickly on it. After all, Belushi isn't making any new ones, is he?
ps- Great musical score! No instruments lend themselves to bizarre going-ons quite as readily as a trombone and kazoo.
The people at Columbia must have thought this was a surefire winner when they saw the inital idea for this film; with a simple but potentially funny premise and two capable and talented stars, how could it miss?
Unfortunately it does and by a long way. The blame for this shouldn't be at Belushi and Aykroyd's feet as they do what they can with their limited roles; the blame should be with an unfunny and illogical script and very uninspired direction. As a result, there are only a couple of amusing moments in the film.
Two things underline what is wrong with this film. Firstly, the film's music score is atrocious (some earlier reviews disagree on this); it's so heavy-handed and obvious that it almost single-handedly ruins the comedy potential of the film's opening scenes. The film may have been better off without a music score at all.
Secondly, the character of Enid Keese is so poorly constructed that she negates to a large extent the laughs created by the three other main characters in the film; her character simply makes no sense. For example, when her daughter comes back and announces that she has been kicked out of school, while Earl is understandably upset by this Enid hardly seems bothered by it at all.
Unfortunately it does and by a long way. The blame for this shouldn't be at Belushi and Aykroyd's feet as they do what they can with their limited roles; the blame should be with an unfunny and illogical script and very uninspired direction. As a result, there are only a couple of amusing moments in the film.
Two things underline what is wrong with this film. Firstly, the film's music score is atrocious (some earlier reviews disagree on this); it's so heavy-handed and obvious that it almost single-handedly ruins the comedy potential of the film's opening scenes. The film may have been better off without a music score at all.
Secondly, the character of Enid Keese is so poorly constructed that she negates to a large extent the laughs created by the three other main characters in the film; her character simply makes no sense. For example, when her daughter comes back and announces that she has been kicked out of school, while Earl is understandably upset by this Enid hardly seems bothered by it at all.
Leonerd Maltin's crazy. This movie was before it's time and had me puking. It's been on cable every day for the last few months and I've watched it every time. The ideas behind this movie are awesome. Watch this movie just for the swamp and the tow truck driver. May be Dan Ackroyd's best performance.
Wusstest du schon
- WissenswertesJohn Belushi was originally cast in the role of Vic and Dan Aykroyd in the role of Earl. The two decided to switch roles just prior to filming the movie. As such, Belushi and Aykroyd starred in this movie acting against type, loud-mouthed Belushi played a quiet character whilst the meeker Aykroyd played an over-the-top character.
- PatzerAfter Vic's dog Baby is heard barking in Enid and Earl's bedroom, we never hear or see the dog again, even after Vic, Ramona and Earl leave Bird Street.
- Zitate
Vic: In light of Earl's feelings, I think it would be best if we left.
Enid Keese: Oh, no, no. Sit down, sit down. Let's finish this magnificent meal. Don't worry about Earl. He'll get over his feelings.
Vic: He spurned my sauce!
Enid Keese: No, he loves your sauce. He's just jealous, he can't cook.
- Crazy CreditsA gunshot can be heard after the end credits.
- Alternative VersionenThe movie's original cut had a very dark ending with Earl getting killed, but the studio re-edited the film with a happy ending with Earl leaving home and joining Vic and Ramona on their adventures.
- SoundtracksHello, I Love You
Written by Jim Morrison (uncredited), Robby Krieger (uncredited), Ray Manzarek (uncredited) and John Densmore (uncredited)
Performed by The Doors
Courtesy of Elektra Records
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Neighbors
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 8.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 29.916.207 $
- Eröffnungswochenende in den USA und in Kanada
- 6.481.386 $
- 20. Dez. 1981
- Weltweiter Bruttoertrag
- 29.916.207 $
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Oberste Lücke
By what name was Die verrückten Nachbarn (1981) officially released in India in English?
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