IMDb-BEWERTUNG
6,7/10
23.826
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA movie special effects man is hired to fake a real-life mob killing for a witness protection plan, but finds his own life in danger.A movie special effects man is hired to fake a real-life mob killing for a witness protection plan, but finds his own life in danger.A movie special effects man is hired to fake a real-life mob killing for a witness protection plan, but finds his own life in danger.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Jossie DeGuzman
- Marisa Velez
- (as Jossie deGuzman)
M'el Dowd
- Miss Lehman (Joyce)
- (as M'eL Dowd)
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F/X is a movie I had been hearing about for years, so I finally buckled down and rented it, and I was pretty surprised. It's a good, suspenseful movie with nice effects, a decent story, and some good performances (except for the girl who plays the effects assistant, though she's not on-screen a lot). Bryan Brown plays Roland Tyler, a freelance special effects artist who seeks revenge after some shady Justice Department guys set him up to be the fall guy in a staged execution they had hired him to pull off. Brian Dennehy doesn't enter the film until nearly forty minutes into the picture, but once he does, he's as good as always, even if his character just sort of moves from place to place and effortlessly picks up clues along the way. I would have liked to seen the two stars have more scenes together, but they never even meet up until the final scene of the movie. Cliff DeYoung does his usual weasel villain, though he mysteriously vanishes from the film without explanation, and Jerry Orbach is good in a supporting role as the mobster whose execution is staged. The effects used by Tyler aren't as spectacular as I had thought they would be (disguises to avoid police, smoke bombs, fake blood, etc.), but they're used effectively. F/X is an entertaining little movie with a fair amount of suspense and some good action. Oh, and what I wouldn't give to have that home security system Tyler has inside his front door. The sequel's not bad either.
I missed this movie when it was originally issued, and after all I read and heard about "Cocktail" (in which Bryan Brown starred a couple of years later) I had no desire to seek it out. But upon just surfing to cable's AMC channel one weekend morning, and finding it having just begun - I watched for a couple of minutes and found myself absorbed in it. After looking at some of the previously-posted comments in this section of IMDb, during commercials, I was even more interested.
First, my regard for Brown is heightened. Anyone married to Rachel Ward, for 23 years, has to have a lot going for him - even beyond what you see on-screen. And actors with British/Australian accents all provide effective "men-on-the-run, harried, danger-beset" characterizations. The acting here is all good. The late Trey Wilson, as Denehy's unctuous NYPD colleague evokes memories of his small-but-key, scene-stealing roles in "Twins" and "Raising Arizona." Cliff De Young, as the even more unctuous pursuer/would-be killer of the endangered Brown, could (from this and prior roles) be Hollywood's solution to replace Dabney Coleman as the quintessential, smarmy, "horse's ass," now that Dabney is getting well-along in years. As with all his roles, Mason Adams gives a good performance - but I can never watch him without expecting that any moment he is going to take a Smucker's jar from his pocket and begin a spiel.
Brian Dennehy is always fun to watch, and his "gruff-but-still-likable" persona was never better-suited to a role than here - he's the only one (except for one assistant) who has a clue, literally and figuratively, of the shenanigans occurring and besetting poor Rollie (Brown). Give this film a solid "8." Enjoyed the final minutes and the ending. I'm looking forward to getting a copy of the sequel.
First, my regard for Brown is heightened. Anyone married to Rachel Ward, for 23 years, has to have a lot going for him - even beyond what you see on-screen. And actors with British/Australian accents all provide effective "men-on-the-run, harried, danger-beset" characterizations. The acting here is all good. The late Trey Wilson, as Denehy's unctuous NYPD colleague evokes memories of his small-but-key, scene-stealing roles in "Twins" and "Raising Arizona." Cliff De Young, as the even more unctuous pursuer/would-be killer of the endangered Brown, could (from this and prior roles) be Hollywood's solution to replace Dabney Coleman as the quintessential, smarmy, "horse's ass," now that Dabney is getting well-along in years. As with all his roles, Mason Adams gives a good performance - but I can never watch him without expecting that any moment he is going to take a Smucker's jar from his pocket and begin a spiel.
Brian Dennehy is always fun to watch, and his "gruff-but-still-likable" persona was never better-suited to a role than here - he's the only one (except for one assistant) who has a clue, literally and figuratively, of the shenanigans occurring and besetting poor Rollie (Brown). Give this film a solid "8." Enjoyed the final minutes and the ending. I'm looking forward to getting a copy of the sequel.
This is very much an 80's action flick. It's got the tough cop who doesn't play by the rules. The unexpected hero. Car chasing, shoot-outs, and a theme song concocted to perfectly match with the movie it's for running over the end credits. Not every last one of those are good, though they tend to be entertaining. Fortunately, this one is both. And quite original and creative, too. Brown stars as Rollie Tyler, a special effects genius who is hired to help fake the death of a mobster, Orbach, who's going into a witness protection program. However, something goes wrong, and our lead now believes that he accidentally did kill him. The plot holds several surprises and twists, and it's carefully written enough to keep you guessing, without being pretentious or overly difficult to follow, and the pieces of the puzzle fit together nicely after you've seen them all. This has great pacing, it never slows down or is in a hurry. The suspense is quite excellent, and you may find yourself on the edge of your seat numerous times. This is 100 minutes of pure fun, and it never fails to deliver. The humor almost invariably works. Acting ranges. This has incredibly memorable moments, and dialog you can quote. The DVD only holds a theatrical trailer. I recommend this to any fan of this type of film, and/or anyone involved in making it. 7/10
"F/X: Murder by Illusion" is a well-written, intriguing film from the pens of Gregory Fleeman and Robert T. Megginson. Their sharp narrative constantly keeps you guessing throughout the 109 minute running time. Special effects (F/X) are always entertaining, as is the cast including Bryan Brown and Brian Dennehy, who are always believable, in a clever, quick-witted movie.
Robert Mandell never lets anything get out of hand, which he very easily could have given the nature of the film. Original music by "Rocky" composer Bill Conti is also very effective. I am looking forward to seeing the sequel.
Wednesday, June 26, 1991 - Video
Robert Mandell never lets anything get out of hand, which he very easily could have given the nature of the film. Original music by "Rocky" composer Bill Conti is also very effective. I am looking forward to seeing the sequel.
Wednesday, June 26, 1991 - Video
This '80s crime drama is centred on Rollie Tyler; a movie special effects man who has been approached by a member of the US Justice Department to make it appear that a mafia boss, who is due to give evidence has been publicly murdered. He is initially less than keen but ultimately agrees. The job appears to go according to plan but as he is driven away afterwards it is clear that he is seen as a loose end needing to be cleared up. He manages to get away but they still want him dead. After a further attempt on his life leaves somebody close to him dead as well as the would-be assassin; this leads to detective Lt. Leo McCarthy investigating these deaths. While he investigates from the police side Rollie is using his special effects skills to evade capture and close in on those who want him dead.
This film does show its age at times but it is still a lot of fun. The story is effective and provides a good excuse for some solid action and inventive use of effects. As well as being a drama there are quite a few good comedy moments... although during a car chase scene the comedy does feel a little too forced. Bryan Brown is solid as protagonist Rollie Tyler and Brian Dennehy impressed as Lt. McCarthy; it was surprising that these two leads didn't meet for most of the film. The rest of the cast, with one or two exceptions was also pretty good. Overall this is a pretty good film that fans of 80's films and real, non-CGI, effects should enjoy.
This film does show its age at times but it is still a lot of fun. The story is effective and provides a good excuse for some solid action and inventive use of effects. As well as being a drama there are quite a few good comedy moments... although during a car chase scene the comedy does feel a little too forced. Bryan Brown is solid as protagonist Rollie Tyler and Brian Dennehy impressed as Lt. McCarthy; it was surprising that these two leads didn't meet for most of the film. The rest of the cast, with one or two exceptions was also pretty good. Overall this is a pretty good film that fans of 80's films and real, non-CGI, effects should enjoy.
Wusstest du schon
- WissenswertesSpecial effects man John Stears claimed that he had been offered money by government agencies to simulate various things as depicted in the film.
- PatzerThe uniforms worn by the New York State Police at Mason's mansion and the morgue are their dress blouses and are only worn for special ceremonies such as funerals, parades and awards and are never worn on patrol.
- Zitate
Rollie Tyler: [Mason grabs the Uzi Rollie has just set down] In this hand is the ammo for the gun. And this is Krazy Glue. A thousand and one uses. Now, a thousand and two.
[shoves him out the front door]
- Crazy CreditsJust at the start of the end credits, the camera flashes briefly through out-take type shots of the eight principal players (Bryan Brown, Brian Dennehy, Diane Venora, Cliff De Young, Mason Adams, Jerry Orbach, Martha Gehman, and Joe Grifasi). Each actor smiles out-of-character at the camera as though in appreciation to the audience of their performances.
- Alternative VersionenThe Australian VHS and television version open with a different title logo. Instead of the domestic gray title card, it has the words F/X, in red on a black background. The letters then glow bright and fade out.
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Details
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 20.603.715 $
- Eröffnungswochenende in den USA und in Kanada
- 3.240.695 $
- 9. Feb. 1986
- Weltweiter Bruttoertrag
- 20.603.715 $
- Laufzeit1 Stunde 49 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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