Eine glücklich verheiratete, 24-jährige Frau, die ein unerklärliches, ruheloses Verlangen verspürt, ihr Leben endlich intensiv zu leben, erzählt ihre außerehelichen Eskapaden ihrem Ehemann, ... Alles lesenEine glücklich verheiratete, 24-jährige Frau, die ein unerklärliches, ruheloses Verlangen verspürt, ihr Leben endlich intensiv zu leben, erzählt ihre außerehelichen Eskapaden ihrem Ehemann, um ihre Ehe aufzupeppen.Eine glücklich verheiratete, 24-jährige Frau, die ein unerklärliches, ruheloses Verlangen verspürt, ihr Leben endlich intensiv zu leben, erzählt ihre außerehelichen Eskapaden ihrem Ehemann, um ihre Ehe aufzupeppen.
Andrea Berardicurti
- Drag Queen
- (Nicht genannt)
Tinto Brass
- Comendator Scarfatti
- (Nicht genannt)
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Great cinema is a matter of many elements drawn from a vocabulary, formed into a great weave.
From time to time, it is enough for me to dive into a tone poem on just one element of the vocabulary. Eroticism is inherently cinematic and the other way around as well. But it seems that as much as sex is used, it rarely seems to be simply erotic. By "simple," I mean something that may not exist in the real world, that is noninvasive and nonexploitive. That has the same purity that romance has in the date movie.
...which means it has to be shaped and conveyed with cinematic quality. Some of Brass's later films do this, I think. I like "Paprika" but that's largely because of the surrounding story, I think. Brass found a woman in a pizza shop and built the movie around her. But this may be his best in terms of cinematic values.
Its not for everyone. Female fantasies of this type are connected to bodies and for mysterious reasons we're all over the place on that. But you might look at this simply for overall effect, especially how the camera is not casual, but the woman at the center is. Tat difference is part of the engineering, and notable.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
From time to time, it is enough for me to dive into a tone poem on just one element of the vocabulary. Eroticism is inherently cinematic and the other way around as well. But it seems that as much as sex is used, it rarely seems to be simply erotic. By "simple," I mean something that may not exist in the real world, that is noninvasive and nonexploitive. That has the same purity that romance has in the date movie.
...which means it has to be shaped and conveyed with cinematic quality. Some of Brass's later films do this, I think. I like "Paprika" but that's largely because of the surrounding story, I think. Brass found a woman in a pizza shop and built the movie around her. But this may be his best in terms of cinematic values.
Its not for everyone. Female fantasies of this type are connected to bodies and for mysterious reasons we're all over the place on that. But you might look at this simply for overall effect, especially how the camera is not casual, but the woman at the center is. Tat difference is part of the engineering, and notable.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
Maestro Brass is usually considered to be either most underrated or most overrated director in Italy. "All Women Do It" is his another, most successful exercise in stylish porn, with anal fetish and ridiculous morality. Not sexy, but that, kind of, is the point.Has a certain innocent charm, but then again, nothing more than just a porn film. *
10Anthons
This must be one of the most erotic films ever made,if you like this , you must see the rest of Tinto Brass movies. Claudia Koll are playing an excellent roll, and she is SO sexy This film are very erotic , without going over the fine line between erotic and porn. I have seen and have most of the Tinto Brass erotic movies that are made , and I must say that I like that kind of movies where the ladies are natural and not filled up with silicon. So if you want an erotic ,sexy,hot movie, just get one of Tinto Brass and your evening will be saved. I have seen a lot of other erotic movies form all over the world, and I must say that I liked the erotic movies that came out in the USA in the 1970 was more erotic than the movies that are coming out today. todays movies have no humor.
Softcore trash from a master of titillation; you might say Tinto Brass is a man obsessed. Sadly, this is one of those high-class slices of erotica that turns out to cater for mankind's most base obsessions, but of course it's all okay because it's about a woman's desire rather than a man's - yeah, right. Inevitably it's a film shot via the male gaze throughout, with barely a scene going by that doesn't focus on the female figure in some respect. It's near plotless, with horrid acting and dialogue, and the lack of concrete narrative makes it an entirely boring and, indeed, repetitive watch. You know what you're here for.
All Ladies Do It (1992)
** (out of 4)
Italian erotic film from the director of Caligula tells the story of Diana (Claudia Koll), a woman happily married to her husband (Paolo Lanza) for five years. Even though she loves him more than anything that doesn't take away her sexual desires for other men. The husband can't stand not being the only one but perhaps after time he'll learn that "all ladies do it". This is only my second film from Brass and his visual style is certainly on full display here even though his story telling skills aren't the greatest. I was shocked at how well the screenplay actually was because a lot of softcore efforts place the story second behind the sex but that really wasn't the case here. The message of a woman having the right to be "sexual" without being labeled "sluts" was taken very serious by the film. Brass does a very good job with the look of the film with some great cinematography and some wonderful set designs. The biggest issue I had with his direction is that the entire film comes off as a butt fetish video as Brass is constantly zooming in on women's behinds. I like a good butt as much as the next person but after a while it grows quite tiresome but the scene where the women decide to go skinny dipping is priceless. The performances aren't really anything special but they do the job and in the end God knows there's a lot worse out there than this.
** (out of 4)
Italian erotic film from the director of Caligula tells the story of Diana (Claudia Koll), a woman happily married to her husband (Paolo Lanza) for five years. Even though she loves him more than anything that doesn't take away her sexual desires for other men. The husband can't stand not being the only one but perhaps after time he'll learn that "all ladies do it". This is only my second film from Brass and his visual style is certainly on full display here even though his story telling skills aren't the greatest. I was shocked at how well the screenplay actually was because a lot of softcore efforts place the story second behind the sex but that really wasn't the case here. The message of a woman having the right to be "sexual" without being labeled "sluts" was taken very serious by the film. Brass does a very good job with the look of the film with some great cinematography and some wonderful set designs. The biggest issue I had with his direction is that the entire film comes off as a butt fetish video as Brass is constantly zooming in on women's behinds. I like a good butt as much as the next person but after a while it grows quite tiresome but the scene where the women decide to go skinny dipping is priceless. The performances aren't really anything special but they do the job and in the end God knows there's a lot worse out there than this.
Wusstest du schon
- WissenswertesLike all the women doing an audition for Tinto Brass, Claudia Koll underwent the infamous "coin test". Brass explains: "I have them presented in their skirts and without panties, then I drop a coin on the floor. Depending on what they let me see in the bow, I sense their cinematic potential. Believe me... it's an infallible method."
- PatzerWhen Diana sits on the toilet, at the Venezia apartment, she is wearing a hat. When she stands up, the hat is over the table and she picks it up before leaving.
- VerbindungenFeatured in Sexual Life (2004)
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