IMDb-BEWERTUNG
6,3/10
15.485
IHRE BEWERTUNG
Ein begabter junger Fotograf aus Baltimore, der es liebt, Fotos von seinen skurrilen, schrägen Nachbarn und seiner verrückten Familie zu schießen, wird in die Welt anspruchsvoller Künstler a... Alles lesenEin begabter junger Fotograf aus Baltimore, der es liebt, Fotos von seinen skurrilen, schrägen Nachbarn und seiner verrückten Familie zu schießen, wird in die Welt anspruchsvoller Künstler aus New York City hineingezogen und gelangt zu neuem Ruhm.Ein begabter junger Fotograf aus Baltimore, der es liebt, Fotos von seinen skurrilen, schrägen Nachbarn und seiner verrückten Familie zu schießen, wird in die Welt anspruchsvoller Künstler aus New York City hineingezogen und gelangt zu neuem Ruhm.
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
Mo Fischer
- T-Bone
- (as Maureen Fischer)
Empfohlene Bewertungen
John Waters most accessible film to date is one of his better ones, considering it cut down on all of the campiness and outright vulgarity which seem to litter most of his previous work. Sure, the nudity and the sexual references are still there, at least it is presented in a fashion
that cannot be deemed too foul or disgusting. Due to some great casting choices, this film really brought out the silliness associated with modern art and the subjective nature of your modern artist. Funny and somewhat lighthearted (if that is possible for Waters), this is one of those films I would watch on a rainy day.
that cannot be deemed too foul or disgusting. Due to some great casting choices, this film really brought out the silliness associated with modern art and the subjective nature of your modern artist. Funny and somewhat lighthearted (if that is possible for Waters), this is one of those films I would watch on a rainy day.
Just saw this in New York, it will never come to St. Croix! I liked it a lot, made me laugh. This is the most accessible of any of John Waters' movies I've seen and I like that, doesn't hit you over the head with weirdness. Waters is so good at taking a normal situation and making it appear just slightly off kilter. There are some great characters here...Ed Furlong is wonderfully wholesome and believable as Pecker, Christina Ricci is terrific in a very intense way as a too normal no frills small city girl. This movie is just plain good fun, it's easy to laugh at everybody and not feel mean spirited. Oh yeah and good to see Patty Hearst having some fun.
"Pecker" is a young, unknown photographer from Baltimore who becomes a big star in the public, the media and the local art scene with his pictures showing the dirty reality of all-day life just as dirty underwear or human excrements. It's a typical topic of John Waters Baltimore-based independent comedies to show the weird sides of the American way of life between political correctness fashion and conservative backlashes by exploring the backgrounds of the middle class society of his hometown.
Edward Furlong of "Terminator 2" fame plays Pecker, supported by Christina Ricchi, photographer Cindy Sherman, legendary Patricia Hearst and Water's long-time actress Mink Stole. Although the pacing of the plot becomes a big flaw sometimes and can't compete with the fast and furious joke attacks of Water's brilliant "Serial Mom", it's still has some good laughs in it and some unforgettable scenes like a former junkie-girl who became a vegetarian by sniffing peas from a vegetable dish... "Pecker" is a great comedy about the arrogance of the art scene, media hypes, middle-class sex angst and the strange ways of how to become a pop star without realizing it. Recommended!
Edward Furlong of "Terminator 2" fame plays Pecker, supported by Christina Ricchi, photographer Cindy Sherman, legendary Patricia Hearst and Water's long-time actress Mink Stole. Although the pacing of the plot becomes a big flaw sometimes and can't compete with the fast and furious joke attacks of Water's brilliant "Serial Mom", it's still has some good laughs in it and some unforgettable scenes like a former junkie-girl who became a vegetarian by sniffing peas from a vegetable dish... "Pecker" is a great comedy about the arrogance of the art scene, media hypes, middle-class sex angst and the strange ways of how to become a pop star without realizing it. Recommended!
In true John Waters form, "Pecker" offers a pure glimpse of human nature. Being human entitles us to our own unique quirks and eccentricities that make us individuals. When we 'seemingly' normal people are influenced by our ever-changing society, that is when the humor begins.
I think the true beauty of this movie is in the acting. Waters guides his cast into committed characterizations, adding layer upon layer of sub-text until they blossom before your eyes. Waters approaches his characters the way a painter approaches his easel and taking a mental snapshot, paints his perspective. Add all these factors in and you see why I say Pecker is a great movie!
Bravo, John. I always enjoy your work, thank you for sharing your art and perspective with the world.
I think the true beauty of this movie is in the acting. Waters guides his cast into committed characterizations, adding layer upon layer of sub-text until they blossom before your eyes. Waters approaches his characters the way a painter approaches his easel and taking a mental snapshot, paints his perspective. Add all these factors in and you see why I say Pecker is a great movie!
Bravo, John. I always enjoy your work, thank you for sharing your art and perspective with the world.
John Waters does what he does best, creating comedies that hang on
that line between normal and strange. In this time around, Waters directs PECKER, about how the seemingly normal photographs taken by an average small-town kid named Pecker (Eddie Furlong) become over- night successes by different art moguls. Of course, many misadventures abound as Pecker encounters many people with different opinions about his "works of art."
The performances are basically the main highlight of the film. Furlong does a good portrayal of the snapshot-taking teen, while Christina
Ricci also shines as Pecker's alienated girlfriend. Low-key teen actor Brendan Sexton III steals the film as Pecker's best friend Matt, a go-go-dancing klepto, just the right kind of character found in a John Waters' flick!
that line between normal and strange. In this time around, Waters directs PECKER, about how the seemingly normal photographs taken by an average small-town kid named Pecker (Eddie Furlong) become over- night successes by different art moguls. Of course, many misadventures abound as Pecker encounters many people with different opinions about his "works of art."
The performances are basically the main highlight of the film. Furlong does a good portrayal of the snapshot-taking teen, while Christina
Ricci also shines as Pecker's alienated girlfriend. Low-key teen actor Brendan Sexton III steals the film as Pecker's best friend Matt, a go-go-dancing klepto, just the right kind of character found in a John Waters' flick!
Wusstest du schon
- WissenswertesIn the opening scene, the number of the bus is 7734. According to John Waters, this is an old Catholic school joke since '7734' upside-down "spells" hell.
- PatzerIn Pecker's darkroom, his prints are being taken out of the fixer after only a few seconds instead of the required five minutes and then immediately hung to dry instead of being rinsed in water for 10 minutes. The basement windows are also uncovered.
- VerbindungenFeatured in Divine Trash (1998)
- SoundtracksHappy-Go-Lucky-Me
(1998)
Written by Al Byron and Paul Evans
Performed by Paul Evans
Courtesy of Post Music, Inc.
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Details
Box Office
- Budget
- 6.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.281.761 $
- Eröffnungswochenende in den USA und in Kanada
- 541.646 $
- 27. Sept. 1998
- Weltweiter Bruttoertrag
- 2.281.761 $
- Laufzeit1 Stunde 27 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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