Flash Gordon

During the middle section of this movie, our hero 'Flash' Gordon, accompanied by Ornella "Most beautiful woman in the world" Muti, witnesses ex Bond Timothy Dalton giving ex Blue Peter presenter Peter Duncan the sweet merciful release of death by putting him to the(cardboard) sword (offscreen). "Its an initiation" purrs the shapely Muti, "I just love initiations".

This 1980 version of the perennial Saturday morning sci-fi cliffhanger is a feast for the senses. That is, if your senses crave lashings of junkfood. With an eye meltingly lurid palette of colours and rocktastic Queen soundtrack Flash Gordon was the perfectly overblown movie for the start of an overblown decade. The costumes are extravagantly cheesy, the effects farcical, the acting hilarious.

Almost every minor character was hammed up to perfection by the cream (or perhaps custard) of character actors of the time including such luminaries as Rocky Horrors Richard O Brien, Phillip "I corrected them" Stone from the Shining and the half-man, half-beast that is Brian Blessed.

The only minor flaw in this popcorn delight is the fact that it is, in almost every way - a terrible, awful movie - I HIGHLY recommend it.

Yes, the plot is silly, yes the dialogue is cheesy and yes, some of the special effects are badly done, but nonetheless it is great fun. Like Rocky Horror Picture Show, Congo and Jingle All the Way, Flash Gordon is a sort of guilty pleasure of mine. The costumes are quite extravagant and the sets are exotic. Then you have an irresistibly killer soundtrack from Queen, who also brought us the classics We Will Rock You and Bohemian Rhapsody. The direction is pretty good and the acting is surprisingly great. Sam J Jones is bad with his cheesiness but he was fun besides, thank goodness he wasn't bland like Justin Whalin from Dungeons and Dungeons, and Melody Anderson is charming and alluring as Dale. Brian Blessed is very hammy as Vultran but he is great fun regardless and Topol, who was so superb in Fiddler on the Roof, is memorable as Dr Hans Zarkov. And while Ornella Muti is a wonderfully witty and sexy Princess Aura, it is Max Von Sydow who walks away with the picture, pantomime of course but sinister as well and I appreciated that. Overall, not perfect and camp personified, but very enjoyable. 7/10 Bethany Cox

Geez, I think my title summed up everything that needs to be said. "Flash Gordon" has all the sci-fi and action as "Star Wars" but blended with an unapologetic campiness and comic bookishness like the iconic 60s Batman series. Throw into the mix, um, QUEEN doing the soundtrack, and you've got yourself an experience that will never happen again.

You might be thinking the blend I just described is as ill-advised as putting pineapple on pizza (seriously does anyone really like that?), but actually the blend is perfect if we take a quick look at the decade that this film wraps up, the 70s. The 70s was the decade of the rock opera: The Who's "Tommy", the doo-wopper "Grease", Motown's "The Wiz", the punkish "Rocky Horror" and bunches of others that swept the box office. While "Flash Gordon" isn't a musical, as defined by characters breaking out into song & dance, the vibe of the movie spells rock opera with a capital Rock. In plain terms this means a very tongue-in-cheek, over-the-top, theatrical and colorful spectacle that is not to be taken as a straightforward drama. If you can grasp that concept, I guarantee you'll love this flick.

The plot? Who cares. Something about saving the universe, I'm sure. But it doesn't matter because, like a good roller coaster ride, or like a good adventurous vacation, we don't care how it's mapped out. We just get a thrill out of each individual twist & turn, each scene, each surprise, and all the while we're taking mental notes of all the horribly awesome lines we can quote to our friends and annoy them for months afterwards.

A serious note about the acting. This production drew the talents of some of the finest actors of stage & screen, and for them to be able to play such campy characters is a testament to their true expertise. I'm talking dramatic & Shakespearean legends like Brian Blessed, Max von Sydow, Timothy Dalton, not to mention the incomparable personality of Topol (Fiddler on the Roof) and the show-stealing, sexually repressed Ornella Muti as the Emperor's daughter--whose mere presence would've kicked the MPAA rating from PG to PG-13 if that designation had existed back then. Even if you don't recognize any of these people, you'll find each one of them to be unforgettable.

"Flash Gordon" is a film that has no equal. You could say it's a distant cousin to 1968's "Barbarella" (another wtf experience that shouldn't be missed), but really it's beyond compare. So hurry up and see this movie ...you only have 14 hours to save the earth!

The Emperor Ming (Max von Sydow) is attacking the Earth. Only former NASA scientist Dr. Hans Zarkov (Topol) seems to have foreseen it. He intends to launch himself in his rocket as a 'counter-attack'. NY Jets star quarterback Flash Gordon (Sam J. Jones) is taking a commuter flight. He survives the plane crash along with fellow passenger Dale Arden (Melody Anderson). Zarkov tricks the duo into his rocket and launches them into space. They are taken prisoner to find Ming's tyrannical rule over the various kingdoms. Prince Barin (Timothy Dalton) leads the kingdom of Arboria. Hawkman Prince Vultan (Brian Blessed) runs Sky City. Ming's daughter Princess Aura (Ornella Muti) is fascinated with Flash. Ming takes Dale as his concubine.

This is brilliantly colorful and deliciously campy. The Queen soundtrack is second to none. The acting is big but it fits the style. Parts of it goes a bit too slowly. Some scenes are very static. Even the actors move slowly as an old-fashion way to denote drama. Sometimes it needs more energy to maintain the tension. This is an unique vision and a fun watch if you don't take it seriously.

American football star Flash Gordon (Sam Jones), scientist Hans Zarkov (Topol), and pretty estate agent Dale Arden (Melody Anderson) are blasted to the farthest reaches of space to fight Ming the Merciless (Max Von Sydow), the tyrannical ruler of Mongo, who has been subjecting The Earth to a series of violent attacks in the form of freak weather conditions and terrible catastrophes.

Featuring blond pretty boy Sam Jones in the title role, some of the most garish costumes in the history of cinema, cheesy dialogue galore, a catchy pop/rock soundtrack by Queen, poorly constructed props (and a few rather suggestive looking ones), marvellously hammy performances from a fine collection of cult character actors (including Department S's Richard Wyngarde, Rocky Horror's Richard O'Brien and good old Brian Blessed), and spectacularly ropey special effects (all wires clearly visible), Flash Gordon is quite possibly the most gleefully daft, over-the-top, knowingly tacky, and outrageously flamboyant sci-fi film ever made.

Don't be put off by the fact that the film is perfect for a themed night at the local gay bar, though—Flash Gordon might be camper than a row of tents, as the saying goes, but there really is something for everyone but the most joyless of movie pedants: we get fantastical floating worlds that predate those in Avatar by three decades, there's pet dwarfs, crazy laser battles, a whip-wielding dominatrix, assorted sexy bints in skimpy outfits, and even a little 'gore' (both Ming and his henchman Klytus meet nasty fates)—PLUS for every shot of our hero in a tight T-shirt or leather hot-pants, we get several of the gorgeous Ornella Muti (as Ming's sultry daughter Princess Aura) in her figure hugging red catsuit, easily rivalling Buck Rogers' Erin Gray in the sexy Spandex stakes. Melody Anderson as Dale isn't exactly ugly either, and also gets to wear some very revealing get-ups.

Hell, even Blue Peter fans are catered for, with '80s presenter Peter Duncan appearing as a tree dweller whose hand is attacked by a slimy vacuum cleaner bag with a poisonous sting in its tail. Now that's what I call entertainment!