IMDb-BEWERTUNG
5,3/10
3659
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA young American hustler pursues the girl of his dreams to Oxford, where he must enroll to obtain her.A young American hustler pursues the girl of his dreams to Oxford, where he must enroll to obtain her.A young American hustler pursues the girl of his dreams to Oxford, where he must enroll to obtain her.
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Back in the day, Rob Lowe was devoid of talent (as were many of the notorious Brat Pack members) but had that certain something that made people (mostly teens) want more. He was a very marketable commodity at the time, so what better role to give him than something that has already been done (i.e. little money spent writing, pre-production as possible before his fame expires as we all remember it did in the form of a threesome with two underage girls).
He can't act like Meryl Streep but he can deliver lines adequately and professionally; he is not so horrible that it is not watchable, and the story line is cute. Overall not an oscar winner but watchable. Some of his Brat Pack friends had big hits with their solo movies such as Ally Sheedy in Short Circuit, Emilio Estevez in Young Guns, etc.
He can't act like Meryl Streep but he can deliver lines adequately and professionally; he is not so horrible that it is not watchable, and the story line is cute. Overall not an oscar winner but watchable. Some of his Brat Pack friends had big hits with their solo movies such as Ally Sheedy in Short Circuit, Emilio Estevez in Young Guns, etc.
This film in my opinion shows Rob Lowe for teenager fans. The rest lacks of script, hooks, actings, even the history is plain and uninspired. The nice guy travel to England to know the girl of his dreams and the British despised him (In Oxford) but he succeed. Also the British characters are boring, tedious, predictable. I don't want to spoil but it's only a film to remember the eighties and Rob Lowe and Ally Sheedy (Maybe the strongest point). The rest can't be much more accomplished and has some real flaws... specially on the script aspect. The scenes of rowing towards the river and competitions are the best of this movie. Only for fundamentalists of Rob.
Nick De Angelo (Rob Lowe) is a self-possessed valet in Las Vegas. With the help of an older woman and a lucky night in the casino, he gets enough money to chase after Lady Victoria Wingate (Amanda Pays) in Oxford. He gets accepted at Oriel College but Victoria is already involved with rower Colin Gilchrist Fisher (Julian Sands). The rowers are at the top of the social hierarchy. The brash Nick steals a boat and leaps into a race coming in second to Colin. Nick joins a team coxed by Jersey girl Rona (Ally Sheedy).
Brash Nick is fun and compelling. However, he goes overboard at times like when he first meets Rona. She doesn't deserve it and it makes him look like a bully. I love Rob Lowe but Nick can be off-putting at times. Some of the British villains are too cartoonish. The worst part is that Amanda Pays is too much of an ice queen. It's one of her early roles and she is terribly stiff. It would have been a better rom-com if Nick goes off with Rona instead. Rob Lowe has plenty of charisma but that isn't enough to save this.
Brash Nick is fun and compelling. However, he goes overboard at times like when he first meets Rona. She doesn't deserve it and it makes him look like a bully. I love Rob Lowe but Nick can be off-putting at times. Some of the British villains are too cartoonish. The worst part is that Amanda Pays is too much of an ice queen. It's one of her early roles and she is terribly stiff. It would have been a better rom-com if Nick goes off with Rona instead. Rob Lowe has plenty of charisma but that isn't enough to save this.
OK. I know that the wanna-be John Hughes movies of the 80s were all unilaterally flat, so the expectations for this film ran pretty low.
Still, after sitting through this crap there's one key thing I can't seem to get out of my head:
I just sat through an 80s Rob Lowe movie that had no nudity and only hints of sex in them.
The acting is awful, the characters boring and flat, the portrayal of Oxford an absolute insult, and the rowing scenes unexciting, uneventful, and inaccurate.
Unless you've got some wierd Ally Sheedy or Amanda Pays (or I guess, Rob Lowe) fetish, there's really no reason to see this one.
Still, after sitting through this crap there's one key thing I can't seem to get out of my head:
I just sat through an 80s Rob Lowe movie that had no nudity and only hints of sex in them.
The acting is awful, the characters boring and flat, the portrayal of Oxford an absolute insult, and the rowing scenes unexciting, uneventful, and inaccurate.
Unless you've got some wierd Ally Sheedy or Amanda Pays (or I guess, Rob Lowe) fetish, there's really no reason to see this one.
Yes, I know this is not a fantastic movie. My 7 out of 10 is more nostalgic than actual story-driven.
Rob Lowe acts like a bull in a china shop at all times in this story. The entire movie he moves from con artist to rowing prodigy to sexual dynamo to demigod status -- all while carrying the "ugly American" thing quite too far. And I'm American. Embarrassing would be a better word I think. Kinda sets a negative tone that stays the entire movie. Yet... I was spellbound by this movie in the theater in 1984 (saw it twice actually) and am still in love. :-) I'm sure it is due to the gorgeous cinematography and stunning on-location sequences at Cambridge. The rest of the cast (with the exception of Ally Sheedy, whom I've never gotten the hang of despite people oohing and awing over her) is simply perfectly British upper-crust snootiness with the right amount of classy condescension toward that crazy Yank. The movie just feels so British lovely - with an uber-caveman running amok. I love it. I can't watch it enough actually. It's one of my top guilty pleasures actually.
Don't get me wrong. Rob Lowe isn't a complete waste. His swagger and brashness is somewhat necessary, but he just comes across as TOO cool and TOO narcissistic as he barrels toward the inevitable bedding of our fair maiden, played by the heavenly Amanda Pays. Lowe just runs over wonderful characters at every turn to get everything HE desires at the expense of anyone/any institution standing in his way. BUT... with that aside, the movie is really enjoyable. It's like enjoying the magical "Peggy Sue Got Married" despite the awful presence of Nick Cage. Sometimes you've got to look past one major issue to get to the soft, lovable, special movie lurking beneath the ego of the lead.
I love this movie. I'll always love this movie. Watch it if you love Great Britain. Watch it if you love Cambridge. Watch it if you enjoy rowing. Watch it if you were (are?) still in love with Amanda Pays. And watch it for the simple chance to see Rob Lowe do one of the funnier "switcheroo" wardrobe changes set to music in the mirror during the end credits. Classic cheese that I would recommend for anyone looking for silly '80s goofiness!
Rob Lowe acts like a bull in a china shop at all times in this story. The entire movie he moves from con artist to rowing prodigy to sexual dynamo to demigod status -- all while carrying the "ugly American" thing quite too far. And I'm American. Embarrassing would be a better word I think. Kinda sets a negative tone that stays the entire movie. Yet... I was spellbound by this movie in the theater in 1984 (saw it twice actually) and am still in love. :-) I'm sure it is due to the gorgeous cinematography and stunning on-location sequences at Cambridge. The rest of the cast (with the exception of Ally Sheedy, whom I've never gotten the hang of despite people oohing and awing over her) is simply perfectly British upper-crust snootiness with the right amount of classy condescension toward that crazy Yank. The movie just feels so British lovely - with an uber-caveman running amok. I love it. I can't watch it enough actually. It's one of my top guilty pleasures actually.
Don't get me wrong. Rob Lowe isn't a complete waste. His swagger and brashness is somewhat necessary, but he just comes across as TOO cool and TOO narcissistic as he barrels toward the inevitable bedding of our fair maiden, played by the heavenly Amanda Pays. Lowe just runs over wonderful characters at every turn to get everything HE desires at the expense of anyone/any institution standing in his way. BUT... with that aside, the movie is really enjoyable. It's like enjoying the magical "Peggy Sue Got Married" despite the awful presence of Nick Cage. Sometimes you've got to look past one major issue to get to the soft, lovable, special movie lurking beneath the ego of the lead.
I love this movie. I'll always love this movie. Watch it if you love Great Britain. Watch it if you love Cambridge. Watch it if you enjoy rowing. Watch it if you were (are?) still in love with Amanda Pays. And watch it for the simple chance to see Rob Lowe do one of the funnier "switcheroo" wardrobe changes set to music in the mirror during the end credits. Classic cheese that I would recommend for anyone looking for silly '80s goofiness!
Wusstest du schon
- WissenswertesThe film was a remake of a Der Lausbub aus Amerika (1938) and was made and released about forty-six years after that original film.
- PatzerDuring the "Matriculation Ceremony", students/extras are seen wearing the undergraduate academic dress, and most are wearing their mortarboards. However, undergraduates at Oxford do not wear their mortarboards on their heads, but instead carry them, as they are not yet holders of their degrees.
- Zitate
Nick De Angelo: Look, I didn't travel 10,000 miles to spend my first morning in England talking to some wiseass chick from Weehawken, New Jersey.
- VerbindungenReferenced in To Make a Killing (1988)
- SoundtracksOxford Blues
Words and Music by Paul Jabara and Harold Wheeler
Produced by Paul Jabara
(c) 1984 Paul Jabara Music BMI
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Оксфордский блюз
- Drehorte
- Broughton Castle, Broughton, Banbury, Oxfordshire, England, Vereinigtes Königreich(Lady Victoria's family home)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 8.793.152 $
- Eröffnungswochenende in den USA und in Kanada
- 2.486.418 $
- 26. Aug. 1984
- Weltweiter Bruttoertrag
- 8.793.152 $
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