Ballade vom kleinen Soldaten

This is a powerful, 40 minute long documentary about child soldiers fighting for an Indian tribe known as the Miskitos against a communist enemy. In the first half there are interviews, which are quite painful to watch, with people in the tribe who've seen awful events such as their children being killed before their own eyes because of the enemy.

The second half manages to be equally upsetting, painful, and disturbing, as Werner Herzog documents the child soldiers, preparing to go to war. The fact that such young children are going through such difficulties is greatly upsetting, and this film manages to be VERY powerful. However, at only 40 minutes, it STILL seems to need some editing! With such a short runtime, it feels quite long!

Although there's some flaws, it is pretty great and pretty emotional. If you're into more disturbing documentaries, this is one you have to see!

... In other words, Ballad of the Little Soldier from Werner Herzog - in collaboration with photojournalist Denis Richie - is kind of impossible to give a real 'rating' to. This serves really as a document of human rights abuse - in large part with child soldiers (that is, at about the 25 minute mark) - than a typical documentary. If you've seen some of Herzog's other docs (think Fata Morgana or Herdsman of the Sun) there's none of the self conscious style one finds in his non fiction (no one looks in a stylized meditative pose at the camera). his recent Death Row docs if anything are much closer in showing the devastation of thev human spirit - point, talk, and shoot.

What you get in Little Soldier is: 'This is what's happening in Honduras, people are being killed by the Sandinistas, people are being herded up into refugee camps that will not last a month, families are torn asunder, and indigenous India children are being trained to kill in turn'. We're given a lot of narration here from Herzog, and it's necessary: this is like a Frontline piece that is trying to get in a lot of information in a short amount of time. I only wish this were longer as at 45 minute there's really only so much time, though I wonder if some of their access was limited (at one point they show the start of a battle, with adult troops off a river-boat, and as much danger Herzog could get I sensed there was only so much war documentarian in this case).

What stays with you while watching it and once it's over are the faces of these children, shown plainly, occasionally singing on camera - this may be the closest to something that isn't 'just happening' as it's going on, but here I took away that we see there is still humanity in these children, they can still sing songs and respond to joy - and then being trained to fire guns and missiles. The narration is blunt and to the point, and only near the end does Richie put his perspective on it all. It's horrific too to think how this is really the norm in many countries to this day; one thinks of those in African areas especially, or Boko Haram.

An adult soldier comments at one point the children were braver than the adults to fight against Communism... like they'd know better! Ballad of the Little Soldier may be one of the deadliest/ serious films the Bavarian director made, and it packs a gut punch for how it just looks on at this people ripped apart by the Sandinistas and the war machine that rose up in Central America in the 80's. There's fire here.

"The Ballad of the Little Soldier" opening song went on too long Miskito Indian way too long' didn't explain their plight and that the tribe fought for both sides

It's odd that I would say that a documentary is badly in need of an editing--and STILL it's an extraordinary film that is well worth seeing. Had the film been trimmed a bit, it would have been amazingly good. It begins with a child soldier singing a song--a song that seems to go on forever. And, when the film ends, he once again sings the same song! This easily could have been trimmed and would have made the film much less long-winded and a lot more likely to keep the attention of the audience. However, what happens in between is VERY compelling. It consists of Werner Herzog and his crew visiting a Contra camp during the bloody Nicaraguan civil war of the 1980s. These folks were anti-communist Miskito Indians--and often ranged from 10-12 years of age! What they only mentioned briefly is that the Miskitos ALSO fought with the communists--making the whole war rather pointless from their point of view. Overall, aside from a need for editing, it's a powerful film--due to the amazingly sad content. Worth seeing and heartbreaking that kids were used like this and continue to be used throughout the world to fight wars that they don't even understand.

Though focusing on a specific time, place, and people, Werner Herzog's narration and translation at various points accentuates (if in fewer words) how the subject matter examined here could just as easily apply elsewhere and otherwise. The story of the Miskito in the mid-1980s is one of a people living on their own, affecting and harming no one, but nevertheless being subjected to a larger entity that demands, takes, and enforces while conferring no tangible benefit by their presence or power. The precise politics of any party, good or ill, are beside the point, as these are events that have played out time and again around the world, even from those who have criticized the same practices in other countries. And that little factoid makes 'Ballad of the little soldier' even more haunting than it already was primed to be, for while a broad portrait is painted, as the very title suggests the ultimate inspiration and primary focus is on child soldiers. Whether employed as tools of oppression, or borne from utmost desperation, there are few crimes against humanity more abhorrent than the child soldier; one is swiftly made to reconsider the ethics of giving kids toy weapons, or the unbridled glorification of militaries. This is surely among the most dreary of all Herzog's films.

With all this said, 'Ballad of the little soldier' is just as expertly assembled as any of its brethren as the filmmaker illuminates the Miskito's lives at this juncture. The opening shot alone is distinctly haunting, shifting then to a series of interviews through an interpreter and otherwise footage highlighting the surrounding environs and the circumstances that have been thrust upon the indigenous people. A little more than half the runtime is more or less devoted to a panoramic view of how the Miskito had suffered under the Sandinistas, with many sobering personal anecdotes communicating the urgency. That urgency is only amplified in the last portion of the movie that spotlights the child soldiers during their training, and in their own words tells why they supposedly wish to fight. Cap all this off with a few choice words from Herzog's friend and collaborator, Denis Reichle, and the end result is a documentary that even the expectedly exquisite technical craft can't keep from being notably disconcerting.

Herzog's pictures whole-heartedly embrace examinations of the diversity and complexity of the human condition, whatever form it may take, and no few trend toward a more dour reflection thereof. What takeaway image could be more harsh than that obtained from glancing at humanity in one of the corners of the world in which people are doing horrific things to one another; in which tranquility and harmony is shattered; in which innocence is so completely lost that pre-teen children become the objects and tools of that violence? The film that follows from this third-party observation is discomforting on an almost visceral level, such that I find it hard to in any way repeat back some of what is conveyed herein. If there's one thing art has demonstrated over time, however, it's that evocation of such reaction is no mark against quality; for as grim as the content is, 'Ballad of the little soldier' is all the more remarkable for what it stirs in us. Between the access Herzog had to create this, to the method taken in fashioning the movie, and beyond, this is very well made and deserving, and perhaps even crucial as an exemplar of that dire message that we "don't look away" - only, viewer discretion is strongly advised.

For 'Ballad of the little soldier',Werner Herzog worked with Denis Reichle who fought against the Russian army.There is a brief description of him talking about what he experienced as a child soldier.The film gains its force through the portrayal of young children who have been employed as soldiers by Miskito Indians who fight against Sandinistas.During the course of talks with these child soldiers,it is revealed that many of them chose to take up arms in order to avenge their family members who were killed by Sandinistas.Watching small children learning to shoot guns,one is reminded of the role weapons play in killing even innocent souls who ought to go to school or play.It has been exactly three decades since documentary film 'Ballad of the little soldier' was made by Werner Herzog in 1984.It is hailed as one of the most important works of cinema about the use of children as soldiers.This film has not at all lost its relevance as there are still numerous wars being waged in different parts of the world where children are involved as little soldiers.