Mo

A late Shaw oddity that has elements of a classic Shaw occult film but with qualities that are very un-Shaw like.

The plot is about a Hong Kong gangster discovering a supernatural connection with a deceased Thai monk after the monk's spirit saves him from an ambush from a rival gang. Ignoring the spirit's pleas, the gangster goes home to his beautiful (and frequently naked) girlfriend. The gangster then goes to Thailand to challenge a cheating Thai kickboxer who gravely hurt his best friend in a match. After disgorging a live Moray eel in a hotel, the gangster decides that it's a good time to find the temple that the monk resided in. The gangster learns that he was a twin brother to the dead monk in a previous life and therefore their lives are forever intertwined! The monk was about to achieve immortality but a crazy Thai dark warlock poisoned his eyes with spiders and the monk died. The gangster's life is at risk if he can't defeat the warlock and break the poison spider spell.

That's enough description. I can't begin to list the strangeness that occurs in this film. Lots of rubber animals, vomit eating wizards, talking corpses, a flying alien head that hatches from a giant pink slime egg, lots of butcher shop offal, maggots, bats, Buddhist monks and breasts pressed against windows, all in the same movie! The photography is very good at points sometimes much better than other Shaw films but then we are plunged into a typical Shaw scene of garish colored lights. The art direction is very, very good. The pacing is uneven but the weirdness keeps your attention. At one point the film stops to spend a few minutes showing crocodiles with no dialog and no warning. It's not so bad since you are actively trying to figure out what you are watching. The vomit eating and chewed food sharing scenes might be over the top for some people.

I enjoyed the film but I also realize that this might not be a shared reaction. You are warned.

I've seen a lot of freaky Asian cinema - and many of the strange horror/black magic stuff from the Phillipines and Indonesia makes your jaw drop but I must say, BOXER'S OMEN (or MO)has to be one of the weirdest if not THE weirdest films I've ever seen. There is a plot but it almost doesn't matter - just the mind-blowing action sequences are enough for you and your like-minded friends to enjoy. Demon bats, spiders, eels emerge from people's mouths, strange insects burrowing into people's openings, alligator's being cut open so a corpse can be laid inside to bring the dead soul back, man oh man. Now most of the effects are really cheesy and laughable but hey - this is almost 25 years ago! Then again, some of the effects are very EFFECTive - enough to make you gasp, while as I said, many will make you howl with laughter. Produced by The Shaw Brothers, who have made legendary kung-fu movies and such horrid big gorilla movies like Mighty Peking Man totally deliver the goods with this fun trainwreck of a movie - it's like David Lynch meets John Waters meets the Mystic Of Bali. The new DVD release is great - the print is spotless.

As if Jodorowsky met Coffin Joe in Hong Kong and decided to collaborate on a supernatural martial-arts action film. Filled to the brim with visual overload, mystical drama, Buddhist symoblism and dark supernatural atmosphere, this film follows the life of a boxer embroiled in a vengeful feud sparked by the brutal, nearly fatal beating of his brother in a sparring match. He is overwhelmed one night by a vision, an omen as it were, which ultimately leads him towards the realization of his own destiny that takes him along a path of spirituality and a quest for the power and inner peace that may free his lineage from an ages old curse. This scenario is used as a launching point for what is surely one of the most bizarre, chaotic & excessive Hong Kong flicks ever made. Most of the movies effects are obviously low budget but the rather excellent filmwork and audaciously gonzo, over-the-top nature of the imagery far than makes up for any budgetary restrictions. The indelibly weird vibe that permeates the film is, in fact, partially due to it's low-fidelity nature. Those familiar with the "Chinese Ghost Story" and similar fare will be familiar with the themes conjured up by these supernatural Hong Kong action flicks and may know what to expect. But those who are not should get ready for a pretty wild trip down a road full of wild twists of logic that lead through glowing supernatural vistas, magical terrorist attacks, flying eyeball creatures, and wild clashes with demonic entities and manifestations of all sorts. A crazy little nugget of a film that could even be an accidental masterpiece. At the very least, a unique cinematic experience that's probably like nothing else you've ever seen. Virtually impossible to track down and not, as far as I know, offically available. In spite of this, fans of offbeat & mondo cinema should do whatever they can to track this gem down.

I have to give this film a high rating just for the fact that it is so utterly insane, disgusting but at times brilliant. When I was in the USA last year, I went into a cool little Indy Music and DVD shop looking for a Martial Arts movie to watch that night. This little gem jumped off the shelf into my hands. Watching it that night, I actually found myself so horrified with some of the scenes, I was looking around the room to see if anyone else might be watching me watching the movie. You see, I was visiting family and didn't want to be categorised as the strange chap from London who watches films where wizards eat chickens testicles. To me, it had the spirit of Jodorowsky with some absolutely amazing scenes of transcendence by Buddhist meditation that still look awesome with today's technology. Not many movies like this. Really glad i found it.

I reckon that if I were to ever try and compile a Top Ten list of the craziest Hong Kong films ever made, it's almost a dead cert that The Boxer's Omen would be in there somewhere: the film is bats••t bonkers from start to finish. I doubt that a mere written description of the weirdness on display could ever do the film justice, but here's my best shot....

Chan Hung is a Hong Kong boxer who travels to Thailand to avenge his brother, who was crippled in a fight with unscrupulous opponent Mr. Bu-bo (played by martial arts movie legend Bolo Yeung, who rarely fights fair in his films). After agreeing to a boxing match against Bu-bo in three months time, Chan visits a Buddhist temple where he is drawn into a battle with an evil wizard who has used his dark powers to prevent the local abbot from achieving immortality.

The supernatural skirmish that ensues sees the wicked magician using some bizarre techniques to try and gain the upper hand against Chan, including summoning killer bats from the eye sockets of crocodile skulls (which also come alive), using rat blood to bring a skeletal bat back to life, cutting off a chicken's head to perform a spell, conjuring up a flying alien head from a gloopy mess of puke, and ultimately removing his own noggin from his shoulders to launch a last-ditch attack. It's all for nowt, though, 'cos the wizard loses the fight when sunlight makes his head dissolve.

After all of that, the film gets REALLY strange.

A triumphant Chan arrives home to find his girlfriend in the shower and joins her for some soapy fun; unfortunately, this spot of impromptu sex saps him of his powers, which isn't great news for the guy when three more evil wizards start to cause him trouble. They use a dead crocodile to give birth to a naked witch that blinds Chan during his bout with Bu-bo and who attacks him while he is in Nepal trying to find a relic that can end the evil once and for all. There's also something about an extract from a 1000 year-old fungus smeared with honey that can make him invincible. Oh, and the witch has her skin pulled off by a dead lama and gives birth to the three wizards (wrapped in cellophane?!?!) who then sacrifice themselves to create an army of miniature one-eyed dinosaurs with crazy hair (I'm sure I've missed a lot of other equally insane stuff out, but that should be more than enough to give you an idea of just how bizarre the film is).

The special effects used to realise all of this are undeniably cheap and unconvincing, but their shonkiness only adds to the fun. I rate The Boxer's Omen 8/10 purely for being such a relentlessly absurd—and, as a result, hugely entertaining—piece of Asian excess.