IMDb-BEWERTUNG
4,5/10
1913
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA freshly-out-of-the-grave band of Hard Rock Zombies is thirsting to take their sweet revenge, as they give the performance of a lifetime.A freshly-out-of-the-grave band of Hard Rock Zombies is thirsting to take their sweet revenge, as they give the performance of a lifetime.A freshly-out-of-the-grave band of Hard Rock Zombies is thirsting to take their sweet revenge, as they give the performance of a lifetime.
E.J. Curse
- Jessie
- (as E.J. Curcio)
Mick McMains
- Robby
- (as Mick Manz)
Phil Fondacaro
- Mickey
- (as H.G. Golas)
Crystal Shaw Martell
- Mrs. Buff
- (as Crystal Shaw)
Vincent Albert DiStefano
- Olaf
- (as Vincent De Stefano)
Emanuel Shipow
- Grandfather
- (as Emmanuel Shipov)
Empfohlene Bewertungen
This film has it all! A pedophile romance, a switchblade wielding werewolf granny in a wheelchair, Hitler, zombie midgets, awesomely cheesy 80's tunes, nudity, and some of the worst acting and editing i've ever seen. This is one of those rare movies that's so bad it's good. It's offensive, bizarre, and just flat out hilarious (unintentionally, of course). If any of the aforementioned story elements intrigue you or if you're just into really low-budget 80's horror movies...then this might be worth checking out. Would make an awesome double feature with "rock and roll nightmare". The love ballad "Cassie" should be the theme song for all pedophiles.
I believe that it was the directors intent to revive the flagging musical genre, and combine it with a cheesy horror plot line. My Brother and I first saw this movie back in the mid 80's , and it was the title that first grabbed my attention as a denim wearing metal head. I watched the movie then and thought it was crap, though the bass line that bought things back to life was brilliant. This movie then fell into obscurity and I have not given it a thought for the near on 20 years since. The other night I saw that Hard Rock Zombies was on the Horror Channel, and the vague memory of a mulleted bass player killing a spider and then bringing it back to life again struck in my mind. I decided to watch it again hoping that the passage of the years would make me understand what was once a nonsensical plot a bit more and hopefully make this painfully bad movie better. So on a nostalgia trip, I decided to record this drivel of a movie, after necking a few cans of strong lager to muster the dutch courage required to face this 80's timewarp, I sat down to watch, and guess what?.......It's still a crap movie, the plot is no easier to understand, the old man that looks like Scottie from Star Trek that half way through turns into Hitler is just absurd, the mulleted bass player looks a little dated now, but that riff is still brilliant. Give this movie a wide arc. If I were to recommend this movie to anyone, deaf and blind people would be at the top of my list as well as people suffering from chronic insomnia. easy contender for the biggest waste of everyone's time and labour EVER. best part(s) the blonde hitchhiker girl in the shower......worth watching for that alone.
Greetings And Salutations, and welcome to my review of Hard Rock Zombies; here's the breakdown of my ratings:
Story: 0.75 Direction: 0.75 Pace: 0.50 Acting: 1.00 Enjoyment: 1.00
TOTAL: 4.00 out of 10.00.
I really wanted to like Hard Rock Zombies. I mean, zombies, rock music, neo-nazis, cannibal mutant dwarfs, a town that's anti-Rock'n'Roll, and Adolf Hitler, what more could a music-orientated comedy horror require? Well, for a start, a good story, gut-busting comedy, perfectly timed direction, head-banging tunes, and decent acting. Sadly, the audience receives very little in the way of these.
Krishna Shah, who also directed, and David Allan Ball, tells us the story of an up-and-coming rock band. The Hard Rock Zombies are trying to hit the big time and are playing small towns throughout America. Unfortunately for them, their next stop hates rock and roll. The council and townsfolk do everything to prevent the show from going on, even arresting the Zombies. Luckily, they get bailed by a well-to-do family in the area. But something isn't quite right about them. And when the band gives them a free thankyou performance, they're electrocuted. Is the house's electrical system old and dangerous, or are there other powers at play? There's one thing though: The old mansion contains an undeniable power. As the group's leader riffs off a new track, he realises the tune can resurrect the dead - real-life Hard Rock Zombies. Wow, the story's packed with everything but the kitchen sink, and the possibilities the plotlines provide are endless. So why doesn't it work? The simple answer is lack of skill. The story needed better structuring to ease its jaggedness and enliven the dullness. There's a fair amount of good in the script. Sadly, neither Shah nor Ball makes the most of it. The worst parts are the comedic elements. From their many attempts to make you chortle, only one scene works, and even that is an only juster. It's the skit where the council vote to ban Rock'N'Roll from their town. And though it's humourous, it's when the last resident steps up to the podium to make their statement that I began to titter. Luanne. "Rock n' roll music causes... Sex! Adolescent sex! Premarital sex! And, worst of all... Physical Sex!" And the way the actress delivers her argument is the icing on the cake. She's all excited smiles and subdued, sultry sexiness. This segment works because of the actor's and actresses' performances. What the narrative required were better structuring and better character development. Apart from the odd scene, most characters are dull as dish-water.
One element that could've lifted the sluggishness was the direction. Sad to say, Shah's directional skills are as exciting as his writing. You have an actual band, and though the guys aren't outstanding actors, they're not terrible musicians - though the songs leave a lot to be desired. If he'd filmed these guys correctly, he could've forgotten about the other stuff a little. But he doesn't, and there's nothing better than the concert segments to display Shah's failing. He loves his pick-a-spot, set up the camera, point, shoot, and record style. This form could've worked had the band been more dynamic on stage. Sadly, they're of the stand-by-your-microphones brigade. But it's not all bad because Shah incorporates a few varied camera angles. Though they're interesting, he holds the shot too long, adding to the picture's sluggish feel. And don't get me started on the Hard Rock Zombie's Zombie Stroll. Shah attempts to make this parade stylish and engaging for the viewer. However, it comes across as poor as a third-rate rock video. Had they employed a top-notch rock video director, the movie may have reached the heady heights of hard rock heaven. Or, at the very least, been a contender in the cult movie charts.
I always find it tough to drop the blame for an awful movie in the lap of the actors and actresses. The performers can only work with the story and characters they're given and can merely deliver the scenes in the way the director directs. On the whole, everybody gives a decent performance, except for the band members. I found these guys to be too subdued, over-eager, as hammy as a pig on a butcher's slab, or as wooden as a pirate's peg leg. And they get worse when you take the lines away from them. When they go quiet and zombified, it's horrific and not horrifying or amusing as it should be.
All in all, Hard Rock Zombies is not the movie it could've been, and because of that sad fact, I can't recommend it to anyone. There are many better horror comedies to enjoy. I suggest you find one; you could try looking in my Absolute Horror or Just For Laughs lists.
Okay, while I slip the latest rock LP onto the turntable so we can get physical with our freaky selves, you can take a look at my IMDb lists - Absolute Horror and Just For Laughs to see where I ranked Hard Rock Zombies - or to find something more entertaining for your visual joy.
Take Care & Stay Well.
Story: 0.75 Direction: 0.75 Pace: 0.50 Acting: 1.00 Enjoyment: 1.00
TOTAL: 4.00 out of 10.00.
I really wanted to like Hard Rock Zombies. I mean, zombies, rock music, neo-nazis, cannibal mutant dwarfs, a town that's anti-Rock'n'Roll, and Adolf Hitler, what more could a music-orientated comedy horror require? Well, for a start, a good story, gut-busting comedy, perfectly timed direction, head-banging tunes, and decent acting. Sadly, the audience receives very little in the way of these.
Krishna Shah, who also directed, and David Allan Ball, tells us the story of an up-and-coming rock band. The Hard Rock Zombies are trying to hit the big time and are playing small towns throughout America. Unfortunately for them, their next stop hates rock and roll. The council and townsfolk do everything to prevent the show from going on, even arresting the Zombies. Luckily, they get bailed by a well-to-do family in the area. But something isn't quite right about them. And when the band gives them a free thankyou performance, they're electrocuted. Is the house's electrical system old and dangerous, or are there other powers at play? There's one thing though: The old mansion contains an undeniable power. As the group's leader riffs off a new track, he realises the tune can resurrect the dead - real-life Hard Rock Zombies. Wow, the story's packed with everything but the kitchen sink, and the possibilities the plotlines provide are endless. So why doesn't it work? The simple answer is lack of skill. The story needed better structuring to ease its jaggedness and enliven the dullness. There's a fair amount of good in the script. Sadly, neither Shah nor Ball makes the most of it. The worst parts are the comedic elements. From their many attempts to make you chortle, only one scene works, and even that is an only juster. It's the skit where the council vote to ban Rock'N'Roll from their town. And though it's humourous, it's when the last resident steps up to the podium to make their statement that I began to titter. Luanne. "Rock n' roll music causes... Sex! Adolescent sex! Premarital sex! And, worst of all... Physical Sex!" And the way the actress delivers her argument is the icing on the cake. She's all excited smiles and subdued, sultry sexiness. This segment works because of the actor's and actresses' performances. What the narrative required were better structuring and better character development. Apart from the odd scene, most characters are dull as dish-water.
One element that could've lifted the sluggishness was the direction. Sad to say, Shah's directional skills are as exciting as his writing. You have an actual band, and though the guys aren't outstanding actors, they're not terrible musicians - though the songs leave a lot to be desired. If he'd filmed these guys correctly, he could've forgotten about the other stuff a little. But he doesn't, and there's nothing better than the concert segments to display Shah's failing. He loves his pick-a-spot, set up the camera, point, shoot, and record style. This form could've worked had the band been more dynamic on stage. Sadly, they're of the stand-by-your-microphones brigade. But it's not all bad because Shah incorporates a few varied camera angles. Though they're interesting, he holds the shot too long, adding to the picture's sluggish feel. And don't get me started on the Hard Rock Zombie's Zombie Stroll. Shah attempts to make this parade stylish and engaging for the viewer. However, it comes across as poor as a third-rate rock video. Had they employed a top-notch rock video director, the movie may have reached the heady heights of hard rock heaven. Or, at the very least, been a contender in the cult movie charts.
I always find it tough to drop the blame for an awful movie in the lap of the actors and actresses. The performers can only work with the story and characters they're given and can merely deliver the scenes in the way the director directs. On the whole, everybody gives a decent performance, except for the band members. I found these guys to be too subdued, over-eager, as hammy as a pig on a butcher's slab, or as wooden as a pirate's peg leg. And they get worse when you take the lines away from them. When they go quiet and zombified, it's horrific and not horrifying or amusing as it should be.
All in all, Hard Rock Zombies is not the movie it could've been, and because of that sad fact, I can't recommend it to anyone. There are many better horror comedies to enjoy. I suggest you find one; you could try looking in my Absolute Horror or Just For Laughs lists.
Okay, while I slip the latest rock LP onto the turntable so we can get physical with our freaky selves, you can take a look at my IMDb lists - Absolute Horror and Just For Laughs to see where I ranked Hard Rock Zombies - or to find something more entertaining for your visual joy.
Take Care & Stay Well.
I recently watched Hard Rock Zombies (1984) on Shudder. The storyline follows a rock band that stops in the wrong town, plagued by curses, Nazis, and midgets. A young lady in town falls in love with the singer, but unfortunately, the band is killed. She uses a curse to bring the band back to life to try and save the town.
Directed by Krishna Shah (American Drive-In), Hard Rock Zombies stars E. J. Curse (Late Last Night), Ted Wells (Saint Nick), Phil Fondacaro (Willow), Richard Vidan (Terminator 2), and David O'Hara (Biohazard).
This is one of those movies where you keep asking yourself, "What did I just see?" as you watch it unfold. The costumes, settings, and soundtrack all work for the premise. The makeup for the zombies looks like I could have done it, and there are some bad montages. However, there's also a werewolf with two switchblades, Nazi midgets that eat cows, elements of puppet masters, and a great ending. The props are hit or miss and had me cracking up throughout; there's a scene where Arthur has the worst "branch" prop I've ever seen. Despite this, the ending is worth the journey, making it one of those "so bad it's good" films.
In conclusion, Hard Rock Zombies is an absolute mess with enough worthwhile elements to make it enjoyable. I would score this a 6/10 and recommend seeing it once.
Directed by Krishna Shah (American Drive-In), Hard Rock Zombies stars E. J. Curse (Late Last Night), Ted Wells (Saint Nick), Phil Fondacaro (Willow), Richard Vidan (Terminator 2), and David O'Hara (Biohazard).
This is one of those movies where you keep asking yourself, "What did I just see?" as you watch it unfold. The costumes, settings, and soundtrack all work for the premise. The makeup for the zombies looks like I could have done it, and there are some bad montages. However, there's also a werewolf with two switchblades, Nazi midgets that eat cows, elements of puppet masters, and a great ending. The props are hit or miss and had me cracking up throughout; there's a scene where Arthur has the worst "branch" prop I've ever seen. Despite this, the ending is worth the journey, making it one of those "so bad it's good" films.
In conclusion, Hard Rock Zombies is an absolute mess with enough worthwhile elements to make it enjoyable. I would score this a 6/10 and recommend seeing it once.
You can guess it is not a movie to watch with high expectations, but there should be at least something for the actual fans of the genre i.e. extremely low budget zombie movies, rock'n'roll and the 80s as such. Sadly, there isn't. Technically speaking this production it is not even a movie, but a remade 20-minute piece and you can notice the desperation of the filmmakers trying to fill the other 78 minutes with anything at all, which included full songs played by the band on stage, totally random interludes and repeating the same video sequences. The unrelated scenes could disturb the plot and the logical course of events, if there were any, but in fact there wasn't much.
This movie is quite different from other zombie movies, surely it is gory and tasteless at moments, but for the most part it is incredibly boring and the things which make no sense are not even that funny. It can be quite a disappointment for hard rock and heavy metal fans (who are most likely to pick this movie: come on, zombies, Hitler and rock'n'roll) because it doesn't really feature the 80s' music they would listen to. The tracks are not hard rock and not even rock'n'roll. I liked the love ballad "Cassie's Song" though. I think I'll even give the movie an extra star for that (the base rating was 2 for "bad, but I managed to watch it till the end").
I find this movie a little too bad even for people specifically interested in bad movies. Unless things like Nazi zombie midgets really do it for you, then you totally should go for it.
This movie is quite different from other zombie movies, surely it is gory and tasteless at moments, but for the most part it is incredibly boring and the things which make no sense are not even that funny. It can be quite a disappointment for hard rock and heavy metal fans (who are most likely to pick this movie: come on, zombies, Hitler and rock'n'roll) because it doesn't really feature the 80s' music they would listen to. The tracks are not hard rock and not even rock'n'roll. I liked the love ballad "Cassie's Song" though. I think I'll even give the movie an extra star for that (the base rating was 2 for "bad, but I managed to watch it till the end").
I find this movie a little too bad even for people specifically interested in bad movies. Unless things like Nazi zombie midgets really do it for you, then you totally should go for it.
Wusstest du schon
- WissenswertesOriginally, this was only meant to be about 20 minutes long and solely used as the feature movie in American Drive-In (1985). At some point during production, the decision was made to invest a little bit more money and come out with two full length feature films instead of just one.
- PatzerSoon after the end credits start rolling, director Krishna Shah's first name is misspelled as 'Written By Kirshna Shah.'
- Crazy CreditsThis film is dedicated to Ramona Evelyn Andrus "Whose dwelling is the light of setting suns..." -- William Wordsworth
- Alternative VersionenSome gory shots were removed from the theatrical release to avoid an "X" rating. The unrated Vestron VHS restores the cut gore.
- VerbindungenFeatured in American Drive-In (1985)
- SoundtracksMorte Ascendere
Written by Paul Sabu
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