Curtains - Wahn ohne Ende

Premise = Six actresses are invited to a cabin in the mountains to audition for the part of Audra. Well, all of these actresses are really good-looking (well or so they're supposed to be I guess) but one, there's someone running around in a hag mask killing people around the cabin. Anyone who gets in her way will die.

I watched this movie recently and found it very entertaining, quite different from the other slashers that came out during this era, and plus the acting is actually really good especially Samantha, there are many effective scenes like the ice skating murder scene which is really well done, the dream sequence with the doll at the beginning and the final chase scene which takes a rather unpredictable turn and last but not least the ending which has a bit of a twist which i never saw coming.

The killers mask is really creepy as well and the directing is rather sleek even though we know when the killer's going strike next. All in all this is a really entertaining slasher that deserves to be remembered.

There was certainly a lot more slashers released during the eighties than there needed to be; but every now and then, you'll come across a decent one and while it has its fair share of problems, Curtains is one such film. The film is both a trashy eighties slasher, and a somewhat inappropriate commentary on the mentality of aspiring actresses. These two ideas blend well with the mystery plot too, as there's plenty of red herrings for the audience to mull over and a somewhat bitchy atmosphere to most of the lead characters. The plot seems to focus on the relationship between film director Jonathan Stryker and his long term muse Samantha Sherwood. For his next film, Samantha is required to be committed to a mental asylum in order to research the role. However, this is actually a ruse to allow the director to audition six younger actresses while Samantha stays inside. However, she manages to escape and get herself to the old mansion where the auditions are taking place. Around the same time, several of the young starlets start to disappear...

Normally, there's a high amount of gore in any given slasher; and while Curtains features a handful of murder scenes, none of them are particularly bloody and director Richard Ciupka seems to prefer to keep the focus more on atmosphere and tension than gore. The plot pacing is somewhat ponderous, so the film isn't always filled with tension - but the scenes that feature the murderer are largely well executed, and the mystery as to who is behind the mask is one that seems worth uncovering. Curtains takes place in a creepy old mansion house, and this provides a more than adequate location for the film to take place in. The acting is decent also, with two central performances - those coming from John Vernon and Samantha Eggar standing out among the younger cast. The conclusion to the film is particularly well done, and this ensures that the audience leaves the film on a high. The mystery behind the murderer is clever in that all the cards are kept close to the chest until the end, and while the culprit is unlikely - it does come as a surprise. Overall, Curtains is hardly a brilliant film, but it's not bad and certainly is worth seeing.

Though fans of today's slam-bang gorefests will likely be let down, CURTAINS is worth a look for low-budget horror buffs. Actress Samantha Sherwood is so anxious to land the film role of a troubled woman she has herself committed to get a firsthand look at insanity. Things turn grisly when the director abandons her to host a casting session at his home. One by one the beautiful women he's invited are picked off. Is Samantha our killer or are things more complicated than they seem?

Despite is limitations, budgetary and otherwise, the Canadian-made CURTAINS is able to hold the viewer's attention while delivering a few thrills. The acting is surprisingly solid by genre standards, though you won't find very many people demanding a recount for the 1983 Oscars. It's clear the people behind this effort cared and wanted to bring something unique to the cinematic world, so nonsensical moments (what's with the doll??) are more easily forgiven.

In some ways, CURTAINS is reminiscent of an early Friday THE 13TH entry. Those involved put their best foot forward, accepted their limitations and tried to please a target audience. And like Jason Voorhees' adventures, CURTAINS will require a suspension of belief and acceptance of the fact not all the questions are answered.

"Curtains" features a group of women who have been summoned to a prestigious director's mansion to audition for a film; meanwhile his frequent collaborator and muse, a glamorous and established actress, has intentionally admitted herself into a psych ward in order to prepare for the role he is now offering to one of the younger talents. Things are doomed for the the young women from the start when a killer in a grotesque hag mask begins killing them along the way.

One has to wonder why a film like "Curtains" has been so longly ignored except among cult horror purists— fans have ached for a proper DVD release of the film, and it certainly deserves at least that. It is not a great film, but it is great if we're measuring it on a slasher scale.

Though it is most definitely a slasher movie, there are shades of class here that set it apart from the sleazier body count films of the era, and the performances are part of this, but also a great deal of attention to cinematography and the establishment of mood. The entire film has a dark, somber, weather-drenched atmosphere that is immediately off-putting, and things become progressively macabre after the girls reach the remote mansion.

It's an interesting and unusual setup, and there is a lot of subtext about filmmaking and performance that is played up with some minor intelligence. While the establishment of mood is fantastic here, and the setting is delectably spooky, there is a sense of disconnectedness in the film on a tonal level. Given the film's purportedly lengthy, troubled production, this makes sense, but it does create a feeling of the film not really being the sum of its parts— at least not the sum that it could have been. That said, the film is nevertheless successful at maintaining an eeriness.

The performances here are great, with John Eggar as the cold and calculated director, and Samantha Eggar as his glamorous "has been" muse. These two are the veterans of the film, both literally and narratively. Linda Thorson, Lynne Griffin (of "Black Christmas"), and Lesleh Donaldson ("Funeral Home") are welcome additions to the younger actresses, and give respectable performances, especially Griffin.

Overall, "Curtains" excels at being a moody and moderately classy slasher film. There are enough death scenes to appease the gore crowd, and enough suspense and mood to engage the more narratively-inclined audience, and, while the film's disjointed production seeps into the final product, the parts are effective enough to take precedence over the sum. 8/10.

As slasher movies go, this one is not too bad. It borrows liberally from other more famous Canadian slasher films (the wintry setting and actress Lynn Griffith from "Black Christmas", the killer's mask from "Terror Train"), but it's not a bad little film in its own right. It has a good set-up. Six young actresses are gathered together in an isolated house to compete for the same theatrical role (of an insane woman). As it turns out the treacherous director (John Vernon) had previously given the part to an older actress (Samantha Egger) who had gone so far as to fake her way into a mental institution to research the role and ended up being left there by the director. Soon the competitors start disappearing one-by-one. But is it the director, the bitter older actress, or has one the younger would-be thespians been driven over the edge by the competition? The movies falls apart a little in the middle (apparently there were directorial problems-- the director on record, "Johnathon Stryker", has the same name as the character in the movie, and, according to this website, they also had to replace a lead actress). The ending is good, however, and pretty surprising--and it definitely has some very spooky scenes.

This is one of the rare slasher movies that is more interested in creating a strong atmosphere and developing the characters than in showing 101 ways to carve up annoying, brain dead teenagers. If you're the proud owner of the "Sleepaway Camp" box set you might want to pass on this one, but if you like horror movies that are well-crafted and actually a little bit scary, this is worth a look