Insel der neuen Monster

This movie surprised me. The box is misleading, the tagline is misleading and the costumes and tone of the film are misleading. The movie is quite gory, well-acted and beautifully shot. The special-effects are top-notch and seem to be ahead of their time, until you realize this movie came out in 1979, not in 1963 like it's tone would suggest. It is a unique take on the Dr. Moreau story, and one of the better versions filmed. The first fifteen minutes are the highlight and the most shocking, but the film doesn't ever really fall apart. Definitely worth-seeing if you are a fan of dramatic costume/horror classics and gore-fests.

Menacingly marooned upon this desolated isle of multitudinous madness, malevolently manhandled by increasingly malign mermen, and tormented by a tyrannical toffee nosed toff (Richard Johnson), these ragged, starveling, long-suffering sailors fatefully discover that its gill or be killed in genre maestro, Sergio Martino's small scale, sinisterly subaquatic shocker 'Island of The Fishmen'. Luridly Lovecraftian, and teasingly exotic, this unfathomably fabulous, successfully genre-bending 70s creature feature is certain to get its hooks deep into you long before the final reel!

Handsomely shot, with an engagingly boy's own text, beloved Euro-cult icons, Richard Johnson, Claudio Cassinelli, and the exquisitely beautiful Barbara Bach provide the weighty dramatic ballast that keeps this far from waterlogged, frequently fin-tastic Italian fright-flick afloat! No mere B-Movie minnow, this leviathan of diabolical dentistry proves to be kinkier than Jules Verne, delves deeper into twisted animalistic terror than H. G. Wells, and delivers more shocks than a startled stingray! Long neglected, Sergio Martino's far-flung fright-fest now sparkles on remastered HD, revealing a dazzlingly toothsome treasure chest of tantalizing terror for future horror fans to discover! Not only is Martino's rip roaring, high seas adventure enormously fun to watch, the sinfully scrumptious, brine-soaked Barbara Bach is quite ravishing to behold, and the beguilingly boggle-eyed mermen make for uncommonly striking protagonists.

I saw this film in a movie theater in Rochester, NY sometime in the mid 80s. I was fascinated by the tag line "You will see a man turned inside-out!" What I saw on the screen really didn't impress me too much, but, considering 15 minutes had been hacked out of it, I'm not surprised at how bad the finished product was.

In the years since then I've learned more and more about European filmmakers such as Martino, Argento, Fulci, Franco and others. In fact, I now have several Martino dvds and have been impressed by his talent. I hope to get my hands on a version of this movie that is truer to the director's vision. I'm sure it couldn't be too much worse than what I saw lo those many years ago.

Survivors of an ill-fated French vessel (Claudio Cassinelli, et al.) end up on a nameless Caribbean isle run by a self-appointed despot (Richard Johnson) who supports the dubious experiments of a sickly professor (Joseph Cotton). Barbara Bach is on hand as the latter's daughter.

"Screamers" (1981) is the recut American version of the Italian "Island of the Fishmen" (1979), which adds an unnecessary and irrelevant 12-minute prologue to beef up the horror, as well other negligible changes. People usually say "Screamers" is the superior version, but I've never seen the original to compare the two.

In any case, this is an adventure/horror that mixes "Mysterious Island" (1961) and "The Island of Dr. Moreau" (1977) with the amphibian monsters of "Creature from the Black Lagoon" (1954) & "Humanoids from the Deep" (1980) yet with the Italian style (and cast) of "The Great Alligator" (1979). Whilst this is the least of these, it's not far off. If you're in the mood for deserted island adventure mixed with horror you can't go wrong.

Regrettably, except for Bach's face and the blonde in the prologue, there's little feminine appeal. The creators needed to study the wise usage of Beth Rogan in "Mysterious Island" (1961) and Dana Gillespie in "The People that Time Forgot" (1977).

The film runs about 1 hour, 30 minutes, and was shot in Sardinia & Nuoro, Italy, with interiors done in Rome. The fog-laden night prologue was shot in Bronson Canyon, Griffith Park, Los Angeles; the volcanic shots were done in Maui, Hawaii.

GRADE: C+

Screamers is an Italian fantasy film (L'Isola degli Uomini Pesce) bought by Roger Corman and released through his New World Pictures. Of course Corman has to carve his initials on it by having one of his lackeys (Dan T. Miller) direct some additional gore footage before he has it released in the states.

L'Isola degli Uomini Pesce is a very entertaining retelling of the Island of Dr. Moreau. It is 1891 and Claudio Cassinelli is shipwrecked on a mysterious island with a few newly escaped convicts. Claudio comes across the stellar Barbara Bach and Richard Johnson. Johnson plays the dastardly Edmund Rackham: a man who is able to manipulate scientist Joseph Cotton into turning the local native population into amphibious deep-sea diving creatures, (they look like a cross between the Black Lagoon creature and one of The Humanoids From the Deep), by convincing Cotton that the mutations are being created for the highest of scientific and humanitarian motives.

Having discovered the lost city of Atlantis, Rackham is using the amphibious creatures to loot its treasures. Sexy Barbara Bach plays Cotton's daughter who has a psychic link with these mutations. In one memorable scene, Bach takes a midnight swim with these mutants wearing only a thin white cotton dress that leaves little to the imagination. Claudio discovers one of the convicts he has befriended has been turned into a gill-creature and then all Hell breaks loose.

Filmed at the same time and in the same location as Zombi 2, Richard Johnson didn't even have to change suits between films. The house where the experiments take place is the same house Johnson uses to conduct experiments in Zombi 2. Talk about economic filmmaking!

The additional footage features a few bloody beheadings, (way to go Roger!), and a laughably bad Cameron Mitchell doing his best pirate imitation. All that's missing is the parrot.

Spanish title: Le Continent Des Hommes Poissons