Fireflash - Der Tag nach dem Ende

After the Fall of New York is one of the best of the seemingly endless Italian rip-offs of John Carpenter's Escape From New York that deluged the early 80s. Mind you, I really like these films, so that is not a slam by any means. This flick is certainly one of the most entertaining of the lot. Michael Sopkiw does his best Snake Plisken imitation and is quite good. The story is original: Parcifal (Sopkiw) must journey into the hell hole to retrieve the last fertile woman alive; the key to the survival of the human race! You have all the great exploitation elements: violence, gunfire, brutality, gore… could have used more t&a, but hey, you can't have everything. Creative characters abound like the midget (Shorty, what else!) and George Eastman as Big Ape. Anna Kanakis (wow) is great as the treacherous Eurac officer trying to stop Parcifal at all costs.

If you are not a B-movie lover, stay away. Genre fans, however, will not be disappointed here. Enjoy!

Despite being a huge fan of cult and B-Movies and even though I really wanted and tried hard to enjoy this, I'm afraid that I'm going to have to go against the general tide of opinion as regards this film.

The ever likable Michael Sopkiw, who's career in B-movies was admittedly brief but so very fondly remembered, appears here as a sort of Mad Max/Snake Plissken type of guy who is coerced into rescuing the last fertile woman on earth from within the hell hole that has become Manhattan Island.

Cue lots of fights, sludging through rat infested sewers, getting captured about every five minutes (!) a healthy splashing of gore and the appearance of perennial B-Movie fave big George Eastman as a simian character called 'Big Ape' and hey presto - you have what on paper at least sounds like a great movie.....

On paper perhaps......

To be fair, the movie isn't at all bad by any means and even boasts some pretty decent production values in fact, but sadly it just failed to enthral me.

The biggest problem I had with this is that the action scenes are for the most part handled with very little flair. Added to this, the best scene in the entire movie (for me at least) was actually at the very beginning when our hero is shown banger racing in a heavily armoured car. Needless to say, after such an intro the remaining 80 or so minutes of the movie seemed pale in comparison.

Still, as previously mentioned, the overall look of the film is very commendable indeed (bar one or two instances of very dodgy model work) and there's some great gross out moments (including one excellent head bashing scene!)

I'm tempted to deduct another point from this film however, due to the all too common and sad trend of some Italian genre movies of the time that regretfully rears it's ugly head here - genuine animal cruelty/killing. In this case we are 'treated' to a display of some rats getting speared. Such a disgusting trend ostensibly stemmed from the cannibal themed movies of the same period as were pioneered by directors Umberto Lenzi and Ruggero Deodato - both of whom were more than capable of producing highly enjoyable films without having to resort to such repulsive, cheap shock tactics.

Would you believe that I have actually spoken to people who have tried to justify such barbaric acts 'for the sake of art''?! I've also spoken to various other cretinous wretches who seem to be under the misguided impression that watching such acts of cruelty in films somehow makes them more 'macho' as it logically denotes that 'they can take anything' (!!!!)

Still back to the film in question.....overall, whilst not unwatchable by any stretch of the imagination, After The Fall Of New York, for me, distinctly lacked enough intriguing scenes to raise it above the average mark.

My advice is, if you're into the genre then watch it by all means, it does have a hefty fan base, however for much more enjoyment value, check out the far superior film it is copied - erm...I mean inspired from, Escape From New York.

This movie pulls no punches and makes no pretensions. It sets out from the beginning to do a job, and it not only does it, it overkills it. The job you might ask? Why to rip-off every post-apocalyptic, after the bomb, flick that has come before it. Mad Max/Road Warrior, ripped off, Escape From New York, ripped off large, anything that is remotely cool from almost any flick of this genre previous, is exploited. Hell, they even have some Planet of the Apes in there too... Now don't get me wrong. This is not necessarily a bad thing. It's pretty well done 'in that over the top Italian Cinema way'. When I first saw this thing when I was about 15, I ate it right up and it was one of the first 10 videos I owned in my life. And by the time I was done college the tape was worn out. And years and years later when I saw it in a cheap previously viewed video bin for $4, I picked it up again and it was worth every penny.

After The Fall of New York (1983) is a cheesy knock-off of the cult classic Escape From New York. But like most knock-off they're parodies of the original source material and have achieved cult status on their own. This one is no exception. From "Martin Dolman" comes a tale about a once great city that has fallen during World War III. The city's inhabitants are dead or dying from radiation or have mutated to it's filthy surroundings. The "government" has hired a man who looks like a hybrid of Mad Max and Snake Plisken to travel the nuclear wastelands and sneak into New York City to find the "prize". Someone who's very being is key for the survival of the human race.

Filled with action and cheesy special effects, After The Fall of New York is a very entertaining sci-fi/action film. Takes one part Escape From New York, one part Mad Max, throw in some Mad Max 2 and a dash of Alien and viola! For fans of 80's Italian b-movies and lovers of bad cinema. Just remember the filmmakers were having fun. Not to be taken seriously folks. "George Eastman" steals the movie in a great guest star appearance (man can he swing some mean hardware!).

Recommended

Twenty years after a nuclear holocaust ravaged the Earth, the Euraks and the Pan American Confederacy continue the battle for supremacy. Mercenary Parsifal (Michael Sopkiw) is recruited by the Confederacy to try and locate the only fertile woman on Earth, hidden somewhere in the ruins of Manhattan. He is joined on his quest by warriors Bronx (Paolo Maria Scalondro) and Ratchet (Romano Puppo), pretty blonde Giara (Valentine Monnier), dwarf Shorty (Louis Ecclesia) and hulking half-man/half-monkey mutant Big Ape (George Eastman).

One of many Italian post-apocalyptic action flicks to follow in the wake of Mad Max and Escape From New York, Sergio Martino's 2019: After The Fall Of New York is a wholly unoriginal, shoddily made, poorly acted crap-fest full of really badly choreographed action scenes, lousy special effects, manky props, amusing costumes, and seriously dumb characters. Opening with an unconvincing miniature model of nuked New York and ending with the launch of an equally cruddy model spacecraft, with all manner of cheap-jack nonsense packed in between, one might imagine the film to be hugely entertaining as a result, but Martino's uninspired direction and his cast's abysmal performances suck the life out of even the most silly of scenes.

Possibly just about worth watching for the robot clown with a massive glowing eyeball on its head, Shorty's valiant death ("Bastaaaarrrds!"), Big Ape throwing his sword to decapitate several of his enemy, and the hilarious eye-gouging (seriously, how did he not see that coming?), but don't bank on it. 3.5 out of 10, rounded up to 4 for IMDb.