Brief an Breshnew

Ah, but if only it were realistic. Because if anyone knows anything about the way the Soviet Union dealt with sailors in those days, the regime would never have let these two guys go off by themselves on shore, not even for a short while. I hope no one has to explain to you why. And even if this sweet young thing did get her chance to get a letter through to Brezhnev, he would surely be wondering how this sailor was able to free himself long enough to get into this situation in the first place, and I can tell you he wouldn't like it — even if the propaganda value might otherwise be useful.

But of course, romantic notions of life in the Soviet Union were not exactly rare at the time — especially, perhaps, in a very depressed place like Liverpool in the '80's. I wished Elaine luck, but it's kind of like watching one of those old Science Fiction movies and hoping the aliens and the earthlings can learn how to get along, because you know that in real life you don't really have to or get to.

Living and working in Liverpool in the mid 1980s I first watched this cheeky rom-com just after its release. Yes, it was and still is hilarious and yes, it does portray life in the city at that time, hard, depressing and at times, strangely uplifting.

I've just watched it again and although somewhat dated - hairstyles, clothes (not Margi Clarke's magnificent, timeless red dress) and of course much of the city which is correctly shown as run-down, drab and frankly, awful during its '80s nadir; its the spirit of the Scousers that always gets them through, then and now.

That legendary resilience is personified by Elaine (Alexandra Pigg) a pretty, girl-next door dreamer who somehow has to escape her life and surroundings. Ably assisted by her friend Teresa (Margi Clarke) they embark on a night out in town where amongst other wild activities they meet two Russian sailors in a club. Elaine is completely smitten with Peter (Peter Firth) and Teresa goes along for the ride with Sergei (Alfred Molina) in a manner of speaking...

The humour is harsh, sarcastic and 100% Scouse. The scenes between Clarke and Molina are the stuff of legend - realistic just doesn't do them both justice. Meanwhile, Elaine and Peter are falling in love. After a night of passion and a certain amount of philosophy there is another memorable scene when Elaine and Peter depart at the dockside as the boys have to leave for the Soviet Union.

Desperately in love, tetchy and lonely she decides on what seems a ridiculous scheme to re-unite with Peter. I found myself rooting for her, as I did almost 40 years ago. It's the girl's sheer guts that I admire the most about the film. She has little going for her as she runs up against the objections of her family, friends and the establishment. But she still has Teresa to help her an achieve her dream. Wonderful.

Frank Clarke is my favourite writer of British Films (Letter To Brezhnev, Blonde Fist, and I have just found out The Fruit Machine.) The film is set in Modern day working class Liverpool, where two friends Teresa (the one and only Margi Clarke) and Elaine (Alexandra Pigg) hit the town one night and meet two Russian Sailors. Elaine falls head over heels in love and when the sailors set sail Elaine writes a letter to president Brezhnev of Russia regarding her love and the need to see him again as she believes she is being prevented by the British authorities. It is not however a soppy love story, fast paced and again quite true to working class life in Britain in the 1980's. A Film Four production again, who have made the best low budget British Films of the last twenty years.

set in 80`s Liverpool...the best love story since Romeo and Juliet,far from being sloppy,more in-your-face,honest truth from two Scouse lasses on a night out...they run into a couple of Russian sailors on a one-night pass and two fall in love during that night.. but he has to leave on his ship the next day....she encounter red tape by the mile in her attempts to visit him in Russia...so she goes straight to Mr.Brezhnev himself for help......hilarious,gritty,sad...and you will be smiling by the time the credits roll....

A multifaceted film about two English working class girls (Teresa and Elaine) and two Russian sailors (Peter and Sergei).

In the first half two couples spent a night together. Teresa and Sergei go for the plain vanilla one night stand. Elaine and Peter keep it Platonic, but in so doing get to know each other much better. After all it is Elaine who has the hardest time when the sailors have to get back on board again.

The second half revolves around the relationship of the two friends Elaine and Teresa. This relationship has much in common with the relationship between Elin and Agnes in "Show me love" (1998, Lukas Moodysson). Teresa (Elin) does have the bigger mouth, but Elaine (Agnes) is the one with more guts.

Between the lines the second half is also a little bit of a political satire. There are more films in which romances are disturbed by "big politics" ("The unbearable lightness of being", 1988, Philip Kaufman), but a romance resulting in a girl contemplating an emigration to the Soviet Union is quite new.

In this respect the film is very characteristic of the 80s. The Cold war was passed his prime, in fact (with hinsight) the Soviet Union was nearly dead. On the other hand in England it was the time of the Thatcher years with budget cuts that did hit the Northern part of England (the movie plays in Liverpool) disproportionately hard.

Just like in "Show me love" there is one scene in "Letter to Brezhnev" that is very characteristic of the relation between the two friends. In "Show me love" the relation between Elin and Agnes is defined in the "toilet scene". In "Letter to Brezhnev" the bar scene is equally important. On a given moment Elaine is captivated by doubt if she should go to Russia. She goes outside to make up her mind. When she comes back she orders two wodka's for Teresa and herself. She has made a decision!