IMDb-BEWERTUNG
6,1/10
37.980
IHRE BEWERTUNG
Ein Prinz und eine Gemeinschaft von Begleitern machten sich auf den Weg, seine Braut aus einer Festung außerirdischer Eindringlinge zu retten, die auf ihrem Heimatplaneten angekommen sind.Ein Prinz und eine Gemeinschaft von Begleitern machten sich auf den Weg, seine Braut aus einer Festung außerirdischer Eindringlinge zu retten, die auf ihrem Heimatplaneten angekommen sind.Ein Prinz und eine Gemeinschaft von Begleitern machten sich auf den Weg, seine Braut aus einer Festung außerirdischer Eindringlinge zu retten, die auf ihrem Heimatplaneten angekommen sind.
- Auszeichnungen
- 1 Gewinn & 5 Nominierungen insgesamt
Empfohlene Bewertungen
Rating: *** out of ****
Enough people have tried comparing to Krull to Star Wars that I won't even bother emphasizing the similarities aside from the fact that Krull's mythology isn't half as well thought out, but it's just as fun as anything in George Lucas' space opus, and that's good enough to earn a recommendation from me; at the very least, this is easily among the best of its respective genre (better than, say The Sword and the Sorcerer or Willow), and it is to these standards one will immediately realize if this movie is up their alley or not. It probably isn't.
Set on a faraway world known as Krull, the film opens with the oncoming invasion of the Slayers, a fearsome, planet-conquering army led by the Beast, whose lair is a spacecraft shaped like a large mountain called the Black Fortress. They've clearly got the sword-wielding residents of Krull outmatched, as the Slayers are armed with laser, though they curiously still use horses as a means of transportation.
Knowing the only way to stave off the invaders is to unite, the planet's two warring kingdoms set aside their differences so that Prince Colwyn (Ken Marshall) and Princess Lyssa (Lysette Anthony) may be wed. In the middle of the wedding ceremony, the Slayers storm the palace, killing everyone except for Colwyn, and they take Lyssa back to the Fortress as a gift to the Beast. If this was really the extent of both kingdoms' armies, then I don't see how they could have stood even the slightest chance in a full-on war with the Slayers.
Anyway, the Beast has apparently chosen Lyssa to be his bride because he's aware of the prophecy that whomever she chooses to be her husband (and consequently the king), their eventual son will become ruler of the galaxy. Logically, I could only see this working if she chose the Beast, considering Colwyn has no means of interplanetary travel, which would make galaxy-ruling a bit of a tough task.
Determined to save his bride, Colwyn retrieves the five-bladed throwing star (think Alien vs. Predator) called the Glaive and recruits loyal followers during his journey (namely a band of criminals, including Liam Neeson and Robbie Coltrane). Hindering their quest is the fact that the Fortress automatically transports to a new location during every sunrise. This does beg the question why the Beast doesn't just blast off the planet with his bride-to-be than risk the slightest chance of Colwyn finding her...but I digress.
For all the moments of cheese (no moment unintentionally funnier than when Colwyn is able to recognize one of his men by a blood trail), unconvincing blue-screens, and occasional subpar effects, Krull still works dandily as a rollicking adventure. The cast is much better than usual for this kind of material, with Ken Marshall making for a charismatic and likable hero and lovable rogues like Neeson, Coltrane, and Alun Armstrong (whom I'll always remember as the traitorous Mornay in Braveheart) providing solid support. Lysette Anthony radiates beauty as Lyssa, she's easily one of the most drop-dead gorgeous princesses in cinema history. There's no question I'd go through the same trouble to rescue her as well.
Despite running a little over two hours, Krull moves at a consistently excellent pace, delivering good production values (loved the exterior and interior sets of the Black Fortress), beautiful locations (and thus, some lovely cinematography), and a number of exciting action sequences. The battle scenes are surprisingly well-choreographed; whatever the sword fights may lack in gritty violence is made up for by pure swashbuckling fun. Other terrific scenes include Colwyn's solo rock-climbing, the trek through the swamps, the adventurous ride on the Firemares, and the battle/chase within the Fortress. The action and adventure is given a great boost from James Horner's rousing score, one of the composer's personal best.
Director Peter Yates strictly adheres to fantasy formula, so there are no surprises to be found. The plot is occasionally baffling, essentially making up a lot of its own rules as it goes along (the old mentor telling Colwyn he can't use the Glaive until the right moment, a character staying behind because his "time is up" only to come to the rescue later, etc.). But it's all in good fun, and the movie is pieced together with moderate coherency and consistent momentum. Recommended to fans of 80s fantasy, Krull delivers the goods for those into this sort of thing.
Enough people have tried comparing to Krull to Star Wars that I won't even bother emphasizing the similarities aside from the fact that Krull's mythology isn't half as well thought out, but it's just as fun as anything in George Lucas' space opus, and that's good enough to earn a recommendation from me; at the very least, this is easily among the best of its respective genre (better than, say The Sword and the Sorcerer or Willow), and it is to these standards one will immediately realize if this movie is up their alley or not. It probably isn't.
Set on a faraway world known as Krull, the film opens with the oncoming invasion of the Slayers, a fearsome, planet-conquering army led by the Beast, whose lair is a spacecraft shaped like a large mountain called the Black Fortress. They've clearly got the sword-wielding residents of Krull outmatched, as the Slayers are armed with laser, though they curiously still use horses as a means of transportation.
Knowing the only way to stave off the invaders is to unite, the planet's two warring kingdoms set aside their differences so that Prince Colwyn (Ken Marshall) and Princess Lyssa (Lysette Anthony) may be wed. In the middle of the wedding ceremony, the Slayers storm the palace, killing everyone except for Colwyn, and they take Lyssa back to the Fortress as a gift to the Beast. If this was really the extent of both kingdoms' armies, then I don't see how they could have stood even the slightest chance in a full-on war with the Slayers.
Anyway, the Beast has apparently chosen Lyssa to be his bride because he's aware of the prophecy that whomever she chooses to be her husband (and consequently the king), their eventual son will become ruler of the galaxy. Logically, I could only see this working if she chose the Beast, considering Colwyn has no means of interplanetary travel, which would make galaxy-ruling a bit of a tough task.
Determined to save his bride, Colwyn retrieves the five-bladed throwing star (think Alien vs. Predator) called the Glaive and recruits loyal followers during his journey (namely a band of criminals, including Liam Neeson and Robbie Coltrane). Hindering their quest is the fact that the Fortress automatically transports to a new location during every sunrise. This does beg the question why the Beast doesn't just blast off the planet with his bride-to-be than risk the slightest chance of Colwyn finding her...but I digress.
For all the moments of cheese (no moment unintentionally funnier than when Colwyn is able to recognize one of his men by a blood trail), unconvincing blue-screens, and occasional subpar effects, Krull still works dandily as a rollicking adventure. The cast is much better than usual for this kind of material, with Ken Marshall making for a charismatic and likable hero and lovable rogues like Neeson, Coltrane, and Alun Armstrong (whom I'll always remember as the traitorous Mornay in Braveheart) providing solid support. Lysette Anthony radiates beauty as Lyssa, she's easily one of the most drop-dead gorgeous princesses in cinema history. There's no question I'd go through the same trouble to rescue her as well.
Despite running a little over two hours, Krull moves at a consistently excellent pace, delivering good production values (loved the exterior and interior sets of the Black Fortress), beautiful locations (and thus, some lovely cinematography), and a number of exciting action sequences. The battle scenes are surprisingly well-choreographed; whatever the sword fights may lack in gritty violence is made up for by pure swashbuckling fun. Other terrific scenes include Colwyn's solo rock-climbing, the trek through the swamps, the adventurous ride on the Firemares, and the battle/chase within the Fortress. The action and adventure is given a great boost from James Horner's rousing score, one of the composer's personal best.
Director Peter Yates strictly adheres to fantasy formula, so there are no surprises to be found. The plot is occasionally baffling, essentially making up a lot of its own rules as it goes along (the old mentor telling Colwyn he can't use the Glaive until the right moment, a character staying behind because his "time is up" only to come to the rescue later, etc.). But it's all in good fun, and the movie is pieced together with moderate coherency and consistent momentum. Recommended to fans of 80s fantasy, Krull delivers the goods for those into this sort of thing.
I grew up in the 80s with my grandparents renting this on VHS over and over again. It's one of thouse movies that took me back then by storm. It has a bit of Star Wars and a bit of Sword in the stone/King Arthur mixed in to this perfect fantasy like adventure movie.
From start to finish there is a pretty fast pace through everything. And no part felt boring for a child in the 80s in this movie. Great effects for it's time that might look outdated by todays CGI standards, but that shouldent take away much if your looking for a Classic Sci-fi fantasy movie from the 80s. And this one actually has the most amazing weapon used in any movie out there period. I think all actors did great in this movie and some of them became big or known stars later on in their carrer. And Ken Marshall should have been one of them in my opinion.
Krull has a very special vibe to it, that is hard to describe in words. So give it a go if you havent, and enjoy the adventure in this Classic tale of good vs exil.
It's hard to rate this film in conventional terms. I am a sucker for this golden age of sci-fi fantasy. I did see it as an adult for the first time, so didn't imprint on it as a child. The good was wonderful and the bad was amusing. It's certainly derivative, but shines in moments of originality.
Plot: 6/10 (derivative fantasy; a cornucopia of Star Wars, Willow, LOTR and other classics) Art direction: 10/10 World/Magic: 10/10 Characters: 6/10 (none evoke much empathy, development is mostly shallow) Acting: 4/10 (mostly - a few good actors stood out) Locations: 9/10 Pace: moves quickly, stays dynamic. Definitely doesn't drag.
Better than Legend, not as good as Willow. Similar in overall style & quality to Labyrinth, except no Bowie, no muppets.
Lowkey cameos by: Galadriel/Shelob, ponyta, Starlord, Highlander, the princess from Legend, Fin Raziel, Sauron, Capt. Archer's beagle, necromongers/stormtroopers/ringwraiths, light sabers, Obi Won, John Carpenter's The Thing, Mt. Doom, Sarumon, Road Warriors, Lothlorien x Death Star, Jodorowsky's Dune. Granted, in some cases this came first. Watch the madness unfold. Enjoy.
Plot: 6/10 (derivative fantasy; a cornucopia of Star Wars, Willow, LOTR and other classics) Art direction: 10/10 World/Magic: 10/10 Characters: 6/10 (none evoke much empathy, development is mostly shallow) Acting: 4/10 (mostly - a few good actors stood out) Locations: 9/10 Pace: moves quickly, stays dynamic. Definitely doesn't drag.
Better than Legend, not as good as Willow. Similar in overall style & quality to Labyrinth, except no Bowie, no muppets.
Lowkey cameos by: Galadriel/Shelob, ponyta, Starlord, Highlander, the princess from Legend, Fin Raziel, Sauron, Capt. Archer's beagle, necromongers/stormtroopers/ringwraiths, light sabers, Obi Won, John Carpenter's The Thing, Mt. Doom, Sarumon, Road Warriors, Lothlorien x Death Star, Jodorowsky's Dune. Granted, in some cases this came first. Watch the madness unfold. Enjoy.
This movie is half way between being so bad, it's good and being so good, it's er...good. It's neither too camp, nor badly acted, nor does it have any really dire special effects. But then again, the acting isn't brilliant nor are the effects stunning (except for the spider, which is pretty good).
In short, it's OK.
The hero's main weapon is a kind of giant shuriken-thing which slices through almost anything. It's also under his mental control, which is nice, but as he's non-too bright we don't get to see any of the really wicked things you COULD do with a flying circular saw if you had an imagination.
The cast has a few well-known names in it. Liam Neeson, for example, in his early years. The things actors do before they become famous.
There's also my fave bad actor, Bernard Bresslaw. Sadly, his bad acting is hampered by a dodgy facial prosthetic which hides half his face. So we are not treated to his usual silliness and clown-like mugging. Instead we have to endure the presence of his cyclop's prosthetic throughout the movie. And trust me, it ain't very convincing. Imagine a one-eyed giant whose face has been frozen through Botox abuse and you'll get the idea.
And there's the evil Beast, which the cast are trying to destroy. Apparently it doesn't have legs, and is trapped inside it's fortress. All it can do is blow fireballs at the hero, which are pretty ineffectual. I actually felt a bit sorry for it. The final fight scene was rather like watching someone beat up a disabled person.
But on the whole this movie is alright and destined to be remembered with fondness for years to come.
In short, it's OK.
The hero's main weapon is a kind of giant shuriken-thing which slices through almost anything. It's also under his mental control, which is nice, but as he's non-too bright we don't get to see any of the really wicked things you COULD do with a flying circular saw if you had an imagination.
The cast has a few well-known names in it. Liam Neeson, for example, in his early years. The things actors do before they become famous.
There's also my fave bad actor, Bernard Bresslaw. Sadly, his bad acting is hampered by a dodgy facial prosthetic which hides half his face. So we are not treated to his usual silliness and clown-like mugging. Instead we have to endure the presence of his cyclop's prosthetic throughout the movie. And trust me, it ain't very convincing. Imagine a one-eyed giant whose face has been frozen through Botox abuse and you'll get the idea.
And there's the evil Beast, which the cast are trying to destroy. Apparently it doesn't have legs, and is trapped inside it's fortress. All it can do is blow fireballs at the hero, which are pretty ineffectual. I actually felt a bit sorry for it. The final fight scene was rather like watching someone beat up a disabled person.
But on the whole this movie is alright and destined to be remembered with fondness for years to come.
This has always been one of my favorite movies for some reason. That doesn't necessarily mean that it's good; just that I like watching it.
I highly recommend this movie to anyone searching for a good fantasy title from the 80's. I would put "Krull" right up there with Ladyhawke, both Conan's, Willow, and the Dark Crystal.
What separates this fantasy film from the others is a plot involving a more science fiction- type element. Visitors from somewhere in space have landed on a planet named Krull to wreak havoc. After they snag up our hero, Prince Colwyn's bride-to-be, he goes on a quest to save her with the help of a star-shaped boomerang with knives called the Glaive and a band of strange characters including a cyclops and a goofy guy who can change into animals.
Good time fun worth the rental price. What else do you need here?
For film buffs, check out early performances by Liam Neeson and Robbie Coltrane.
I highly recommend this movie to anyone searching for a good fantasy title from the 80's. I would put "Krull" right up there with Ladyhawke, both Conan's, Willow, and the Dark Crystal.
What separates this fantasy film from the others is a plot involving a more science fiction- type element. Visitors from somewhere in space have landed on a planet named Krull to wreak havoc. After they snag up our hero, Prince Colwyn's bride-to-be, he goes on a quest to save her with the help of a star-shaped boomerang with knives called the Glaive and a band of strange characters including a cyclops and a goofy guy who can change into animals.
Good time fun worth the rental price. What else do you need here?
For film buffs, check out early performances by Liam Neeson and Robbie Coltrane.
Wusstest du schon
- WissenswertesThe dub for the death screams of the Slayers was taken from the Mahar shrieks in Der sechste Kontinent (1976).
- PatzerWhen Ynyr comes back from the Widow of the Web and declares "At sunrise the Black fortress will appear in the Iron desert!" he falls over. As he does so he damages the 'rock' he is standing on, revealing the polystyrene it's made from underneath.
- Zitate
Prince Colwyn: The reward is freedom... and fame!
Torquil: Freedom? We have it! And fame? Nah. It's an empty purse. Count it, go broke. Eat it, go hungry. Seek it, go mad!
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Krull - Kara Şato
- Drehorte
- Cortina d'Ampezzo, Belluno, Veneto, Italien(on location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 47.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 16.916.617 $
- Eröffnungswochenende in den USA und in Kanada
- 5.469.415 $
- 31. Juli 1983
- Weltweiter Bruttoertrag
- 16.916.617 $
- Laufzeit1 Stunde 56 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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