IMDb-BEWERTUNG
6,2/10
7527
IHRE BEWERTUNG
Die Geschichte des professionellen Kopfgeldjägers Ralph "Papa" Thorson.Die Geschichte des professionellen Kopfgeldjägers Ralph "Papa" Thorson.Die Geschichte des professionellen Kopfgeldjägers Ralph "Papa" Thorson.
- Auszeichnungen
- 1 wins total
Thomas Rosales Jr.
- Bernardo
- (as Tom Rosales)
Teddy Wilson
- Winston Blue
- (as Theodore Wilson)
Margaret Mary O'Hara
- Child on Subway
- (as Margaret O'Hara)
Dea St. Lamont
- Woman Bartender
- (as Dea St. La Mount)
Empfohlene Bewertungen
"The Hunter" is no masterpiece, certainly, and not on a par with Steve McQueen's classics from the 1960's. But it did showcase a looser, more easy going McQueen and showed a direction he might have gone further in during the 1980's had he lived. Certainly its no worse than a lot of the films Clint Eastwood and Burt Reynolds were churning out in this time period. I enjoyed the movie, its certainly watchable, but it is hampered by what seems like a made-for-TV look and budget at times (Steve McQueen couldn't get a bigger budget??). The musical score sucks in the way many 70's and 80's films did, and there's one howlingly ludicrous classroom scene featuring Kathryn Harrold as McQueen's girlfriend. But its all about McQueen in his final performance really. Fortunately he looks pretty good in this film, at least better than he did in "Tom Horn" and "An Enemy of the People" and he also looks like he was having a pretty good time. It was also nice to see him in his final film go full-circle playing a modern equivalent to his break-through role as a bounty hunter in "Wanted:Dead or Alive", which was where I first became a fan of McQueen's. He was a true movie star and a man's man and I still miss him.
"Tom Horn," Steve McQueen's second to last feature, would have been a more appropriate swan song for the legendary star than this rather ramshackle production, but this action picture is much better than it is usually given credit for. There is an almost TV look about it (the director, Buzz Kulik, has amassed more credits for the small screen than he has in theatrical films), but McQueen, looking for all the world like the picture of health (a year after the film was shot, he'd be dead), is terrific and he makes it all worthwhile. The supporting cast isn't too shabby either, especially Kathryn Harrold as McQueen's woman, and, of course, the always welcome Eli Wallach.
This, of course, was McQueen's last role. It is nothing grand, and for the most part there really is no plot, but it is still a rather good movie. This movie revolves around McQueen's character who is a bounty hunter. This movie shows him go after various people and also shows his home life...which is a bit unique too. He goes after super big rednecks, small time crooks, crazy guys who blow things up, and one rather dangerous individual. Someone who he captured in the past also stalks him. All in all it isn't the greatest movie, but it mixes action and humor well. Even though McQueen was feeling the effects of his illness during the shooting of this one, he still does a great job.
When i decided to watch all of Steve McQueen's films, i went the opposite direction and watched this film first, rather than starting with his early films. There seems to be a curse with great actors doing terrible films right before they pass away. Robert Shaw, Bette Davis, Peter Sellers, Henry Fonda (Fonda seemed to have appeared in just about every disaster film before his death in 1981), to name a few. I beg to differ in Steve McQueen's case. Sure this film isn't an earth shattering, Oscar winning experience. Sure this film seems like it was made for TV. Sure this film isn't McQueen's best work. But the great acting alone from McQueen, good supporting work from LeVar Burton and Eli Wallach, and the great subway chase at the end of the film, certainly raises this film above made for TV fare. So, to you Leonard Maltin, this film is NOT McQueen's worst film. It's a fine end to a great career for the King Of Cool.
There are moments of greatness from McQueen in this, his final picture. That persona of cool that he will always be remembered for is put to the test one more time. The story isn't unique or earth shattering, but die hard fans of the legendary star will not be disappointed.
Wusstest du schon
- WissenswertesSteve McQueen was diagnosed with cancer the month after filming had ended. He first began to suspect his condition in the autumn of 1979, while he was shooting scenes for this film on location in Chicago.
- PatzerAbout 44 minutes in, Ralph Thorson takes delivery of a rental car. It's a 1980 Pontiac Trans Am; a true "muscle car" in its day. It's apparent by the way Ralph is driving that it has a stick shift manual transmission, not an automatic transmission. By US law, all rental cars must have automatic transmissions (except for exotic cars such as Lamborghinis, Ferraris, Bentleys, Porsches and the like).
- Zitate
Ralph 'Papa' Thorson: I'm getting too old for this shit.
- Alternative VersionenThe US release features a score by French composer Michel Legrand, one sequence is scored by 'Charles Bernstein'. The European dubbed versions (in French, Spanish, Italian, and German) feature only the music of 'Charles Bernstein'. Omitted in these versions are also the passages of source music from McQueen's/Papa's radio (Opera). The region 1 DVD made by Paramount for the US market features only the American version. The region 2 DVD also made by Paramount, this time for the European market, features both scores: Legrand's score on the English language track, Bernstein's score on the tracks in Spanish, French, Italian, and German.
- VerbindungenFeatured in Steve McQueen: Man on the Edge (1989)
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Details
Box Office
- Budget
- 8.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 16.274.150 $
- Weltweiter Bruttoertrag
- 16.274.150 $
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