Nach einer bizarren und fast tödlichen Begegnung mit einem Serienmörder wird eine Fernsehnachrichtensprecherin in ein abgelegenes Berggebiet geschickt, dessen Bewohner vielleicht nicht das s... Alles lesenNach einer bizarren und fast tödlichen Begegnung mit einem Serienmörder wird eine Fernsehnachrichtensprecherin in ein abgelegenes Berggebiet geschickt, dessen Bewohner vielleicht nicht das sind, was sie zu sein scheinen.Nach einer bizarren und fast tödlichen Begegnung mit einem Serienmörder wird eine Fernsehnachrichtensprecherin in ein abgelegenes Berggebiet geschickt, dessen Bewohner vielleicht nicht das sind, was sie zu sein scheinen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 3 Nominierungen insgesamt
- Lew Landers
- (as Jim McKrell)
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Easily one of the most historically popular werewolf films out there deserves some attention, right? Well of course. And since lately I'm getting more and more into werewolf films, I figured it was high time I actually bought this one and reviewed it. This, along with American Werewolf in London, were the two films that revolutionized werewolf movies and transformed them from just some guy running around bein' all hairy and strangling people. On top of it all, we have Joe Dante (Piranha, Gremlins) directing. Good times will be had by all!
This film revolves around a news anchor-woman who is helping the police track down a serial killer, made all the easier by the fact that he's taken an interest in her. Well, everything goes just awful and she ends up traumatized. Her shrink suggests she and her husband take a comfortable, soothing vacation in a community that he's a major part of. Of course, the movie is helped along by the fact that the town just happens to be chock full of werewolves who can't seem to decide whether to eat these new people or have them join up.
Here's the breakdown:
The Good:
--We've got some beautiful and unique looking werewolves here. The first one we have a very clear view of, in the doctor's office, almost resembles some creature that's part wolf, part man, and part cat. It just kind of had that feel--not that it's bad, I liked it.
--Interesting story, one of the better ones in the world of werewolves.
--The acting is pretty good, one has to consider the fact that a lot of actors just don't take these kinds of roles seriously enough. So finding a movie like this where they do is quite nice.
--Naked transforming werewolf sex scene by a campfire. Hmmm... maybe this should be the Memorable Scene....
--Average amounts of violence--more a suspenseful werewolf film than a visually disturbing one. The gore, while only occasional, is really good.
--Nice mystery story wrapped up in here.
Didn't Hurt It, Didn't Help:
--Decent music, somewhat average for these kind of movies.
--Dee Wallace-Stone's acting occasionally isn't quite up to par, shall we say...
--One werewolf transformation sequence is actually animated--like with cell animation and it doesn't look very good. It's brief and small, and doesn't detract from the film's overall quality.
--Dee Wallace's friends in the movie really seem to adopt the notion of werewolves rather easily--I would think it would be hard to accept that idea... oh well...
The Bad:
--Some two-dimensional characters.
--This film is in a series notorious for it's much crappier releases, but that's really about all there is that's not to like.
The Ugly:
--Robert Picardo (the hologram doctor from Star Trek: Voyager) plays the ultimate bad-ass werewolf--and boy, his face doesn't look good all charred with acid...
Memorable Scene:
--Robert Picardo's werewolf in the Doctor's office. Oh, and that werewolf transformation sex scene. That was pretty hot.
Acting: 8/10 Story: 9/10 Atmosphere: 9/10 Cinematography: 8/10 Character Development: 8/10 Special Effects/Make-up: 8/10 (some less than fancy stop-motion, and one bit of obvious animation) Nudity/Sexuality: 4/10 Violence/Gore: 8/10 (Average amount, but very high quality) Sets/Backgrounds: 9/10 Dialogue: 7/10 Music: 7/10 Writing: 8/10 Direction: 9/10
Cheesiness: 1/10 Crappiness: 0/10
Overall: 8/10
A horror must-see. One of the classic werewolf films. Personally, I think Dog Soldiers may still be a little better, but that's just me. For horror fans and a great piece for non-horror fans to find out what a good werewolf movie should look like--sans CG werewolves.
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While not as good as 'An American Werewolf in London', not quite a classic and not without imperfections, 'The Howling' managed to be a highly effective and solid film of the genre and as an overall film. If asked whether it seems like it has held up well, my answer would be it seems as though it has. It's entertaining and has unsettling moments, while also being surprisingly well made and made by someone with a clear love for the genre with quite a number of affectionate touches. As far as 'The Howling' franchise goes, this is by far the best having found the follow-ups a very mixed bag. When it comes to films centred around werewolves, it's also one of the better ones.
'The Howling' may take too long to get going, with a relatively uneventful first stretch, and is not without its dull spots.
Regarding the acting, it is variable with Christopher Stone looking as though he was not very interested in his role or the film, his acting resembles that of sleep-walking. Dee Wallace fares much better, she is appealing and looks engaged but she is not without her not so good spots, particularly in some of her reactions.
On the other hand, 'The Howling' does look great. There is a lot of atmosphere and it is very stylishly photographed, the secluded setting also adding a lot. In this regard though, faring best are the pretty amazing special effects/make-up. The score looms ominously very effectively and Joe Dante directs with an assured hand, never ill at ease or losing control of the material, and with clear affection of the genre.
Standing out too are the sharp and witty script, a very successful attempt at turning genre cliches on their heads and doing things fresh with them and some quite decent characters that don't bore or annoy, some named after horror incons such as Freddie Francis and Terrence Fisher. In particularly the second half when things do properly get going, there is a suspenseful and unsettling atmosphere and actually did think there were some nicely timed scares. The werewolf transformations are highly imaginative and look great even today. Although the acting is variable, the horror stalwarts involved fare very well, they are accomplished and clearly know what they were doing. John Carradine is the clear standout here.
In conclusion, solid atmospheric fun with bite. 7/10 Bethany Cox
A classy horror movie that gives the quirkness and wit of the vintage wolfman genre. The motion picture displays action, suspense, terror with fun touches. Crammed with inside jokes, this horror-comedy pioneered the use of the body-altering prosthetic make-up (by Rob Bottin) now essential for on-screen man-to-wolf transformations. In ¨The Howling¨ stands out a great support cast cast with plenty of familiar faces, such as: Patrick Macnee, Belinda Balaski, Dennis Dugan John Carradine, Slim Pickens, Elisabeth Brooks, Noble Willingham, Robert Picardo, Kevin McCarthy,Kenneth Tobey, Dick Miller, among others. The motion picture was competently directed by Joe Dante. Rating: 7.5/10, better than average.
Followed by six sequels: ¨The Howling 2, your sister is a werewolf¨ 1985 by Philippe Mora with Christopher Lee, Sybil Danning, Marsha Hunt, Reb Brown. ¨Howling 3, The marsupials¨ 1987 by Philippe de Mora with Barry Otto, Michael Pate, Frank Thring Jr. ¨The Howling 4, The original nightmare¨ 1988 by John Hough with Romy Windsor, Michael T Weiss, Anthony Hamilton. ¨Howling 5, The Rebirth¨ 1989 by Neal Sundstrom with Philip Davis, Ben Cole, Victoria Catlin. ¨The Howling 6, The Freaks¨ 1990 by by Hope Perello with Michelle Matheson, Brendan Hughes, Antonio Fargas. ¨The Howling 7, New moon rising¨ 1995 by Clive Turner with Romy Windsor, Jacqueline Armitage, Clive Turner, Elizabeth She.
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- WissenswertesRick Baker was originally doing the special effects for this movie, but he left to do American Werewolf (1981), leaving the effects job for this movie in the hands of assistant Rob Bottin. Both this movie and "American Werewolf" were released the same year and both received praise for their makeup work.
- PatzerSlim Pickens is shot twice with the shots coming almost on top of each other in quick succession. However, he is shot with a manual bolt-action rifle making that impossible.
- Zitate
Boy watching TV: Wow!
Mother's voice (offscreen): What are you kids watching?
Girl watching TV: The newslady's turned into a werewolf!
- Crazy CreditsAt the very end of the credits, there is a brief clip from Der Wolfsmensch (1941).
- Alternative VersionenIn the French video version (TF1) The scene where "Eddie" rips a bullet out of his forehead just before turning into a werewolf is missing. The theater version was uncut though.
- SoundtracksHowling Chicken
Written by Rick Fienhage and Joyce Fienhage
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- Budget
- 1.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 17.985.893 $
- Weltweiter Bruttoertrag
- 17.985.893 $