Die grosse Keilerei

Well, I finally got to see it...mmmm I thought, not too bad..seeing as he didnt know much english at the time, and was well restricted by the American Film industry machine!. His Fight scenes were watered down and slow by all normal 'Jackie' standards but that apart,there are some great comic moments and Jackie wins through. He Radiates innocent charm and even manages to Rollerscate with gusto, although Im not too sure about the historical acuracy of some of the costumes..this was supposed to have been 1930s USA and Im sure spandex wasnt invented then!One interresting note for real 'died in the wool' Jackie fans , is the continued theme of the Lazy but tallented boy being trained in wierd and some would say inhumane ways by a 'sifu','master','uncle!'...amazing how this sort of idea managed to cross the pacific with him!.All in all a pleasent movie, although I can understand why Jackie was both Disappointed and Angry at the outcome at least it spurred him on to make greater and greater movies in HK.

Jackie's first staring role in an American made movie, Robert Clouse (Enter the Dragon) directs but this never really hits the high notes of say Project A or Armour of God. The problem being that Jackie is lumbered with ex-pro wrestlers and the like with which to produce fight choreography and not his own JC stunt team so the timing and trust was just not there to produce truly stunning fights.

Only once does Jackie get to work his true magic and this is with two members of his own team in a fight that easily surpasses anything on show in the rest of the movie. If they had let Jackie choreograph the entire movie this would have been a much better film as lets face it the fights are what we here for in a movie like this.

Overall it's entertaining in places but for Chan enthusiasts only, if you've never seen a J.C film before your better of starting with Project A, Police Story or for the older more traditional style kung fu flick Drunken Master.

Entertaining for Chan fans only - 5/10

This exciting movie is crammed of action-packed, spectacular fights, comedy ,and breathtaking stunt-work . Jackie Chan as young Asian American martial artist expert is top notch , he is one army man fighting a group of heinous criminals and as always he makes his own stunts . As he is forced to participate in a brutal formal street-fight competition .Chan along with his girlfriend (Kristine DeBell) seek fame and fortune in 1930s America when he enters an all-comers martial arts competition , the ¨Champion fight , Battle Creek , the Brawl of this Century¨, forced by Mob that has kidnapped the brother's fiancée (Rosalind Chao) , despite the opposition of his father and several imposing opponents. This time Chan join forces with his uncle , a martial arts master (Mako) , both of whom are taken to Texas to participate in a free-for-all match .

This Chop-Socky displays action-packed, thrills,fast-paced and wild fighting images. Incredible stunts and brief comic touches, as usual , the picture is regularly constructed and contains some flaws and gaps . This is a passable action movie distinguished by ferocious sequences , and packs silly sense of humor as well as subsequent Jackie's entries; however being hampered by mediocre cinematography which is necessary a good remastering . In this outing Jackie teamed up to prestigious secondary named Mako and some veteran star as Jose Ferrer . Jackie Chan's failed at Box-office in this USA debut , however , being quite amusing and better than its reputation . Chan is a hard-working actor and director throughout his long and varied career .He went on playing ¨Cannoball¨ , ¨The protector¨ and "Rumble in the Bronx", until getting all American success with ¨Shangai Kid¨ . Of course , his big hits were ¨The Police story¨ series that won the Golden Horse Award, a Chinese version of the Oscar , the first was titled ¨Police story(1985)¨ directed by the same Chan , it was a perfect action film for enthusiastic of the genre ; the following was ¨Police story 2(1988)¨also pretty violent and with abundant humor touches. It's followed by this ¨Supercop¨ or ¨Police story 3¨ and finally, ¨Police story IV : Crime story.

This medium-budgeted and ordinary Kung-Fu actioner is middling realized by Robert Clouse , an expert on Chop-Socky movies and he directed Bruce Lee's last film , Game of Death (1978) . Robert Clouse is known best for his most successful film : Enter the Dragón (1973) and Clouse was a director who worked mainly in the visuals of cinema, owing to the fact that he was completely deaf, he employed assistant directors who could verify that actors had delivered their lines correctly. After being contracted by Warner Bros. and Golden Harvest to direct Enter the Dragón (1973), Clouse was escalated into the realm of profitable filmmakers . But, unlike others in this category, doors in Hollywood were not entirely open to him and the failed with ¨The big brawl¨. Clouse was hired by Warner Brothers Pictures to direct Black Belt (1974) . The film proved to be a moderate success, but was seen more as a vehicle for Enter the Dragón (1973) protégé 'Jim Kelly'. After that , he directed vehicles for Samo Hung , Jim Kelly , Richard Norton as ¨Gynkata ¨ , Yul Brynner in ¨The last warrior¨ one of the best films of his long career , Cynthia Rothrock as ¨China O'Brian I and II ¨ and other B films .

It's the 1930s (or possibly the '50s, going by the typography on a banner in the film's roller skating scene, or maybe even the '70s judging from the garish skating outfits, the afros on display, and Lalo Schifrin's cool and funky score): a group of gangsters want martial arts expert Jerry (Jackie Chan) to compete in the Texas Battle Creek Brawl and will resort to any underhanded means in order to get him to co-operate…

Robert Clouse might not be the greatest action director in the business, but he has made two of my favourite cult movies ever: Bruce Lee's martial arts classic Enter The Dragon, and post-apocalyptic flick The Ultimate Warrior, starring Yul Brynner. With Jackie Chan as his star, he had the potential to deliver yet another classic for fans to treasure; unfortunately, Battle Creek Brawl, the director's 1980 attempt at emulating his success with Enter The Dragon, isn't as much fun as one might imagine, failing to capitalise on its star's amazing martial arts skills.

With a series of unsuitable opponents (mostly American wrestlers and muscle-men), Chan is unable to make the most of his incredible speed and timing, his fights looking rather slow and laboured in comparison to the action in his Hong Kong films, where he is pitted against other martial artists; poor choreography and sloppy editing also serve to weaken any impact the action scenes might have had, something that is particularly noticeable during the film's major non-martial arts sequence, the roller skating race that is about as adrenaline pumping as a knitting competition (knit one, pearl one Jackie—what a rush!).

The non-fighting members of the supporting cast do what they can to help, with José Ferrer lending proceedings an air of class as ruthless gangster Dominici, ex-adult movie star Kristine DeBell putting in a winning turn as Jerry's girlfriend Nancy, and an enthusiastic early performance from Larry 'Dr.Giggles' Drake, but it's the action that fans have come to see and in that department Battle Creek Brawl simply doesn't deliver the goods.

Jackie Chan's first American venture was the result of Golden Harvest keeping Jackie out of harm's way and to try to push Jackie internationally. When Chan broke contract with Lo Wei for Golden Harvest and five million HK dollars, Lo wanted to do everything he could to get Jackie back (or punish him) even deal with the Triad group Sun Yi On to do this. Jimmy Wang Yu, whom Jackie worked with in The Killer Meteors and had Triad influence, offered to broker a deal between the three parties. He would later require a few favors such as Jackie to appear in Island of Fire and Fantasy Mission Force. Jimmy was quite successful in his talks with the three parties early in Jackie's foreign journey, but Jackie would have to appear in two American films: star in The Big Brawl and have a small part in the horrific Cannonball Run while running the emotional gamut known as the American Press.

Battle Creek Brawl aka The Big Brawl is a mediocre attempt at trying to showcase Jackie's skills. While it is not as bad as the American version of his second attempt – The Protector – it was still only an OK film. It was directed by Robert Clouse (Enter the Dragon and the craptacular Game of Death) but he was relegated to B-movie fare at this point in his career though he would later direct Gymkata. Clouse's static style conflicted with the dynamic nature of Jackie. Though there were several other areas of annoyance for Chan including his working with a language that he did not understand at the time and a stunt coordinator who did not understand his style.

Jackie stars as Jerry Kwan, a prodigal martial art student studying under his uncle Herbert Kwan (played by the prolific Japanese actor Mako) in the late 20's or early 30's Chicago. Herbert is a chiropractor when he is not torturing Jackie or going after large women. He is a disappointment to his father, even when he breaks up extortionists of his father's restaurant, who wants him to be more like his brother Robert, the Doctor. Jerry's fighting ability gets the attention of Dominichi (Jose Ferrer) a local gangster and obtains the ire of his nephew David Leggetti. Dominichi needs a fighter to be able to beat his nemesis, Mr. Morgan, who has control of a beast of a man Billy Kiss who kisses his opponents, sometimes a bit long, after he wins (played by H.B. Haggerty who looks like a 19th century circus strong man.)

For Dominichi to control Jerry he kidnaps his brother's soon-to-be fiancé from China named Mae (Rosalind Chao who is forever known by Trekkers as Keiko O'Brien.) He then enters Jerry in a fighting contest called the Battle Creek Brawl which takes place in Texas. The purse is 15,000 dollars (which seems ridiculously low now.) The biggest problem with this contest is that all the fighters resemble professional wrestlers (yes the great Gene Le Bell is amongst them) and not fighters. This is especially evident in the beginning brawl-for-all where there is a camel clutch, body slams and plenty of large men in tights. The fighters are incredibly slow compared to Jackie, but they do add certain campyness to the film (or do the capes and tights make this point already evident.)

One of the more interesting scenes took place earlier in the film when Jackie is part of a relay roller derby contest. He would also use this new found skill of roller skating in an awesome stunt sequence in Winners and Sinners. But the rest of the film never quite captures my interest the way that scene does. The romance between Jerry and Nancy was handled in an interesting nonchalant manner though. I also did like some of the fight scenes, but not as much as most of Jackie's Hong Kong fight scenes. I am glad that he was able to add humor to several parts of the film. I would not recommend this film to most people, because there are so many better "Jackie" films to watch. I did find this a nice diversion and not as bad as many of the American fight films of that era. NOTES: stunt coordinator Pat E. Johnson has his name on the fighter's tournament chalk board. Some versions (especially early Hong Kong prints) of this film take out the relationship scenes between Nancy and Jerry.