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IMDbPro

Der Falke Und Der Schneemann

Originaltitel: The Falcon and the Snowman
  • 1985
  • 12
  • 2 Std. 11 Min.
IMDb-BEWERTUNG
6,8/10
13.761
IHRE BEWERTUNG
Timothy Hutton and Sean Penn in Der Falke Und Der Schneemann (1985)
Trailer ansehen
trailer wiedergeben2:05
1 Video
67 Fotos
SpionWahres VerbrechenBiographieDramaKriminalitätThriller

Die wahre Geschichte eines desillusionierten Angestellten eines militärischen Auftragnehmers und seines Jugendfreundes, eines Drogendealers, die zu begehbaren Spionen für die Sowjetunion wur... Alles lesenDie wahre Geschichte eines desillusionierten Angestellten eines militärischen Auftragnehmers und seines Jugendfreundes, eines Drogendealers, die zu begehbaren Spionen für die Sowjetunion wurden.Die wahre Geschichte eines desillusionierten Angestellten eines militärischen Auftragnehmers und seines Jugendfreundes, eines Drogendealers, die zu begehbaren Spionen für die Sowjetunion wurden.

  • Regie
    • John Schlesinger
  • Drehbuch
    • Robert Lindsey
    • Steven Zaillian
  • Hauptbesetzung
    • Timothy Hutton
    • Sean Penn
    • Pat Hingle
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,8/10
    13.761
    IHRE BEWERTUNG
    • Regie
      • John Schlesinger
    • Drehbuch
      • Robert Lindsey
      • Steven Zaillian
    • Hauptbesetzung
      • Timothy Hutton
      • Sean Penn
      • Pat Hingle
    • 79Benutzerrezensionen
    • 34Kritische Rezensionen
    • 68Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Videos1

    Trailer
    Trailer 2:05
    Trailer

    Fotos67

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    Topbesetzung62

    Ändern
    Timothy Hutton
    Timothy Hutton
    • Christopher Boyce
    Sean Penn
    Sean Penn
    • Daulton Lee
    Pat Hingle
    Pat Hingle
    • Mr. Charlie Boyce
    Joyce Van Patten
    Joyce Van Patten
    • Mrs. Boyce
    Rob Reed
    • Boyce Child
    Rob Newell
    • Boyce Child
    Karen West
    • Boyce Child
    Art Camacho
    Art Camacho
    • Boyce Child
    • (as Arturo Comacho)
    Annie Kozuch
    Annie Kozuch
    • Boyce Child
    Richard Dysart
    Richard Dysart
    • Dr. Lee
    Priscilla Pointer
    Priscilla Pointer
    • Mrs. Lee
    Chris Makepeace
    Chris Makepeace
    • David Lee
    Dorian Harewood
    Dorian Harewood
    • Gene
    Mady Kaplan
    Mady Kaplan
    • Laurie
    Macon McCalman
    Macon McCalman
    • Larry Rogers
    Jerry Hardin
    Jerry Hardin
    • Tony Owens
    Nicholas Pryor
    Nicholas Pryor
    • Eddie
    Betty Lou Henson
    • Debra
    • Regie
      • John Schlesinger
    • Drehbuch
      • Robert Lindsey
      • Steven Zaillian
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen79

    6,813.7K
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    Empfohlene Bewertungen

    9matlock-6

    Dark, disturbing, and outstanding

    For the 1980s, this is a very dark movie. At this point, filmmakers were beginning to operate under the assumption that all films require smarmy comic relief (which, of course, is taken to the extreme today), flashy action scenes (even more overdone today), or steamy sex scenes.

    Hutton and Penn are stupendous in their roles as childhood friends turned Soviet spies. Penn in particular is brilliant as hapless drug dealer Daulton Lee.

    What you have here is a true thriller/drama. There is no eye candy to speak of, but the story is so compelling and the acting so superb that (hopefully) most people wouldn't miss it. There are a couple amusing scenes, in particular the one where Penn tries to get his Soviet benefactors involved in a major drugrunning deal.

    Well worth watching.
    7helpless_dancer

    Drugs and politics make poor bedfellows

    Excellent drama about 2 alienated, spoiled punks who go afoul of the federal government, each for his own reasons. One, a druggie, just wants to score some bucks for his next fix, but the other has a far more sinister agenda fueled in part by a resentment of his father. Good performances and a hot script makes this a winner.
    bbagnall

    Obscure classic from the eighties

    I was too young in 1985 to appreciate a movie like this, but I watched it recently and thought it was quite an achievement. Everything about it hit the mark, without anything cheap or exploitive. The Snowman was a hilarious character for all his contradictions and brassiness.

    The movie nicely recalls the cold war, when the Soviets were busy beavers trying to infiltrate governments and media institutions. The Falcon is shocked to learn the United States is using the CIA to block the Communist threat, and decides to become a traitor to his own country.

    In too many films today, the writer loves one side and hates the other, so you get a dishonest film. In this film, the writer doesn't portray any of the characters as anything other than humans with their own beliefs, goals and foibles. That I find truly refreshing.

    The movie is mostly accurate, from what I have read of the real event. There are a few notable exceptions where truth diverges from the movie, however. After quitting TRW, Christopher Boyce (AKA the Falcon) planned to learn Russian and earning a political major, and then returning to espionage for the Russians (the movie says the opposite). It makes you wonder how far he would have gotten, and how many other Christopher Boyce's there were during the cold war. In real life, Boyce and his lawyer tried to blame *everything* on the Andrew Lee (the Snowman), even saying Lee forced him into it. The Falcon escaped prison for an 18 month period before being recaptured. He was released from prison in 2003. Andrew Lee was paroled in 1998.
    7SnoopyStyle

    Sean Penn does good sleaze

    Based on a true story, Christopher Boyce (Timothy Hutton) quits the seminary, and fall into a menial job at a military contractor. He has father issues and angry at US foreign policies. He, along with his drug dealing criminal friend Daulton Lee (Sean Penn), sold secret communications to the Soviet Union.

    Sean Penn is great at playing low life sleazebag. He is at his jittery best here. His is the juicier part. Timothy Hutton does a good all America guy. I wish he had more depth and something more sinister to his character. He doesn't have enough to explain his motive. There has to be a more compelling character in there. But in the movie, Sean Penn is overshadowing Timothy Hutton. I don't think Hutton got enough of the character.
    Gary-161

    Rare political gem from Hollywood.

    I think some critic somewhere said this film fell short of being a great film, but was a very good one. That's accurate, you are left wanting to know more. The best performance comes from David Suchet as a sardonic and frequently supercilious Russian. The film commendably avoids trying to make us empaphise with traitors and even manages some humour in all the madness. In one blink or you'll miss it scene, Daulton infiltrates an embassy function where he speaks to a foreign diplomat. "Is this the usual garb of your countrymen?" He asks. "Yes, it's garbage" the man replies.

    The film appears open minded about whether Boyce is an idealist or an opportunist who fails to realise the significance of his actions. His confession of having received payment from the Soviets and his cynical dismissing of money as 'never being very important to me' suggests a more amoral stance, but his other remarks perhaps reveal a more complex and sincere character. Boyce seems to be suggesting that any leap forward in technology must also go hand in hand with an equal quantitative one in morality. But I think it was Einstien who said that the bomb has changed everything except the way man thinks. This suggests that Boyce's weary indifference while being interviewed was due to his realisation that this moral leap was beyond man and therefore there was no hope, we are doomed to extinction. All political and religious life had been rendered meaningless to him due to the impermanence of man in the face of super-technology. This may account for his reluctance to recite the 'valley of death' speech to his father, as he knew full well that it's message was also meaningless in the context of modern warfare. No-one, not even the generals would be left standing. Boyce then, was possibly suffering a certain existential despair, as he stated America was the first country to use nuclear weapons. His concern that his betrayal meant little because we are already in jeopardy is even more pertinent today, with more and more countries either acquiring or seeking to acquire nuclear technology. It's rather like a group of toddlers playing with a grenade, passing it around. Say you were to add more grenades, would you then increase the likelihood of an accident such as the pulling out of a pin?

    This rare political film asks a more broad and philosophical question, perhaps. If Boyce says he knows something about predatory behaviour (and the film is full of big fish eating little fish motifs) and left the church because he has decided that man is not divine and just another animal, where does that leave man if he cannot ultimately change his nature? The film does not leave you with an answer, merely the fear on the faces of uncomprehending parents and the unseen spectre of a mushroom cloud.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      According to Christopher Boyce, the employees in the Black Vault actually did use the paper shredder to blend margaritas.
    • Patzer
      In the beginning of the movie, Dalton (Sean Penn) is talking to his attorney in a conference room. During the conference, the attorney refers to him as "Sean" during a heated discussion. The attorney says "Sean" in a stern, attention-getting voice.
    • Zitate

      [explaining why he didn't express his unhappiness with the CIA in a more acceptable manner]

      Christopher Boyce: It wouldn't have made a difference. I freely chose my response to this absurd world. If given the opportunity, I would have been more vigorous.

    • Alternative Versionen
      Due to music licensing issues, most modern home video and streaming releases of the film remove almost all of the pop songs. Only the David Bowie song over the end credits and "All Right Now" by Free remain in this version of the film.
    • Verbindungen
      Edited into Captain Midnight Broadcast Signal Intrusion (1986)
    • Soundtracks
      This Is Not America
      Written by David Bowie, Pat Metheny and Lyle Mays

      Performed by David Bowie

    Top-Auswahl

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    FAQ19

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    Details

    Ändern
    • Erscheinungsdatum
      • 12. September 1985 (Westdeutschland)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Vereinigte Staaten
      • Mexiko
    • Sprachen
      • Englisch
      • Russisch
      • Japanisch
      • Spanisch
    • Auch bekannt als
      • La traición del halcón
    • Drehorte
      • Mexico City, Distrito Federal, Mexiko
    • Produktionsfirmen
      • Hemdale
      • Estudios Churubusco Azteca S.A.
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 12.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 17.130.087 $
    • Eröffnungswochenende in den USA und in Kanada
      • 2.358.846 $
      • 27. Jan. 1985
    • Weltweiter Bruttoertrag
      • 17.130.087 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 2 Std. 11 Min.(131 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Stereo
    • Seitenverhältnis
      • 1.85 : 1

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