Zwei wie Katz und Maus

Enjoyable as 'The Blues Brothers' was, it didn't really get a chance to show the versatility of John Belushi's acting talent, or his quieter side. 'Continental Divide' does both - it's a love story which isn't outrageous or slapstick, but genuinely sweet and funny.

Belushi plays a reporter, Ernie, who takes a vacation from sniffing out corruption in Chicago's high places to get a story on a reclusive female scientist (Blair Brown), who is doing just nicely, holed up in the Rocky Mountains. Ernie isn't really the mountain type but as both characters evolve, he becomes more suited to the hard life.

Some corny moments exist in this movie, but it isn't bad at all. It feels a bit like a TV movie rather than a big budget cinema piece (although the locations are beautiful), but it does show there was more to Belushi than you might guess from watching 'National Lampoon's Animal Vacation' or '1941'.

John Belushi - who would have turned 58 today - is remembered as Bluto Blutarsky ("Animal House"), Wild Bill Kelso ("1941"), Jake Blues ("The Blues Brothers"), and various "SNL" characters; all totally wacky. In "Continental Divide", he got what was probably his one serious role. Although most people pooh-poohed it, I didn't find it that bad. As a Chicago reporter developing a relationship with an eagle researcher (Blair Brown) in the Rocky Mountains, Belushi got the chance to say that he had one serious role before his untimely death. If that is the movie's only real strength, then so be it. It may be worth seeing just for that.

And if I may add one thing: people need to give "1941" another chance.

I really enjoyed this movie. No, it is not the deep heady stuff, nor it is a slapstick comedy. It is a movie about two people living in different worlds that cross paths, fall in love, and so on. For Belushi, this role is as much of a course change as it is for his character when he goes into the mountains. This is as far from SNL, Animal House and The Blues Brothers and Being There is from the Pink Panther Movies and Dr. Strangelove for Peter Sellers. Blair Brown's character (Nell Porter) is totally hot in that special, wholesome, outdoors way. You can how a guy could fall for her.

All in all, this is a fine movie to rent for a night of popcorn, or maybe trail mix munching, with the family. Don't wrap yourself up too tight in trying to analyze every little nuance of the movie, like so many of the wannabe critics that inhabit these reviews. Just sit back, relax, and enjoy the show.

I loved this movie when it first came out, and after catching it again recently, I was reminded of why I liked it so much. John Belushi is so good and so funny, it reminds me again of how sad it was to lose this comedy gem. And it's always great to see Blair Brown, one of our best actresses ever. Seeing her in her prime again is delightful. I was also impressed at how well it holds up over time. It's a shame it was critically panned and did poorly at the BO when it came out, b/c in a decade full of strange movies, this is a standout, and now, IMHO, a classic. And the best part? Being reminded that the Bald Eagle population in the early 80s was only 2,000 in North America, and now it's in the six figures. The mountain lion scene is a little far-fetched, but, goodness, that is a gorgeous cat.

John Belushi's screen persona is fixed in most peoples minds thanks to his performances in the raucous, knock-about comedies 'The Blues Brothers' and 'Animal House'. But here he gets the rare chance to put in a performance of exceptional depth and nuance. Belushi plays hard-boiled investigative journalist Ernie Souchak who finds himself a little too close to some major City Hall corruption, and so, on the advice of his editor and friend, he heads to the mountains of Colorado, to chill and to write a piece on a reclusive conservationist, played to exquisite perfection by Blair Brown.

The film begins as a serious piece on political corruption but soon turns into a charming, bittersweet 'fish-out-of-water' romance. The scenes set amongst the Colorado mountains feature some of the most breathtaking cinematography I've ever seen. The movie belongs to John Belushi though. He puts in a splendid mature performance, dominating the action like a major presence. It is through this movie, rather than his more famous works, that I feel we now sense the feeling of loss that his tragic early death gave the world of cinema. He carries all the weight and clout of a genuinely gifted actor, and his comic timing, even in the smallest scenes, is a joy to behold. Blair Brown, too, is another enigma. Why is she not much more famous than she is? Her performance is both tough and sexy, and she and Belushi make a great screen partnership. Throw into the mix one of the rare screen appearances from the great Tony Ganios, and this really is a movie worthy of rediscovery.

Watch for it.