[go: up one dir, main page]

    Kalender veröffentlichenDie Top 250 FilmeDie beliebtesten FilmeFilme nach Genre durchsuchenBeste KinokasseSpielzeiten und TicketsNachrichten aus dem FilmFilm im Rampenlicht Indiens
    Was läuft im Fernsehen und was kann ich streamen?Die Top 250 TV-SerienBeliebteste TV-SerienSerien nach Genre durchsuchenNachrichten im Fernsehen
    Was gibt es zu sehenAktuelle TrailerIMDb OriginalsIMDb-AuswahlIMDb SpotlightLeitfaden für FamilienunterhaltungIMDb-Podcasts
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestival CentralAlle Ereignisse
    Heute geborenDie beliebtesten PromisPromi-News
    HilfecenterBereich für BeitragendeUmfragen
Für Branchenprofis
  • Sprache
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Anmelden
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
App verwenden
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
  • Wissenswertes
  • FAQ
IMDbPro

Rita, Sue und Bob dazu...

Originaltitel: Rita, Sue and Bob Too
  • 1987
  • 12
  • 1 Std. 29 Min.
IMDb-BEWERTUNG
6,6/10
5272
IHRE BEWERTUNG
George Costigan, Siobhan Finneran, and Michelle Holmes in Rita, Sue und Bob dazu... (1987)
Realistic story of working-class Yorkshire life, alternately serious and light-hearted, as two schoolgirls have a sexual fling with a married man.
trailer wiedergeben1:37
1 Video
17 Fotos
ErwachsenwerdenSchwarze KomödieDramaKomödie

Realistische Geschichte des Arbeiterlebens in Yorkshire.Realistische Geschichte des Arbeiterlebens in Yorkshire.Realistische Geschichte des Arbeiterlebens in Yorkshire.

  • Regie
    • Alan Clarke
  • Drehbuch
    • Andrea Dunbar
  • Hauptbesetzung
    • Siobhan Finneran
    • Michelle Holmes
    • Willie Ross
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,6/10
    5272
    IHRE BEWERTUNG
    • Regie
      • Alan Clarke
    • Drehbuch
      • Andrea Dunbar
    • Hauptbesetzung
      • Siobhan Finneran
      • Michelle Holmes
      • Willie Ross
    • 72Benutzerrezensionen
    • 27Kritische Rezensionen
    • 71Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer
    Trailer 1:37
    Trailer

    Fotos17

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 10
    Poster ansehen

    Topbesetzung46

    Ändern
    Siobhan Finneran
    Siobhan Finneran
    • Rita
    Michelle Holmes
    Michelle Holmes
    • Sue
    Willie Ross
    • Sue's Father
    Danny O'Dea
    Danny O'Dea
    • Paddy
    David Britton
    • Rita's Brother
    Mark Crompton
    • Rita's Brother
    Stuart Goodwin
    Stuart Goodwin
    • Rita's Brother
    Max Jackman
    • Rita's Brother
    Andrew Krauz
    • Rita's Brother
    Simon Waring
    • Rita's Brother
    Maureen Long
    • Rita's Mother
    Joyce Pembroke
    • Lawn Mower Lil
    Lesley Sharp
    Lesley Sharp
    • Michelle
    George Costigan
    George Costigan
    • Bob
    Patti Nicholls
    • Sue's Mother
    Jane Atkinson
    • Helen
    Bryan Heeley
    • Michael
    Paul Oldham
    • Lee
    • Regie
      • Alan Clarke
    • Drehbuch
      • Andrea Dunbar
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen72

    6,65.2K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Empfohlene Bewertungen

    ben_catt

    Brilliant from beginning to end....

    This film really should be used in schools as a realistic portrayal of English life in the eighties.

    There are some literally side splittingly funny scenes in this film. The most memorable are those of Sue's alcoholic Dad and his antics. I don't know if the director was meaning to show him as being really funny but some of the things he comes out with are absolutely brilliant.

    My favourite moment is when Sue gets back from baby sitting the first time. His quote "cos there's nowt opp-en! That's how!" is brilliant.

    Watch this film, it will make you laugh out loud.
    dannyfitzuk

    This is a vastly under_rated film

    Someone has previously posted that this film is about class and social division which is certainly true and one of the many sub-texts of the screenplay. It interests me that reaction to this film also seems to be delineated along class lines and social division. When I've mentioned this film in passing to middle-class types they turn their noses up in horror and say this film is so 'depressing'. In contrast, to anyone from a hum-drum town anywhere in the British Isles (in my case Ireland) or inner city working class background, a mention of the film if they've seen it, brings on a laugh and smiles of recognition of shared experiences.

    Hyper-realism may prevail in this film but there are many many reasons to watch it. The most important of which is to be reminded, if one needs reminding, what devastating changes took place during Thatcher's political reign during the 80's. The appalling errosion of social housing and services, and the introduction of the exploitative Youth Training Schemes which paid a pittance to participants. Overcrowded classrooms, and few opportunities to socialise meant teenagers had to make their own fun just like Rita and Sue.

    To me no other film evokes the 80's like this film, it always brings me out in tears of laughter as I recognise the characters from my own life. Practically every girl in my home town dressed exactly like Rita and Sue, bare legged and white stillettoed. I can't remember any other film that captures the teenage mischieve-ness and innocence of 80's teenagers. That scene where they go to the museum with the other school girls and exiting onto a cobbled Yorkshire street Sue utters the immortal line: '..she called me a slag so I hit her!, after assaulting a virgin classmate, is a real hoot. For me the funniest scene is when Rita and Sue start giggling in embarassment as Bob and The Wife start having a barny after returning home after a night on the tiles. (N.B. if Rita and Sue have been hired as babysitters how come we never see the kid they're babysitting?)

    This film is not depressing. The two main protagonists (Rita and Sue) are finding fun, excitement and adventure (isn't it better to be walking around in cow dung getting fresh air and a 'jump' from the middle class neighbour in a car than loitering around a dreary housing estate?) as an antidote to their hopeless circumstances. They don't feel anymore more victimised than Bob's wife. They maybe poor and working class; but they're getting bonked regularly unlike Bob's missus!

    The performances are absolutely sterling, there are no false moves or corny lines. And Lesley Sharp is truly comical as she jumps on Bob's suit and calls him every name under the sun. For me the actor who shines most is Michelle Holmes, and I always love watching her whatever role she's playing ever since seeing her in this film.

    I wish the bourgeois critics could put aside their own prejudices and snobberies and see this film for what it really is. A gritty realistic picture of 80's England and a precursor to the highly successful 'Full Monty'. It is also a great heart warming film for adults that was way ahead of its time when it was being made in the mid 80's. Every time I see it I laugh out loud - if you're ever feeling a bit down, watch this film! It will blow the cobwebs away completely, trust me!

    As far as I'm concerned this is up there with 'Brief Encounter' as a classic British film. I'm serious!
    8shell-26

    Sad and funny and bleak and positive

    This was an excellent low-budget film full of strong performances. Set in the North of England it follows two schoolgirls and a philandering husband on what appears to be a dirty and sleazy romp. But none of these people deserve their grim and loveless lives. None of them are "bad" and there are no victims. This is not so much a morality play as an immorality play. When Bob says that his wife doesn't understand him, he is right. The "seduction" scene in the back of his car is one of the best ever. With hindsight, it is impossible to tell who is being seduced.

    Made for TV by FilmFour the camerawork reminds me of a soap opera. The scenes are largely drab and impoverished but Rita, Sue and Bob have fun ! When they are together the world seems a better place. The scene at the dance with the terrible 80's party band Black Lace is wonderful, they are having a such a great time and it is in such contrast to their grim reality.

    The ending is wonderful.
    8PsychoKlown

    We're having a gang bang!!

    Where do i start? I brought my fiancé this DVD because he picked it out and i have to admit i was dreading watching it because i thought it would be sh*t, but i stand corrected it's totally funny i couldn't stop laughing. The story is a married man called Bob seduces the babysitters Ria and Sue in his car when parked out on the moors resulting in a hilarious sex scene. The three continue their relationship of casual sex and good times even though they know the truth will eventually be known.

    As i said comedy is a big part of this film which is mainly from the common accents and swearing from practically the whole cast (especially Kevin, Sue's racist, drunkard dad). Other comedy moments are the old nosey neighbour (Hosepipe Harry) who spends the whole film watering his garden and the dance scene where Bob and the two girls are dancing to a song called "We're having a gang bang!" which is funny just for Rita's dancing (best moment in the film!) although a friend of Bob's wife (Fat F*ckin' Mavis) sees them and tells her leading to a full scale argument with the girls families and the married couple, which has more swearing in the 5 minute scene then a whole series of the Osbournes.

    This is a great British film and anyone with a sense of humour will enjoy it!
    9denzil-09434

    One of the best films of the 1980s

    This movie has stood up very well over the years. All the performances are excellent and the writing is better than that of any British film I can bring to mind. The fact that it was written by a very young woman is amazing. She had such a deep understanding of how the world works at such a young age and was able to turn it into a spectacularly entertaining and enduring work of art.

    It's one of those films you can watch over and over again. In my repeat viewing chart it's probably second only to The Blues Brothers.

    Great fun and they'll never make anything like this ever again.

    Mehr wie diese

    Scum
    7,6
    Scum
    Scum - Abschaum
    7,5
    Scum - Abschaum
    Ein Z und zwei Nullen
    7,2
    Ein Z und zwei Nullen
    Lebenswut
    6,2
    Lebenswut
    Radical Hardcore
    5,3
    Radical Hardcore
    Die Krays
    6,6
    Die Krays
    Eight Deadly Shots
    8,2
    Eight Deadly Shots
    Crocus
    6,0
    Crocus
    Olivia
    6,9
    Olivia
    Billy the Kid and the Green Baize Vampire
    5,5
    Billy the Kid and the Green Baize Vampire
    Brief an Breshnew
    6,7
    Brief an Breshnew
    Madeline's Madeline
    6,3
    Madeline's Madeline

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Andrea Dunbar, the writer of this film, died in 1990 of a brain hemorrhage in The Beacon pub, a few years after it had been used as the location for the dad stumbling out of the pub at the beginning.
    • Patzer
      As they are walking down the street during the school trip the boom mic is visible in the bottom left shop window.
    • Zitate

      Sue's Dad: [Sue comes in at 2am; her Dad is sitting there with a baseball bat] Where the fuck have you been?

      Sue: Baby sitting.

      Sue's Dad: Not just till 2 o'clock in the fuckin' morning you haven't, don't lie to me lass!

      Sue: I'm not, you ask me mum.

      Sue's Dad: Well yer mum's a lyin' bastard an all and I'll wrap this round ya fuckin' neck!

      [throws bat down]

      Sue: [blows a huff] Mum!

      Sue's Mum: What?

      Sue: Come and tell him!

      Sue's Dad: You're a lying little shit!

      Sue's Mum: Oh, I'm fucking fed up with him! What do you think yer fuckin' playing at?

      Sue's Dad: You try to tell me that she's been baby sitting till this fuckin' time?

      Sue's Mum: How do you know she hasn't?

      Sue's Dad: Cause' there's nowt open that's how!

      Sue: There is!

      Sue's Mum: Night Clubs.

      Sue's Dad: Well I don't fuckin' believe yer, next time I will wrap it round yer neck.

      Sue's Mum: Just be careful I don't bloody wrap it round yours!

      Sue's Dad: Anyway, why don't you fuck off back to bed?

      Sue's Mum: I'm sleeping in here, you're sleeping on yer bloody own.

      Sue's Dad: Do what yer like.

      Sue's Mum: I bloody will, don't worry!

      Sue's Dad: Fuck it, I'm going to bed.

      Sue: Oh go on.

      Sue: Aren't you going to bed?

      Sue's Mum: I'm not getting in with him!

    • Verbindungen
      Featured in Siskel & Ebert & the Movies: Back to the Beach/Nadine/Dirty Dancing/Rita, Sue and Bob Too! (1987)
    • Soundtracks
      The Gang Bang
      Performed by Black Lace

      Written and Composed by Alan Barton and Dene Michael (as Dean Michael)

      Published by Flair Records

    Top-Auswahl

    Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
    Anmelden

    FAQ17

    • How long is Rita, Sue and Bob Too?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 6. Oktober 1988 (Westdeutschland)
    • Herkunftsland
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Auch bekannt als
      • Rita, Sue and Bob Too
    • Drehorte
      • 5 Bramham Drive, Baildon, Shipley, Bradford, West Yorkshire, England, Vereinigtes Königreich(Bob's house)
    • Produktionsfirmen
      • British Screen Productions
      • Channel Four Films
      • Umbrella Films
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 124.167 $
    • Eröffnungswochenende in den USA und in Kanada
      • 7.947 $
      • 19. Juli 1987
    • Weltweiter Bruttoertrag
      • 124.167 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 29 Min.(89 min)
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.66 : 1

    Zu dieser Seite beitragen

    Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
    • Erfahre mehr über das Beitragen
    Seite bearbeiten

    Mehr entdecken

    Zuletzt angesehen

    Bitte aktiviere Browser-Cookies, um diese Funktion nutzen zu können. Weitere Informationen
    Hol dir die IMDb-App
    Melde dich an für Zugriff auf mehr InhalteMelde dich an für Zugriff auf mehr Inhalte
    Folge IMDb in den sozialen Netzwerken
    Hol dir die IMDb-App
    Für Android und iOS
    Hol dir die IMDb-App
    • Hilfe
    • Inhaltsverzeichnis
    • IMDbPro
    • Box Office Mojo
    • IMDb-Daten lizenzieren
    • Pressezimmer
    • Werbung
    • Jobs
    • Allgemeine Geschäftsbedingungen
    • Datenschutzrichtlinie
    • Your Ads Privacy Choices
    IMDb, ein Amazon-Unternehmen

    © 1990-2025 by IMDb.com, Inc.