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IMDbPro

Die verrückten Nachbarn

Originaltitel: Neighbors
  • 1981
  • 12
  • 1 Std. 34 Min.
IMDb-BEWERTUNG
5,5/10
9071
IHRE BEWERTUNG
John Belushi, Dan Aykroyd, and Cathy Moriarty in Die verrückten Nachbarn (1981)
Official Trailer
trailer wiedergeben2:35
1 Video
43 Fotos
SatireSchwarze KomödieKomödie

Das friedliche Vorstadtleben eines ruhigen Mannes wird durch das neue, unausstehliche Paar, das nebenan einzieht, bedroht.Das friedliche Vorstadtleben eines ruhigen Mannes wird durch das neue, unausstehliche Paar, das nebenan einzieht, bedroht.Das friedliche Vorstadtleben eines ruhigen Mannes wird durch das neue, unausstehliche Paar, das nebenan einzieht, bedroht.

  • Regie
    • John G. Avildsen
  • Drehbuch
    • Thomas Berger
    • Larry Gelbart
  • Hauptbesetzung
    • John Belushi
    • Dan Aykroyd
    • Kathryn Walker
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,5/10
    9071
    IHRE BEWERTUNG
    • Regie
      • John G. Avildsen
    • Drehbuch
      • Thomas Berger
      • Larry Gelbart
    • Hauptbesetzung
      • John Belushi
      • Dan Aykroyd
      • Kathryn Walker
    • 108Benutzerrezensionen
    • 28Kritische Rezensionen
    • 47Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Nominierungen insgesamt

    Videos1

    Neighbors
    Trailer 2:35
    Neighbors

    Fotos43

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 37
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    Topbesetzung18

    Ändern
    John Belushi
    John Belushi
    • Earl Keese
    Dan Aykroyd
    Dan Aykroyd
    • Vic
    Kathryn Walker
    Kathryn Walker
    • Enid Keese
    Cathy Moriarty
    Cathy Moriarty
    • Ramona
    Igors Gavon
    • Chic
    Dru-Ann Chuckran
    • Chic's Wife
    Tim Kazurinsky
    Tim Kazurinsky
    • Pa Greavy
    Tino Insana
    Tino Insana
    • Perry Greavy
    P.L. Brown
    P.L. Brown
    • Police Officer #1
    Henry Judd Baker
    Henry Judd Baker
    • Police Officer #2
    Lauren-Marie Taylor
    Lauren-Marie Taylor
    • Elaine Keese
    Sherman G. Lloyd
    • Fireman #1 (DOC)
    • (as Sherman Lloyd)
    Bert Kittel
    • Fireman #2
    J.B. Friend
    • Additional Fireman
    Bernie Friedman
    • Additional Fireman
    Edward S. Kotkin
    • Additional Fireman
    • (as Edward Kotkin)
    Michael Manoogian
    • Additional Fireman
    Dale Two Eagles
    • Mr. Thundersky
    • Regie
      • John G. Avildsen
    • Drehbuch
      • Thomas Berger
      • Larry Gelbart
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen108

    5,59K
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    Empfohlene Bewertungen

    Docterry

    However unpopular, this is my Belushi favorite.

    My memories of real youth, like from five to ten years old are completely blurred for the most part but for some reason I remember watching John Belushi movies. I remember going to see `Neighbors' and `Continental Divide' in the theater! I haven't really examined this but basically since I was born I have adored John Belushi. I remember renting `Neighbors' when the VCR was a new item and I'd watch it over and over again. I guess I was a pretty strange ten-year old. Memories of watching his movies, his death and whatever else are still with me in strange little flashes.

    I find `Neighbors' to be his best work. This is a controversial opinion! I've recently reread Woodward's `Wired' and it seems John detested everything about this movie. He had sincere hatred for the director, Alvidsen- he continually asked to replace him. Yet, John's biggest concern for `Neighbors', again citing from Woodward's book, was the soundtrack. He wanted it to be punk rock and Holy Christ did it ever wind up the antithesis. Of course I would love to have seen `Neighbors' done the way John would have intended it but I still am very fond of this movie as is. I think Alvidsen did a great job of bottling all of John's manic energy and I think he summoned his best performance. It's such a strange contradiction that, again from reading `Wired', John wanted desperately to lose the `Bluto' stigma and prove he could be a versatile actor. This role reversal gave him that chance and yet he was against this film from the beginning.

    I think `Neighbors' is fantastic. It's like `Who's Afraid Of Virginia Woolf' on acid or something. This film should be examined by future filmmakers as an example of how what seems like all the wrong ingredients can make a positive and an unforgettable piece of cinema in the end.
    momaximus

    Something people tend to overlook

    Anyone familiar with John Belushi's work will remember him as rarely being reputed for his subtle acting style. While Aykroyd delivers his usual quality performance, for me, the brilliance of the film lies in Belushi's performance as a suburban loser. They say that outsiders are the best observers of any culture. Examples might be De Tocqueville's book Democracy in America or even Christian Bales's performance in American Psycho. In Neighbours, Belushi is no exception. He plays the suburban American loser better than the real thing! Consider his appearance, his sexual frustration, the way he automatically goes for the TV when he gets home, how he expects his wife to make dinner when he comes home from work... In fact, he's so devoted to this role that through the entire film he manages to invariably avoid slipping into the hysterical personality that made him famous. He is fantastic at satirizing everything that his lifestyle defies.
    jojoroxx

    A lost classic

    In the times I have seen this movie(too many to count). I always find more to it.I enjoy this lost classic from the late great John Belushi more than so many over produced conventional movies and more than almost all of the SNL cast made movies.Belushi and Acroyd,a duo who didn't do enough together.

    See this movie!
    phil-257

    Despite the bad critical reception, a gem of a film

    A plot synopsis here would be something of a waste of time, as one or more already appear on this site, but I felt some comments might attract another viewer to this unique film. The movie was very poorly received upon its release, by critics and audience alike. Many fans of Belushi and Aykroyd did not take to their reversal of what was typically their typecasts: here Belushi plays the straight man against Aykroyd's lunatic, which is what I beleive makes the movie so incredibly funny.

    On another note: when watching this film, give some attention to the soundtrack, brilliantly done by Bill Conti. The soundtrack, which would probably not work with any other movie, fits Neighbors perfectly. Using the Wagnerian technique of leitmotives, Conti assigns themes to each character: Earl is portrayed by some "shlub" music on bass trombone, Vic gets an eerie theremin melody, Ramona's appearances are always underscored by a sultry saxophone, and native american drums accompany Earl's wife Enid. The way the music underlines the drama is hard to describe without sounding like it cheaply "mickey-mouses" the actions onscreen, so I will forgo an in-depth analysis.

    Suffice to say: great movie, brilliant soundtrack.
    hogum

    John Belushi's diamond in the rough

    Leonerd Maltin's crazy. This movie was before it's time and had me puking. It's been on cable every day for the last few months and I've watched it every time. The ideas behind this movie are awesome. Watch this movie just for the swamp and the tow truck driver. May be Dan Ackroyd's best performance.

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    Handlung

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    • Wissenswertes
      John Belushi was originally cast in the role of Vic and Dan Aykroyd in the role of Earl. The two decided to switch roles just prior to filming the movie. As such, Belushi and Aykroyd starred in this movie acting against type, loud-mouthed Belushi played a quiet character whilst the meeker Aykroyd played an over-the-top character.
    • Patzer
      After Vic's dog Baby is heard barking in Enid and Earl's bedroom, we never hear or see the dog again, even after Vic, Ramona and Earl leave Bird Street.
    • Zitate

      Vic: In light of Earl's feelings, I think it would be best if we left.

      Enid Keese: Oh, no, no. Sit down, sit down. Let's finish this magnificent meal. Don't worry about Earl. He'll get over his feelings.

      Vic: He spurned my sauce!

      Enid Keese: No, he loves your sauce. He's just jealous, he can't cook.

    • Crazy Credits
      A gunshot can be heard after the end credits.
    • Alternative Versionen
      The movie's original cut had a very dark ending with Earl getting killed, but the studio re-edited the film with a happy ending with Earl leaving home and joining Vic and Ramona on their adventures.
    • Verbindungen
      Featured in Sneak Previews: Neighbors, Sharky's Machine, Ghost Story, Pennies from Heaven (1981)
    • Soundtracks
      Hello, I Love You
      Written by Jim Morrison (uncredited), Robby Krieger (uncredited), Ray Manzarek (uncredited) and John Densmore (uncredited)

      Performed by The Doors

      Courtesy of Elektra Records

    Top-Auswahl

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    FAQ19

    • How long is Neighbors?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 25. März 1982 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Sony Movie Channel (United States)
    • Sprachen
      • Englisch
      • Deutsch
    • Auch bekannt als
      • Neighbors
    • Drehorte
      • Staten Island, New York City, New York, USA
    • Produktionsfirmen
      • Brillstein Company
      • Columbia Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 8.500.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 29.916.207 $
    • Eröffnungswochenende in den USA und in Kanada
      • 6.481.386 $
      • 20. Dez. 1981
    • Weltweiter Bruttoertrag
      • 29.916.207 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 34 Min.(94 min)
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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