Die wahre Geschichte eines desillusionierten Angestellten eines militärischen Auftragnehmers und seines Jugendfreundes, eines Drogendealers, die zu begehbaren Spionen für die Sowjetunion wur... Alles lesenDie wahre Geschichte eines desillusionierten Angestellten eines militärischen Auftragnehmers und seines Jugendfreundes, eines Drogendealers, die zu begehbaren Spionen für die Sowjetunion wurden.Die wahre Geschichte eines desillusionierten Angestellten eines militärischen Auftragnehmers und seines Jugendfreundes, eines Drogendealers, die zu begehbaren Spionen für die Sowjetunion wurden.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
- Boyce Child
- (as Arturo Comacho)
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The film appears open minded about whether Boyce is an idealist or an opportunist who fails to realise the significance of his actions. His confession of having received payment from the Soviets and his cynical dismissing of money as 'never being very important to me' suggests a more amoral stance, but his other remarks perhaps reveal a more complex and sincere character. Boyce seems to be suggesting that any leap forward in technology must also go hand in hand with an equal quantitative one in morality. But I think it was Einstien who said that the bomb has changed everything except the way man thinks. This suggests that Boyce's weary indifference while being interviewed was due to his realisation that this moral leap was beyond man and therefore there was no hope, we are doomed to extinction. All political and religious life had been rendered meaningless to him due to the impermanence of man in the face of super-technology. This may account for his reluctance to recite the 'valley of death' speech to his father, as he knew full well that it's message was also meaningless in the context of modern warfare. No-one, not even the generals would be left standing. Boyce then, was possibly suffering a certain existential despair, as he stated America was the first country to use nuclear weapons. His concern that his betrayal meant little because we are already in jeopardy is even more pertinent today, with more and more countries either acquiring or seeking to acquire nuclear technology. It's rather like a group of toddlers playing with a grenade, passing it around. Say you were to add more grenades, would you then increase the likelihood of an accident such as the pulling out of a pin?
This rare political film asks a more broad and philosophical question, perhaps. If Boyce says he knows something about predatory behaviour (and the film is full of big fish eating little fish motifs) and left the church because he has decided that man is not divine and just another animal, where does that leave man if he cannot ultimately change his nature? The film does not leave you with an answer, merely the fear on the faces of uncomprehending parents and the unseen spectre of a mushroom cloud.
Hutton and Penn are stupendous in their roles as childhood friends turned Soviet spies. Penn in particular is brilliant as hapless drug dealer Daulton Lee.
What you have here is a true thriller/drama. There is no eye candy to speak of, but the story is so compelling and the acting so superb that (hopefully) most people wouldn't miss it. There are a couple amusing scenes, in particular the one where Penn tries to get his Soviet benefactors involved in a major drugrunning deal.
Well worth watching.
Well directed by John Schlesinger, and solid acting from the two leads, film is a quite interesting and compelling look at the foolish choices these two men make(and why), which makes them traitors. Future "Poirot" star David Suchet is excellent as their Soviet contact.
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- WissenswertesAccording to Christopher Boyce, the employees in the Black Vault actually did use the paper shredder to blend margaritas.
- Zitate
[explaining why he didn't express his unhappiness with the CIA in a more acceptable manner]
Christopher Boyce: It wouldn't have made a difference. I freely chose my response to this absurd world. If given the opportunity, I would have been more vigorous.
- Alternative VersionenDue to music licensing issues, most modern home video and streaming releases of the film remove almost all of the pop songs. Only the David Bowie song over the end credits and "All Right Now" by Free remain in this version of the film.
- VerbindungenEdited into Captain Midnight Broadcast Signal Intrusion (1986)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- La traición del halcón
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 17.130.087 $
- Eröffnungswochenende in den USA und in Kanada
- 2.358.846 $
- 27. Jan. 1985
- Weltweiter Bruttoertrag
- 17.130.087 $
- Laufzeit
- 2 Std. 11 Min.(131 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1