Geier, Geld und goldene Eier

The is the best 'bad' movie ever. Great cast (who never play for the laughs). Divine and Lainie Kazan are so great together as rivals for Tab Hunter. Geoffrey Lewis is hysterical in all his scenes...especially the bedroom. Ceasar Romero, Woody Stode, Neddra Voltz (as the west's oldest hooker), Henry Silva, Courtney Gains...everyone is perfect. Want to have a great party? Have a Lust in the Dust night with some chili verde, cornbread and 'red-eye' for the buffet then watch Lust in the Dust. Don't invite any squares.

This movie aims for low humour, and it hits its target. Against all odds it entertains from beginning to end. The key to its success is that it proudly steers clear of anything resembling class or good taste. As far as cheap laughs go, you could do a lot worse. Oddly enough, by the end of the movie I was convinced that Divine should star in every single movie ever made.

Rosie, a cantina singer of questionable virtue (Divine) and a gun fighter (Tab Hunter) head for the squalid desert town of Chili Verde in search of a fortune in gold. Neither title, star, nor director (Paul Bartel) would lead discerning viewers to suspect that this is 'one of Shaw's' but it is pretty funny in a silly, ribald way. Devine has excellent comic timing and a great, expressive face and the rest of the cast are fine. The story and characters are scattershot parodies of spaghetti westerns but the plot is reasonably clever (for what it is) and hinges on Rosie's back story, so pay attention. Any movie featuring Divine is interesting (albeit not necessarily watchable by most people) and, relatively speaking, this one is pretty tame (and the music is fun). Better than I expected.

The phrase 'Lust In The Dust' was first coined to describe David O. Selznick's epic western Duel In The Sun. It took almost forty years for it to be the actual title of a comic western starring the fabulous zoftig 300 pound female impersonator Divine as one full figured showgirl come to an out of the way New Mexican village to find a treasure.

The treasure is the loot from a holdup of more than 30 years ago and there's a riddle to the treasure that has to be solved. There's also a map that was done in halves and the halves hidden in a place where the sun doesn't normally shine.

Lust In The Dust is a satire on those spaghetti westerns and serving the pasta is former 50s matinée idol Tab Hunter and Geoffrey Lewis on hiatus from Clint Eastwood films. Hunter is your Eastwood like stranger with a fast gun and Lewis is a rather urbane outlaw leader.

Divine goes to work in Lainie Kazan's bawdy house and the two really don't hit it off. But they have to work together in a manner of speaking.

Sad to say is the best scene in the film is the state Lewis's gang is in after 'ravishing' Divine out there on the desert. Who says women are the weaker sex?

Set in a bawdy house part of the time Lust In The Dust is one bawdy R rated western. What would Hoppy, Gene, and Roy think?

They sure don't make them like this anymore - A comedic musical western about two buxom women, each with part of a treasure map tattooed on their butt. As a cultural oddity of the 1980s, Lust In The Dust stands alone as a truly bizarre collision of the mainstream and the underground.

Lust In The Dust owes much to the then emerging popularity of John Waters and his Dreamland players. I don't think it is a coincidence that the film reunites two of the stars of Polyester - transsexual goddess, Divine and weathered heart-throb, Tab Hunter. However, while Polyester merely tested the waters of the mainstream, Lust In The Dust jumps right in with a cast of recognisable actors and a comparatively inoffensive plot line. The result is sometimes awkward and occasionally frustrating, but also frequently hilarious and utterly compelling.

Paul Bartel could not have chosen better leads. Divine was really at the height of his powers as Rosie. Rosie is a luscious siren, who positively steams up the screen. Divine was a master at physical comedy and Rosie's facial expressions are priceless. Lainie Kazan more than meets the challenge as Rosie's rival, Marguerita. Lainie, now better known for mush like My Big Fat Greek Wedding, shows why she is one of the best cult actresses in the business. Marguerita is a wonderful creation and her rendition of "South of the Border" (... "but north of my garter") is truly a showstopper. Lust In The Dust also provided Tab Hunter with a memorable role as Able Wood. Tab is smart enough to underplay his part in the presence of these two larger than life ladies and is all the more effective because of it.

Lust In The Dust is a wonderfully offbeat example of the imaginative work being produced by cult directors in the early 1980s and holds up as a great testament to Divine's inimitable talent.