Auf der Eröffnungsfeier eines riesigen, aber schlecht gebauten Bürogebäudes bricht ein gewaltiger Brand aus, der den Turm und alle darin zu zerstören droht.Auf der Eröffnungsfeier eines riesigen, aber schlecht gebauten Bürogebäudes bricht ein gewaltiger Brand aus, der den Turm und alle darin zu zerstören droht.Auf der Eröffnungsfeier eines riesigen, aber schlecht gebauten Bürogebäudes bricht ein gewaltiger Brand aus, der den Turm und alle darin zu zerstören droht.
- 3 Oscars gewonnen
- 13 Gewinne & 14 Nominierungen insgesamt
Sheila Allen
- Paula Ramsay
- (as Sheila Mathews)
Norman Burton
- Giddings
- (as Normann Burton)
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"Grand Hotel"-styled disaster epic that, along with the original "Airport" and "The Poseidon Adventure", became a monstrous money-maker which dominated not only economically, but also critically. "The Towering Inferno" is an intense affair as a high-rise skyscraper in San Francisco seems to be a state-of-the-art marvel, but sometimes things are not as perfect as they seem. There are still flaws in the building and naturally a small spark in a utility room will lead to an overwhelming night of terror and heroism. A who's who cast in Hollywood at the time makes up the mind-blowing list of performers. Paul Newman, Robert Vaughn, William Holden, Faye Dunaway, Steve McQueen, Susan Blakely, Richard Chamberlain, Robert Wagner and Jennifer Jones all make lasting impressions. However it is Fred Astaire (in an Oscar-nominated role of a lifetime) and then-Buffalo Bill superstar O.J. Simpson (showing the style, grace and power that he showed on the playing field here in his debut screen performance) that stand out and create a higher dimension to an honestly corn-filled story. A terribly difficult production to pull off due to the very large scope involved. The technical effects compete well with the all-world performers to make a stunningly impressive movie. Near the top of the usually ho-hum genre of the period. 4 stars out of 5.
A newly built state of the art high-rise is hosting a big society gathering when a fire starts up on the 81st floor...
Warner Brothers & 20th Century Fox were both keen to cash in on the success of 1972s The Poseidon Adventure, Warner's buying the rights to The Tower, and Fox buying the rights to The Glass Inferno, both novels about burning skyscrapers and seemingly ripe for a big screen adaptation. Enter producer Irwin Allen who smartly suggested that both studios should come together and produce one blockbusting genre defining film. Splitting the cost down the middle, The Towering Inferno was born and went on to make over $100 million across the globe, a very impressive take for its time, and certainly a shot in the arm for disaster genre enthusiasts.
The Towering Inferno is far from flawless, it contains some cheese sodden dialogue, and the film's running time doesn't quite do the film any favours. However, the film's strengths far outweigh the handful of negatives that are often used to beat it up with. The sets are fabulous (Academy Award Nominated) and all to perish in the fire, the cinematography from Fred J Koenekamp (Academy Award Winner) is lush and puts the fire in the eyes, while the score from John Williams (Academy Award Nominated) is suitably poignant and edgy. What about the action sequences? The set pieces? With many of the illustrious cast doing their own stunts! All impacting sharp on the ears thanks to the brilliant sound from Soderberg & Lewis (Academy Award Nominated), with the cast itself a reminder of a wonderful time when only the big names were considered for the big projects, McQueen, Newman, Holden, Astaire (Academy Award Nominated) & Dunaway rolling off the tongue like a who's who of entertainment heavyweights.
Some say that The Towering Inferno finally killed off the ailing disaster genre, no it didn't, it crowned it, and all the others that followed were merely trailing in its wake. The Towering Inferno is a spectacular production that positively booms with high entertainment values, no expense is spared in the pursuit of entertaining the masses, it's thoughtful in texture and it teaches as it plays and it remains to me a wonderful archaic gem. 9/10
Warner Brothers & 20th Century Fox were both keen to cash in on the success of 1972s The Poseidon Adventure, Warner's buying the rights to The Tower, and Fox buying the rights to The Glass Inferno, both novels about burning skyscrapers and seemingly ripe for a big screen adaptation. Enter producer Irwin Allen who smartly suggested that both studios should come together and produce one blockbusting genre defining film. Splitting the cost down the middle, The Towering Inferno was born and went on to make over $100 million across the globe, a very impressive take for its time, and certainly a shot in the arm for disaster genre enthusiasts.
The Towering Inferno is far from flawless, it contains some cheese sodden dialogue, and the film's running time doesn't quite do the film any favours. However, the film's strengths far outweigh the handful of negatives that are often used to beat it up with. The sets are fabulous (Academy Award Nominated) and all to perish in the fire, the cinematography from Fred J Koenekamp (Academy Award Winner) is lush and puts the fire in the eyes, while the score from John Williams (Academy Award Nominated) is suitably poignant and edgy. What about the action sequences? The set pieces? With many of the illustrious cast doing their own stunts! All impacting sharp on the ears thanks to the brilliant sound from Soderberg & Lewis (Academy Award Nominated), with the cast itself a reminder of a wonderful time when only the big names were considered for the big projects, McQueen, Newman, Holden, Astaire (Academy Award Nominated) & Dunaway rolling off the tongue like a who's who of entertainment heavyweights.
Some say that The Towering Inferno finally killed off the ailing disaster genre, no it didn't, it crowned it, and all the others that followed were merely trailing in its wake. The Towering Inferno is a spectacular production that positively booms with high entertainment values, no expense is spared in the pursuit of entertaining the masses, it's thoughtful in texture and it teaches as it plays and it remains to me a wonderful archaic gem. 9/10
Incredibly, 'The Towering Inferno' holds so well by today's standards that it is still one of the best disaster movies of its kind ever made. I can only imagine what it must have been like seeing this in a theatre almost four decades ago.
The attention to detail is fantastic, and I enjoyed everything from the character set-up to the way the disaster unfolded. The very scale of this ambitious film is mindboggling. Paul Newman and Steve McQueen are excellent in their respective roles, both making credible and likable heroes.
'The Towering Inferno' is a very detailed account of a skyscraper fire disaster. This is realistic and believable and the visual effects are incredible considering it was made way back in 1974. No CGI. Just practical effects, and real danger! This was a fascinating thrill ride! I love it!
The attention to detail is fantastic, and I enjoyed everything from the character set-up to the way the disaster unfolded. The very scale of this ambitious film is mindboggling. Paul Newman and Steve McQueen are excellent in their respective roles, both making credible and likable heroes.
'The Towering Inferno' is a very detailed account of a skyscraper fire disaster. This is realistic and believable and the visual effects are incredible considering it was made way back in 1974. No CGI. Just practical effects, and real danger! This was a fascinating thrill ride! I love it!
A fabulous new building has been erected, partly offices, partly for accomodation, but on the night that people celebrate its grand opening, a huge fire breaks out, a fire that the developers claimed was impossible.
I am informed that this film was big news when it was first released, a time where disaster movies were very much the order of the day.
I only recently watched The Poseidon Adventure, and this put me in mind of that, it has a very similar feel, that sense of being trapped and isolated, it definitely has a real sense of claustrophobia.
I'm not sure as to some of its accuracy, and don't even get me started on the health and safety faux pas, but it's an enjoyable epic, it's fast paced, dramatic, and remains very watchable.
The special effects remain impressive, the scale of it, I shudder to think how much this cost to make, so impressive. Special effects and explosions galore, they hold up well.
The true cost of putting up a building on the cheap will eventually cause problems, here in The UK we currently have problems with schools, built in the 80's and 90's with RAAC, used because it was cheap.
Check out the incredible cast, you have Fred Astaire, Steve McQueen and Paul Newman, all of whom were used to playing the leading man, the acting is rather good.
7/10.
I am informed that this film was big news when it was first released, a time where disaster movies were very much the order of the day.
I only recently watched The Poseidon Adventure, and this put me in mind of that, it has a very similar feel, that sense of being trapped and isolated, it definitely has a real sense of claustrophobia.
I'm not sure as to some of its accuracy, and don't even get me started on the health and safety faux pas, but it's an enjoyable epic, it's fast paced, dramatic, and remains very watchable.
The special effects remain impressive, the scale of it, I shudder to think how much this cost to make, so impressive. Special effects and explosions galore, they hold up well.
The true cost of putting up a building on the cheap will eventually cause problems, here in The UK we currently have problems with schools, built in the 80's and 90's with RAAC, used because it was cheap.
Check out the incredible cast, you have Fred Astaire, Steve McQueen and Paul Newman, all of whom were used to playing the leading man, the acting is rather good.
7/10.
Your typical dumb disaster flick, produced by the king of the genre, Irwin Allen, made notable by the presence of Steve McQueen and Paul Newman who finally agreed to share the screen as equals, something they almost did in "Butch Cassidy and the Sundance Kid." The ever competitive McQueen made his film debut with a bit part in "Somebody Up There Likes Me" in which Newman starred, and one of his ambitions was to finally get top billing over his number one rival. Even with the so-called "diagonal billing" employed in the film and its advertising (with Newman's name elevated slightly above McQueen's), those of us who read from left to right can see that McQueen got his wish. He also got the best role. He's the firefighter, a tight jawed man of action, while Newman is saddled with the less sympathetic role of the architect. But the real star is the burning building. It burns, and impressively at that, but there's something very claustrophobic about this situation which results in less action than Allen's previous smash, "The Posiedon Adventure."
But the acting is better. In addition to McQueen and Newman, the cast includes Richard Chamberlain (particularly good), William Holden, Faye Dunaway, and Fred Astaire. That's an improvement over Carol Lynley and Eric Shea, both of whom Gene Hackman had the misfortune of emoting with two years earlier. Whatever one thinks of this particular genre, "The Towering Inferno" is probably the best of the bunch.
But the acting is better. In addition to McQueen and Newman, the cast includes Richard Chamberlain (particularly good), William Holden, Faye Dunaway, and Fred Astaire. That's an improvement over Carol Lynley and Eric Shea, both of whom Gene Hackman had the misfortune of emoting with two years earlier. Whatever one thinks of this particular genre, "The Towering Inferno" is probably the best of the bunch.
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- WissenswertesBoth novels were inspired by the construction of the World Trade Center in the early-1970s, and what could happen with a fire in a skyscraper. In Richard Martin Stern's novel "The Tower", the fictional 125-story building was set next to the north tower of the World Trade Center. The climax of the novel was centered around a rescue mounted from the north tower.
- Patzer(at around 2h 35 mins) At the end of the movie the tower seems to be well lit despite the power outage caused by the fire.
- Zitate
Doug Roberts: I don't know. Maybe they just oughta leave it the way it is. Kind of a shrine to all the bullshit in the world.
- Crazy CreditsThe 20th Century Fox and Warner Bros. Pictures logos don't appear in the beginning.
- Alternative VersionenThe film was re-dubbed in 2003 for the German DVD release. All subsequent releases on DVD and Blu-ray feature this new dubbing, many TV airings as well.
- VerbindungenEdited into Chefarzt Dr. Westphall: The Abby Singer Show (1988)
- SoundtracksWe May Never Love Like This Again
Sung by Maureen McGovern
Words and Music by Al Kasha and Joel Hirschhorn
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Infierno en la torre
- Drehorte
- 2898 Vallejo Street, Pacific Heights, San Francisco, Kalifornien, USA(Roger and Patty Simmons' house)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 14.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 116.000.000 $
- Weltweiter Bruttoertrag
- 116.001.993 $
- Laufzeit
- 2 Std. 45 Min.(165 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1
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