Die Forke Des Todes

A masked killer, wearing World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35-year-old double murder by focusing on a group of college kids holding an annual Spring Dance.

"The Prowler" was directed by Joseph Zito, an incredibly nice guy and talented artist, probably better known for his installment in the "Friday the 13th" series. Also notable is that this film features special effects and makeup by Tom Savini, the undisputed horror master of the era. According to Wikipedia, the "film has been praised by gore fans for its brutal and realistic murder scenes." I am not sure about the realism, but the brutal aspect is certainly true, and if there is an uncut version floating around, it must be a bloodbath. Eli Roth also considers it one of his inspirations in the documentary "Fantastic Flesh" (which is a good film in its own right).

Writer Neal Barbera is the odd man out in the mix. While Zito and Savini are horror guys to the bone, Barbera is a member of the well-known cartoon family (you know, with Hanna-Barbera). His credit, going back to the 1960s, are writing dialogue and lyrics for Scooby-Doo, Yogi Bear and the Flintstones. How he came to write a slasher script is anyone's guess.

The movie landed in Zito's lap thanks to a man named Herb. (Exactly who this is I am not sure.) Herb was quite protective of the property; he was even offered a $700,000 advance for the distribution rights, but he feared the film would not make any more than the advance and chose to distribute it himself (which actually worked). And Zito hand-picked Savini based on his work in "Maniac". (It is perhaps no coincidence that Robert Lindsay, the cinematographer of "Maniac", was behind the camera on "The Prowler".)

"The Prowler" is in many ways like the 1981 slasher film "My Bloody Valentine", with the biggest difference being that "Prowler" is American and "Valentine" is Canadian. Both are excellent and both directors (the other being George Mihalka) are fine gentlemen, so I will not pick and choose between them here. Both films take place in a small town with the legend of a murder, where the killer has placed a so-called "curse" on the town where the residents cannot partake in a certain social gathering. Sure enough, the residents disobey the curse and are picked off in many brutal fashions. Must have been a 1981 thing.

I recommend "The Prowler" to any horror fan, and especially to those who love slashers of the 1980s. I think it has seen a bit of a resurgence in recent years, with shirts and posters becoming available. My friend and colleague Timm Horn talked high praise of this one, and was delighted to meet Zito with me. I wish I could have shared Timm's full enthusiasm at the time.

There are some slow moments, and some scenes that make little sense. Exactly why the deputy sheriff and his girlfriend are snooping around inside a house without consent or a warrant is a bit of a mystery. But it moves the plot forward.

This film is best seen on the version available from Blue Underground. The choice between DVD and BD probably matters little, as the BD is rather grainy on larger screens (you can only clean up a film like this so much). The Blue Underground disc has audio commentary with Zito and Savini, which is priceless for their banter and tidbits about where they acquired coffins, and a nice ten minute behind-the-scenes featurette showing how the gore and kill scenes were done. Very interesting.

Added fun fact: Peter Giuliano, who more or less started his career with "The Prowler" as assistant director and playing the man in the mask, went on to produce dozens of successful films and TV shows, as well as working as assistant director on such notable works as "Ghost Busters". Although not a well-known name, he may be the most successful person to have worked on this film.

I'll get this off my chest - the first 30 minutes of The Prowler are basically slasher heaven. I really mean that. The atmosphere is there, the characters aren't that bad, the killer is imposing, the kills are brutal and nasty...but then...(sigh) things just fall apart and don't get semi-exciting again until the last 10 minutes.

The Prowler might be so wonderful in its first act, because it starts off like most slasher flicks end. By the time its first act has wrapped up, it seems as if already a half-dozen people have been offed and our Final Girl to be has already had a fairly exciting chase sequence.

Sounds great, right? It is. But then she's saved and the rest of the film is spent with her and a policeman doing Scooby Doo-esque detective work in old houses with flashlights with brief interludes of death scenes during a graduation party. It just stops everything in its tracks.

This is not to say that The Prowler is a bad movie. Far from it. It just needed something more exciting and urgent in it's middle section to keep the audience interesting. One never feels like the two leads are in any danger and that drag it down. Still, the special effects steal the show and are wonderful.

The Prowler is an overlooked horror film from that golden age of slasher films of the late 70s and early 80s. The film is directed by Joseph Zito who has special effects wizard Tom Savini to thank for the film's best scenes. The two also teamed up for Friday the 13th: The Final Chapter (part 4), and that film is a superior effort to this one.

The Plot of this film is very similar to My Bloody Valentine. We have a brutal act of violence taking place many years ago. We have the first big social event scheduled in several years on the very grounds where the trouble took place. And we have a spooky killer chopping up victims left and right. Only instead of full mining gear, our Prowler is dressed in WWII era military fatigues.

The gore is by far the best thing this film has going for it. There are some DISGUSTING killings which look very much like they could be the real thing. Our killer loves to use his bayonet, a pitchfork, and a sawed-off double barrel shotgun on his victims. Most of the killings in the version I have are not mere snippets of knives piercing flesh. You see the killer slice and penetrate these victims until they aren't breathing any more. There is a tidal wave of blood spilled in this film. They saved the best for last, when we see just what a blast from a shotgun at point blank range can do to someone's face. (I would not dream of revealing the victim's identity here!) The film has some glaring dead spots, too. Lawrence Tierney who is billed pretty highly makes such a short appearance you wouldn't believe it. Character development is nearly non-existent, and the motivation behind the carnage is not defined by any logical means. Let me put it this way; I have absolutely NO IDEA why the killer committed these murders. I wonder if the writers even knew.

Gore fans will definitely need to see the uncut version of this film at some point in their lives. It's like a golfer having to play a certain course he heard is interesting before he dies or a skier having to try a certain slope. That kind of thing. See this film out of a sense of duty, but don't expect a true classic.

6 of 10 stars from the Hound.

By far my favourite of the early eighties dorm slashers, THE PROWLER is an excellent and exciting film brought to the screen with finesse by Joseph Zito. He also directed arguably the best of the FRIDAY THE 13th sequels - The Final Chapter. He shows us his love for the hack and slash cycle here, by renewing a few scenes from two of the genre's pioneers. You've got the 'murder in the shower' fresh out of Hitchcock's renowned classic PSYCHO. Here Zito makes it a lot more brutal, with some realistic and visually stunning gore effects from horror maestro Tom Savini. And then there are various references to Carpenter's HALLOWEEN, including the assassin digging up the grave of the victim he killed some 35 years earlier. Michael Myers steals his sister Judith's headstone from her grave when he escapes from his 15 year spell in Haddonfield's asylum. But although there are brief nods to his obvious influences, Zito also manages to supply some originality and some genuinely scary sequences. Back in the day it was thought that he was going to be the next Tobe Hooper after his flawless work within the horror genre. But sadly he went on to work with more action-orientated films such as Missing in Action, Red Scorpion and Invasion USA.

The plot is believable and also extremely well written. It opens with black and white footage of GIs returning victoriously from WW2. Cut to a letter from a girl named Rosemary to an unseen receiver, stating how she 'does not want to hurt him, but could wait for him no longer...' In other words someone's been dumped and it looks as if a few people are going to have to suffer because of it! Again cut to Avalon Bay Graduation dance 1945 and we're shown the lady Rosemary for the first time with her new 'fella'. While the host merrily talks about Glenn Miller's death, Rose and her cocky boyfriend head out under the stars for a spot of good old harmless (or extremely harmful in these films!) huggin' and a kissin'! They choose a spot at the end of a brightly laminated pier and continue to smooch the night away under the stars, unaware that a somewhat unfriendly looking guy disguised in GI garb and brandishing a bowie knife is watching their every move! Suddenly the lights go out, and Rose and her partner are brought a little bit closer together...Both impaled on a pitchfork!

Skip 35 years and Avalon Bay is preparing for the first graduation dance since the fateful events that occurred before. While the young enthusiastic teens are shown getting ready to find romance at the dance, it looks as if a certain unknown someone is preparing for another bloody massacre. One girl unknowingly predicts the events that follow while she's getting dressed for the party by saying to her sulky looking friend "Hey you're not gonna mope about tonight are ya? Some of us will never see each other again..." Her remarks prove to be surprisingly accurate!

THE PROWLER is often pipped in the popularity stakes by the same year's similar slasher MY BLOODY VALENTINE. Many reviewers also find the latter to be the slightly better of the two. However I beg to differ, because even though MBV is a decent enough movie, I find this to be a scarier and for the most part more sinister attempt with a much stronger cast. Zito's spooky direction is superb and Savini's 'almost too realistic' gore touches just round it off perfectly. There are a few jumps to increase your heartbeat and I strongly wouldn't recommend any young femme fatale who's trying to grow her finger nails to watch this flick alone, because there are a couple of scenes when I guarantee you'll be biting them off!! One of my favorite ever murder scenes is also in this flick, the excellent swimming pool killing. A female teen who is bathing by herself under the moonlight paddles over to the ladder to climb out of the pool. She reaches the steps and begins to ascend them when all of a sudden she is brutally kicked in the face. She finally comes back to her senses and looks around to see who attacked her, but no one is anywhere to be seen! The silence is broken when the killer jumps out of the water behind her and gorily slices her throat in amazing detail. Watch for the blood that leaks out of her wound as her lifeless body sinks in to the murky depths of the cold water; it's Savini at his best...Excellent! The cast are also superb, which, must've helped the general production no end. Veteran actors Farley Granger and Lawrence Tierney have small roles, but the real 'round of applause' goes to fresh faced newcomers Goutman and Dawson who actually steal the show. It's only a shame they never went on to do much worth noting in the movies after this.

All in all THE PROWLER is everything a slasher should be dark, scary, gory while at the same time fun. It's incredibly underrated so I would most definitely recommend it, try and hunt down a copy if you can and I guarantee you will not be disappointed!

As for being your usual copy-and-paste slasher. "The Prowler" was a modest attempt, but its looming reputation makes it out better than it actually is. Don't get me wrong. Everyone talks about Tom Savini's magnificently creative gruesome FX work, and deservedly so. But other than the potently bloody gore, and overall nastiness of some memorable deaths. What really drags this one down is how it gets bogged down with a scratchy story, and inconsistent script which led the film to plod along. Director Zito does his best to in-store some life, but while effectively demonstrating a grim, cruel atmospheric wound. In between the death sequences is little in the way of suspense, or even interest since there are too many vaguely ambiguous and padded distractions that cement themselves in the second half and only go on to annoy. Figuring out whose behind that ominous masked solider in uniform figure, doesn't take much. Baffling though was the choice of weapon… no not the army bayonet, but that pitchfork. When did they issue those things out? Odd, but I like it. The stalk 'n' slash angle doesn't entirely wear its self out, since while the jolts are basically telegraphed (but genuine) and having a flimsy story being strung together by its set-pieces that don't tie together. Still it managed to get the heart-racing when needed, and there are few piercing visuals and positioning work by Zito. The shady camera-work luridly focus on the action at hand.

The performances are soundly delivered, but never did I feel anything for these rather one-dimensional characters. Vicky Dawson makes for a strong, likable heroine, but the rest of the cast don't have much affect. Stalwart actors Farley Granger looks embarrassed and there's rather an unusually pointless role for Lawrence Tierney (who also briefly appeared in Zito's 1979 film "Bloodrage") . Christopher Goutman as the local deputy sheriff just pines a lot, and looks clueless. Richard Einhorn's composed a forebodingly hummer music score that superbly complements the film.

There are no pretensions here, in what it wants to be. A middlingly gritty, shocking slasher fare.