Details der dramatischen und schockierenden, aber unbestreitbar tragischen Geschichte von Roms berüchtigtem Cäsar Gaius Germanicus Caligula.Details der dramatischen und schockierenden, aber unbestreitbar tragischen Geschichte von Roms berüchtigtem Cäsar Gaius Germanicus Caligula.Details der dramatischen und schockierenden, aber unbestreitbar tragischen Geschichte von Roms berüchtigtem Cäsar Gaius Germanicus Caligula.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Mirella D'Angelo
- Livia
- (as Mirella Dangelo)
Rick Parets
- Mnester
- (as Richard Parets)
Pola Muzyka
- Subura Singer
- (as Paula Mitchell)
Joss Ackland
- Chaerea
- (English version)
- (Synchronisation)
- (Nicht genannt)
Empfohlene Bewertungen
This is the sort of film that I would have enjoyed stumbling upon as a 15 year old switching through late night BBC 2 and channel 4 at 3am in the morning.
I think I watched the 'Uncut version' of this film. I found it somewhat hard to follow or to understand every motive or decision other that the overlying top most story.
It was just wild decisions of mad man in my opinion. However, now reading details about the film, there would have been cuts and edits here and there that broke up the flow.
It did provoke some thoughts about what it might have been like to live in those times. How life had little value and could be taken away for very minor issues.
It also highlighted how certain types of entertainment media still existed, it just wasn't in the mainstream. As humans, we haven't progressed as much as we would like to think.
I have access to the Ultimate Cut version and watched about 5 mins of it so far. This version has 20 mins more in the run time, missing scenes and some rearranged, different angles and different audio/script.
In those 5 mins, I was able to get a better understanding of the story compared to the uncut version. It even briefly explained initial history of the making of the film. What I will do is probably revisit it in a month.
It was interesting to see Dame Helen Mirren in her physical prime. I've only ever seen her acting over the age of 45.
The film is gory in a low tech way. I don't think I know anyone that I could recommend this to.
I think I watched the 'Uncut version' of this film. I found it somewhat hard to follow or to understand every motive or decision other that the overlying top most story.
It was just wild decisions of mad man in my opinion. However, now reading details about the film, there would have been cuts and edits here and there that broke up the flow.
It did provoke some thoughts about what it might have been like to live in those times. How life had little value and could be taken away for very minor issues.
It also highlighted how certain types of entertainment media still existed, it just wasn't in the mainstream. As humans, we haven't progressed as much as we would like to think.
I have access to the Ultimate Cut version and watched about 5 mins of it so far. This version has 20 mins more in the run time, missing scenes and some rearranged, different angles and different audio/script.
In those 5 mins, I was able to get a better understanding of the story compared to the uncut version. It even briefly explained initial history of the making of the film. What I will do is probably revisit it in a month.
It was interesting to see Dame Helen Mirren in her physical prime. I've only ever seen her acting over the age of 45.
The film is gory in a low tech way. I don't think I know anyone that I could recommend this to.
Let's not kid ourselves here, all ye art students, film-school nerds, and other self-loathing "cinema l'arte" snobs: had this exact same movie been released under the banner "directed by Pier Paolo Pasolini" you would have loved it - sorry: CLAIMED to have loved it - and praised it to high heaven, espousing its virtues in long essays, justifying its extreme sex and violence through some b.s. semantic pseudo-intellectual movie-critic-jargon mumbo-jumbo.
Go on, admit it. No-one will laugh. We promise.
This movie has been unanimously dismissed as exploitative trash and of no cinematic value by "notable" movie critics.
After having seen the full two-and-a-half hour version: a) I can certainly see why THEY would choose to view it that way b) I totally disagree The fact that "Caligula" was financed by Penthouse (gasp!) and directed by Tinto Brass (oh no!) is what this is all about.
An excellent cast includes McDowell (an ideal choice for Caligula - or any devious lunatic, for that matter) and Mirren (at the height of her enormous sex-appeal). There is terrific music from Khachaturian, an interesting story, some suspense, etc. A strong stomach is needed to watch this gore-fest, though.
A corny, historically inaccurate, fairy-tale-like piece of crap like "Gandhi" gets world-wide recognition, while a brutally realistic film about another historical figure gets the finger. Go figure.
Go on, admit it. No-one will laugh. We promise.
This movie has been unanimously dismissed as exploitative trash and of no cinematic value by "notable" movie critics.
After having seen the full two-and-a-half hour version: a) I can certainly see why THEY would choose to view it that way b) I totally disagree The fact that "Caligula" was financed by Penthouse (gasp!) and directed by Tinto Brass (oh no!) is what this is all about.
An excellent cast includes McDowell (an ideal choice for Caligula - or any devious lunatic, for that matter) and Mirren (at the height of her enormous sex-appeal). There is terrific music from Khachaturian, an interesting story, some suspense, etc. A strong stomach is needed to watch this gore-fest, though.
A corny, historically inaccurate, fairy-tale-like piece of crap like "Gandhi" gets world-wide recognition, while a brutally realistic film about another historical figure gets the finger. Go figure.
Where to start..... First off, the sets are wonderful. They are lavish and look authentic of the time, except as if a madman on acid was given a gigantic budget and told to "go at it!" Peter O'Toole is wonderful as the aging Tiberius. Malcolm McDowell gives a great performance as the young Caligula who kills his way to the throne of the Roman Emperor and then soon leads a legacy of terror. The supporting actors do a fine job yet, most of the young ladies were actually Penthouse Pets and were there for eye candy and irrelevant sex scenes. Depending on which film you are watching, the uncut or the R-version, some scenes are extremely graphic. I would usually always recommend the uncut version as opposed to the chopped one, but in this instance, the full length film is purely indulgent. Scenes of sex and gore were added to satisfy the producers (Penthouse) and the expected audience, not to add anything to the story. However, I am and will always be a fan of excess, so get the full version! The story is strong and keeps you interested. McDowell is charming throughout, which is quite the feat considering he murders family members, rapes and molests men and women, and sleeps with his sister. For fans of excess and sleaze, i highly recommend. Viewers who are purely interested in the reign of the notorious ruler might want to skip this one.
I watched this movie the first time the night-before last.. and watched it again last night and again tonight.
This movie is far from pornography... only a few scenes are hardcore, and only a couple of these are even barely erotic. It does not exactly function as an historical epic, either.
The film quality and lighting would make it appear to date from the 1960s.
The script is mediocre. More drama could be added, however we do have to bear in mind that the Romans followed the school of Stoicism.
The acting (including Malcolm McDowell's) is nothing outstanding, with the exception of Peter O'Toole's Tiberius Caesar. He displays tragedy and lunacy, evoking reactions of disgust, sympathy, pity, and compassion. I found myself much more intrigued by his character and wishing the movie was about his decline from wisdom to near-madness, rather than Caligula. It also caused me to desire to learn more and research the actual life of Tiberius.
The film neither condemns, nor condones. That is probably how it should be.
Where this film succeeds monumentally is the costuming and unabridged realism. This is the first film I've seen to have a character wearing a toga like the one Caligula's sister (a design many Roman women actually wore) wears in the opening scene. The depiction of slaves and the acts of love and brutality are well-done. It is not erotic, it is not horrifying. With the hardcore scenes excised (the version i saw was the complete version), I believe this movie should be shown in every high school World History class. For centuries, Western culture has censored and toned-down representations of its Pagan past. The filmmakers must be applauded for attempting to make an honest epic.
I've become very hard to please when it comes to movies. The last movie I actually liked to a strong degree was Amadeus, which I saw two years ago. Despite its flaws, with its sheer amount of action and atmosphere, I believe this movie deserves a 10.
This movie is far from pornography... only a few scenes are hardcore, and only a couple of these are even barely erotic. It does not exactly function as an historical epic, either.
The film quality and lighting would make it appear to date from the 1960s.
The script is mediocre. More drama could be added, however we do have to bear in mind that the Romans followed the school of Stoicism.
The acting (including Malcolm McDowell's) is nothing outstanding, with the exception of Peter O'Toole's Tiberius Caesar. He displays tragedy and lunacy, evoking reactions of disgust, sympathy, pity, and compassion. I found myself much more intrigued by his character and wishing the movie was about his decline from wisdom to near-madness, rather than Caligula. It also caused me to desire to learn more and research the actual life of Tiberius.
The film neither condemns, nor condones. That is probably how it should be.
Where this film succeeds monumentally is the costuming and unabridged realism. This is the first film I've seen to have a character wearing a toga like the one Caligula's sister (a design many Roman women actually wore) wears in the opening scene. The depiction of slaves and the acts of love and brutality are well-done. It is not erotic, it is not horrifying. With the hardcore scenes excised (the version i saw was the complete version), I believe this movie should be shown in every high school World History class. For centuries, Western culture has censored and toned-down representations of its Pagan past. The filmmakers must be applauded for attempting to make an honest epic.
I've become very hard to please when it comes to movies. The last movie I actually liked to a strong degree was Amadeus, which I saw two years ago. Despite its flaws, with its sheer amount of action and atmosphere, I believe this movie deserves a 10.
Some describe CALIGULIA as "the" most controversial film of its era. While this is debatable, it is certainly one of the most embarrassing: virtually every big name associated with the film made an effort to distance themselves from it. Author Gore Vidal actually sued (with mixed results) to have his name removed from the film, and when the stars saw the film their reactions varied from loudly voiced disgust to strategic silence. What they wanted, of course, was for it to go away.
For a while it looked like it might. CALIGULA was a major box-office and critical flop (producer Guccione had to rent theatres in order to get it screened at all), and although the film was released on VHS to the home market so many censorship issues were raised that it was re-edited, and the edited version was the only one widely available for more than a decade. But now CALIGULIA is on DVD, available in both edited "R" and original "Unrated" versions. And no doubt John Gielgud is glad he didn't live to see it happen.
The only way to describe CALIGULIA is to say it is something like DEEP THROAT meets David Lynch's DUNE by way of Fellini having an off day. Vidal's script fell into the hands of Penthouse publisher Bob Guccione, who used Vidal's reputation to bankroll the project and lure the big name stars--and then threw out most of Vidal's script and brought in soft-porn director Tinto Brass. Then, when Guccione felt Brass' work wasn't explicit enough, he and Giancarlo Lui photographed hardcore material on the sly.
Viewers watching the edited version may wonder what all the fuss is about, but those viewing the original cut will quickly realize that it leaves absolutely nothing to the imagination. There is a tremendous amount of nudity, and that remains in the edited version, but the original comes complete with XXX scenes: there is very explicit gay, lesbian, and straight sex, kinky sex, and a grand orgy complete with dancing Roman guards thrown in for good measure. The film is also incredibly violent and bloody, with rape, torture, and mutilation the order of the day. In one particularly disturbing scene, a man is slowly stabbed to death, a woman urinates on his corpse, and his genitals are cut off and thrown to the dogs.
In a documentary that accompanies the DVD release, Guccione states he wanted the film to reflect the reality of pagan Rome. If so, he missed the mark. We know very little about Caligula--and what little we know is questionable at best. That aside, orgies and casual sex were not a commonplace of Roman society, where adultery was an offense punishable by death. And certainly ancient Rome NEVER looked like the strange, slightly Oriental, oddly space-age sets and costumes offered by the designers.
On the plus side, those sets and costumes are often fantastically beautiful, and although the cinematography is commonplace it at least does them justice; the score is also very, very good. The most successful member of the cast is Helen Mirren, who manages to engage our interests and sympathies as the Empress Caesonia; Gielgud and O'Toole also escape in reasonably good form. The same cannot be said for McDowell, but in justice to him he doesn't have much to work with.
The movie does possess a dark fascination, but ultimately it is an oddity, more interesting for its design and flat-out weirdness than for content. Some of the bodies on display (including McDowell's and Mirren's) are extremely beautiful, and some of the sex scenes work very well as pornography... but then again, some of them are so distasteful they might drive you to abstinence, and the bloody and grotesque nature of the film undercuts its eroticism. If you're up to it, it is worth seeing once, but once is likely to be enough.
Gary F. Taylor, aka GFT, Amazon Reviewer
For a while it looked like it might. CALIGULA was a major box-office and critical flop (producer Guccione had to rent theatres in order to get it screened at all), and although the film was released on VHS to the home market so many censorship issues were raised that it was re-edited, and the edited version was the only one widely available for more than a decade. But now CALIGULIA is on DVD, available in both edited "R" and original "Unrated" versions. And no doubt John Gielgud is glad he didn't live to see it happen.
The only way to describe CALIGULIA is to say it is something like DEEP THROAT meets David Lynch's DUNE by way of Fellini having an off day. Vidal's script fell into the hands of Penthouse publisher Bob Guccione, who used Vidal's reputation to bankroll the project and lure the big name stars--and then threw out most of Vidal's script and brought in soft-porn director Tinto Brass. Then, when Guccione felt Brass' work wasn't explicit enough, he and Giancarlo Lui photographed hardcore material on the sly.
Viewers watching the edited version may wonder what all the fuss is about, but those viewing the original cut will quickly realize that it leaves absolutely nothing to the imagination. There is a tremendous amount of nudity, and that remains in the edited version, but the original comes complete with XXX scenes: there is very explicit gay, lesbian, and straight sex, kinky sex, and a grand orgy complete with dancing Roman guards thrown in for good measure. The film is also incredibly violent and bloody, with rape, torture, and mutilation the order of the day. In one particularly disturbing scene, a man is slowly stabbed to death, a woman urinates on his corpse, and his genitals are cut off and thrown to the dogs.
In a documentary that accompanies the DVD release, Guccione states he wanted the film to reflect the reality of pagan Rome. If so, he missed the mark. We know very little about Caligula--and what little we know is questionable at best. That aside, orgies and casual sex were not a commonplace of Roman society, where adultery was an offense punishable by death. And certainly ancient Rome NEVER looked like the strange, slightly Oriental, oddly space-age sets and costumes offered by the designers.
On the plus side, those sets and costumes are often fantastically beautiful, and although the cinematography is commonplace it at least does them justice; the score is also very, very good. The most successful member of the cast is Helen Mirren, who manages to engage our interests and sympathies as the Empress Caesonia; Gielgud and O'Toole also escape in reasonably good form. The same cannot be said for McDowell, but in justice to him he doesn't have much to work with.
The movie does possess a dark fascination, but ultimately it is an oddity, more interesting for its design and flat-out weirdness than for content. Some of the bodies on display (including McDowell's and Mirren's) are extremely beautiful, and some of the sex scenes work very well as pornography... but then again, some of them are so distasteful they might drive you to abstinence, and the bloody and grotesque nature of the film undercuts its eroticism. If you're up to it, it is worth seeing once, but once is likely to be enough.
Gary F. Taylor, aka GFT, Amazon Reviewer
Wusstest du schon
- WissenswertesDame Helen Mirren described this movie as "an irresistible mix of art and genitals". Although many actors would regret their involvement with the film, Mirren has remained proud of her role as "the most promiscuous woman in all of Rome", as she believed European Cinema was reaching a benchmark in sex positivity and "it was the time to do nudity". She was, however, taken aback with the film's hardcore footage.
- PatzerCaligula squeezes a lemon over a captured slave. Lemons did not reach Europe until the 2nd century, at least 100 years after Caligula's death.
- Crazy CreditsDue to numerous pending lawsuits and settlements at the time of the film's release, no one is technically fully credited for writing and directing the finished film.
- Alternative VersionenThe censored version of this film has been released of a few occasions in Australia. In March 1981, a censored, R rated release to cinemas was made by Roadshow. Roadshow Home Video subsequently released the same film version to video in September 1984. This version ran for 146 minutes (PAL). It was again re-released by a 'no name' video label in the late 1990's. The censored DVD version appeared in December 2004, released by Warner Vision. The uncut version has been released in Australia, this was the fully uncut, X rated 156 minute PAL version. It was released in January 1985 by 'Palace X Video' - a version that is now an extremely rare collector's item. The uncut version has since been rated R18+ by the Australian classification board in 2021.
- VerbindungenEdited into Video Macumba (1991)
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