IMDb-BEWERTUNG
5,7/10
5706
IHRE BEWERTUNG
Die beiden New Yorker Polizisten Billy Wong und Danny Garoni fliegen nach Hongkong, nachdem die Tochter eines reichen Geschäftsmannes von dem Drogenbaron Mr. Ko entführt wurde.Die beiden New Yorker Polizisten Billy Wong und Danny Garoni fliegen nach Hongkong, nachdem die Tochter eines reichen Geschäftsmannes von dem Drogenbaron Mr. Ko entführt wurde.Die beiden New Yorker Polizisten Billy Wong und Danny Garoni fliegen nach Hongkong, nachdem die Tochter eines reichen Geschäftsmannes von dem Drogenbaron Mr. Ko entführt wurde.
- Regie
- Drehbuch
- Hauptbesetzung
Becky Ann Baker
- Samantha Alexander
- (as Becky Gelke)
Empfohlene Bewertungen
I just saw this movie on TV. Despite the fact that it is an R-rated movie on TV, I thought it was very good. For once Jackie Chan actually does his own voice, with no dubs. The fighting scenes are awesome, and there are lots of long ones. The hotel scene is awesome. The final scene is just great. Jackie Chan took on a whole army of guys. There is lots of other good action too. Don't listen to those other reviews that say that this movie has nothing or bad acting, because it is all good. If you want to see a good Jackie Chan movie, go for this one. The only bad thing is that Jackie Chan does not look in the 80's much like he does in the 90's. But if you forget that, this is a very good movie.
Jackie Chan's strength is in my opinion his talent in performing action comedy and fighting in creative settings. This movie puts Jackie Chan in an average cop-action movie that hardly takes advantage of Jackie Chan's strength. If someone else has played the role that Jackie Chan played in this movie, the movie could be a decent one. But Jackie Chan's presence in the movie gives expectation of something else than what this movie is. This is the problem of this movie: using Jackie Chan in an unsuitable role; or on the flip side, giving the role to someone unsuitable for this movie, Jackie Chan.
In the second attempt to introduce martial arts superstar Jackie Chan to the North American market (after "The Big Brawl" in 1980), ever likable Jackie is amusingly miscast as Billy Wong, an NYC cop who, after some hot dog heroics, is demoted to crowd control at a fashion show, where he's partnered with Danny Garoni (the engaging Danny Aiello). Unfortunately, they prove to be pretty useless and Laura Shapiro (Saun Ellis), daughter of a wealthy big shot, is kidnapped by goons working for dastardly Hong Kong mobster Mr. Ko (Roy Chiao). Billy and Danny manage to convince their commissioner to let them travel to HK to advise and assist local authorities in defeating Ko and rescuing Laura, but of course these two mavericks are pretty much just going to do whatever they want to do.
There are *some* fine moments here for Chan fans, but there simply may not be enough. The tone *is* rather gritty, but although there's not a lot of outright comedy, the movie does still have a sense of humour. Chan has some fine action and fight sequences, especially one around the halfway point where he's trying to pursue a henchman escaping by boat. The stunts near the end are impressively scary. Writer / director James Glickenhaus ("The Exterminator") does a very fine job in utilizing the various HK locations. Jackie does his best in the lead, with Aiello offering fine support and Chiao being just right as our glowering bad guy. Jackie does have a decent if not spectacular climactic fight with fellow martial artist Bill Wallace. All things considered, it's not hard to see why Chan himself and some of his fan base might not care for the movie, but there is an alternate cut now available on Blu-ray with additional scenes created by Jackie himself, to better suit his vision (he really had no control on this feature at the time).
In any event, it's worth noting the presence of a couple of familiar faces among the supporting cast, including Becky Ann Baker, John Spencer, Mike Starr, Big John Studd, and Trey Wilson.
It would take another 11 years before North America finally, really took notice of Jackie with the release of "Rumble in the Bronx".
Six out of 10.
There are *some* fine moments here for Chan fans, but there simply may not be enough. The tone *is* rather gritty, but although there's not a lot of outright comedy, the movie does still have a sense of humour. Chan has some fine action and fight sequences, especially one around the halfway point where he's trying to pursue a henchman escaping by boat. The stunts near the end are impressively scary. Writer / director James Glickenhaus ("The Exterminator") does a very fine job in utilizing the various HK locations. Jackie does his best in the lead, with Aiello offering fine support and Chiao being just right as our glowering bad guy. Jackie does have a decent if not spectacular climactic fight with fellow martial artist Bill Wallace. All things considered, it's not hard to see why Chan himself and some of his fan base might not care for the movie, but there is an alternate cut now available on Blu-ray with additional scenes created by Jackie himself, to better suit his vision (he really had no control on this feature at the time).
In any event, it's worth noting the presence of a couple of familiar faces among the supporting cast, including Becky Ann Baker, John Spencer, Mike Starr, Big John Studd, and Trey Wilson.
It would take another 11 years before North America finally, really took notice of Jackie with the release of "Rumble in the Bronx".
Six out of 10.
Jackie Chan had no control of this movie (at least the American version). The director somehow thought that Jackie would come across better to audiences as a Dirty Harry cop! Didn't he realize that Chan is popular because of his stunts and kung-fu action? Apparently not, because in an interview years later, the director said he didn't regret his decision and kept claiming that Americans wouldn't accept Chan's Asian style.
Back in Hong Kong, Chan re-shot the movie extensively, adding car chases and kung fu action. He also edited out a lot of the American director's idiotic stuff. That version is supposed to be quite good. This American version? It's AWFUL! You'd never guess what Chan is capable of by just watching this movie. The action scenes here are *dull*. Yes, *dull*.
By the way, Chan next did POLICE STORY, as a "take that!" to that American director (James Glickenhaus, who hasn't done much lately. Hmm...wonder why....). See that movie instead of this!
Back in Hong Kong, Chan re-shot the movie extensively, adding car chases and kung fu action. He also edited out a lot of the American director's idiotic stuff. That version is supposed to be quite good. This American version? It's AWFUL! You'd never guess what Chan is capable of by just watching this movie. The action scenes here are *dull*. Yes, *dull*.
By the way, Chan next did POLICE STORY, as a "take that!" to that American director (James Glickenhaus, who hasn't done much lately. Hmm...wonder why....). See that movie instead of this!
(57%) Back in the mid 80's Mr Chan didn't much care for this movie as he felt it was made not fully utilising his talent, for which I can understand. Featured here there's none of his trademark comedic fights, or insanely dangerous stunts, instead we get a gritter, more typically 1980's R-rated American action flick with plenty of shoot-outs, fist fights and explosions. The level of strong language, along with quite a lot of nudity also sets this apart from the usual Chan flick, but I cannot say I didn't enjoy this. The action is solid with plenty of it, and for a medium budgeted 80's action flick this is better than average.
Wusstest du schon
- WissenswertesJackie Chan's displeasure with the way this production went, would lead to him shooting his own police movie Police Story (1985) to much success.
- PatzerA gangster swinging a bat at Billy, in the massage parlor, changes in the subsequent shot.
- Zitate
Billy Wong: Give me the fucking keys
- Alternative VersionenThe Japanese cut of the film, footage-wise, is virtually identical to the Hong Kong cut. However, the scenes in New York maintain their English dialogue, while the scenes that take place in Hong Kong (which is the bulk of the film) are in Cantonese. The biggest difference is that the Japanese cut is the only version to contain an end credits outtakes montage. This version has been available on laserdisc as well as a 2014 Japanese "Extreme Edition" blu-ray.
- VerbindungenEdited into Chu dao gui jing (1990)
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Details
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Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 981.817 $
- Weltweiter Bruttoertrag
- 981.817 $
- Laufzeit
- 1 Std. 35 Min.(95 min)
- Seitenverhältnis
- 1.85 : 1
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