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5,8/10
3611
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Füge eine Handlung in deiner Sprache hinzuTerrorists in the process of kidnapping a child get trapped in a house with an extremely deadly snake.Terrorists in the process of kidnapping a child get trapped in a house with an extremely deadly snake.Terrorists in the process of kidnapping a child get trapped in a house with an extremely deadly snake.
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An exciting story with lots of suspenseful moments. Kinsky makes a great villain. Sterling Hayden did seem a bit under the weather, but Nicol Williamson gave an outstanding performance as a very different kind of policeman. I think the reviewers have been far too hard on this thriller. It sure kept me on the edge of my seat.
VENOM (1982) ***½ Klaus Kinski, Oliver Reed, Nicol Williamson, Sarah Miles, Susan George. Even though this film is called "Venom" and features a snake, this is no "creature feature." Two English domestics (Reed and George), along with an international criminal (Kinski), conspire to kidnap their wealthy employers' ten-year-old son. The plan goes awry after the boy mistakenly receives a highly aggressive, super-poisonous black mamba (originally intended for a research facility), which kills one of the conspirators and transforms the attempted kidnapping into a tense armed standoff. A box-office flop in its day, American audiences were probably turned off by the film's stodgy English production values and thanks to a misleading advertising campaign probably felt duped once they realized it wasn't a killer snake movie. Still, a strong script and Kinski and Reed's explosive performances make this a powerful thriller. Highly recommended.
Menacing, but not in an over the top psychotic way, Klaus Kinski delivers a very believable performance. He is more calculating than usual, and has no problem outsmarting the British police, who seem more interested in drinking coffee than anything else. What ever happened to tea? Klaus easily steals this movie from the remaining likable cast. The snake has it's own point of view, which works quite effectively. The story plays out with a couple tense moments,and at least one major surprise, that is unfortunately revealed in the trailer, so I recommend skipping watching the extra's until after the feature. Overall, one of Kinski's best, and he has ample screen time, for you to enjoy this wonderful actor. - MERK
Engaging tale of a band of thieves whose plan to take a child and his grandfather hostage in their plush London townhouse, to extort money from the child's wealthy mother, is short-circuited by a rampaging Black Mamba that's been mistakenly brought into the mix. Intriguing to see how the plan unravels as the inimitable Klaus Kinski and his accomplices fall prey one by one to the elusive predator, its venom more deadly than any other species of snake. Cornered by the law on the outside, and the aggressive asp from within, they must adapt and improvise to affect a miraculous escape, no longer concerned with money, but basic survival.
Taut little suspense-thriller enabled by a strong cast, decent dialogue and well-paced direction. Kinski as the main protagonist is chilling, and he's well supported in Oliver Reed as the boozy henchman and Susan George as an unlikely (and unlucky) accomplice. Also noteworthy is Nicol Williamson as the dedicated police inspector who finds himself at the helm of a tense stand-off between the bandits, their captures and the unpredictable rogue reptile. While Sterling Hayden's characterisation of an aging ex game hunter is somewhat vague and incidental to the plot, it does add another dimension to the proceedings that stirs the curiosity and colours the complexity of an otherwise straightforward yarn.
Effective use of sets, lighting, music and tight editing nicely complement the occasional sadistic and surprisingly graphic violence. The snake itself, sometimes portrayed by a replica, is also well staged and looks convincingly hostile. Understated and somewhat obscure considering its impressive credits (Tobe Hooper was also linked with the film early on, but parted ways with the project), "Venom" is a compelling hostage thriller, cleverly bolstered by an unorthodox twist, and is well worth the time.
Taut little suspense-thriller enabled by a strong cast, decent dialogue and well-paced direction. Kinski as the main protagonist is chilling, and he's well supported in Oliver Reed as the boozy henchman and Susan George as an unlikely (and unlucky) accomplice. Also noteworthy is Nicol Williamson as the dedicated police inspector who finds himself at the helm of a tense stand-off between the bandits, their captures and the unpredictable rogue reptile. While Sterling Hayden's characterisation of an aging ex game hunter is somewhat vague and incidental to the plot, it does add another dimension to the proceedings that stirs the curiosity and colours the complexity of an otherwise straightforward yarn.
Effective use of sets, lighting, music and tight editing nicely complement the occasional sadistic and surprisingly graphic violence. The snake itself, sometimes portrayed by a replica, is also well staged and looks convincingly hostile. Understated and somewhat obscure considering its impressive credits (Tobe Hooper was also linked with the film early on, but parted ways with the project), "Venom" is a compelling hostage thriller, cleverly bolstered by an unorthodox twist, and is well worth the time.
Not to be confused with Spasms, another early-'80s Oliver Reed snake-themed horror movie, Venom sees a kidnapping go awry when a deadly black mamba escapes into the house where the villains are holding ten-year-old Philip (Lance Holcomb) and his grandfather Howard (Sterling Hayden) hostage.
Reed is chauffeur Dave, who, along with sexy maid Louise (Susan George) and German terrorist Jacmel (Klaus Kinski), find themselves cornered by police Commander William Bulloch (Nicol Williamson) and his men (after a shotgun toting Dave gets trigger happy with a cop) and menaced by the highly venomous and very aggressive reptile, the result of a mix-up of orders at a pet shop.
Despite a top-notch cast (which includes Sarah Miles as toxicologist Dr. Marion Stowe, and Michael Gough as a snake expert), director Piers Haggard (The Blood on Satan's Claw) is unable to elevate his film from mediocrity thanks to a pedestrian script that is a little light on the snake action and a touch too heavy on police procedure, delivering not nearly enough suspense or horror. Kinski is as slimy and menacing as always, Ollie turns to the booze when the pressure is on (no surprises there), and George strips to her underwear (no surprises there either!).
5.5 out of 6, rounded up to 6 for IMDb.
Reed is chauffeur Dave, who, along with sexy maid Louise (Susan George) and German terrorist Jacmel (Klaus Kinski), find themselves cornered by police Commander William Bulloch (Nicol Williamson) and his men (after a shotgun toting Dave gets trigger happy with a cop) and menaced by the highly venomous and very aggressive reptile, the result of a mix-up of orders at a pet shop.
Despite a top-notch cast (which includes Sarah Miles as toxicologist Dr. Marion Stowe, and Michael Gough as a snake expert), director Piers Haggard (The Blood on Satan's Claw) is unable to elevate his film from mediocrity thanks to a pedestrian script that is a little light on the snake action and a touch too heavy on police procedure, delivering not nearly enough suspense or horror. Kinski is as slimy and menacing as always, Ollie turns to the booze when the pressure is on (no surprises there), and George strips to her underwear (no surprises there either!).
5.5 out of 6, rounded up to 6 for IMDb.
Wusstest du schon
- WissenswertesDirector Piers Haggard said in a 2003 interview for 'Fangoria' magazine, "I took over that at very short notice. Tobe Hooper had been directing it and they had stopped for whatever reason. It hadn't been working. I did see some of his stuff and it didn't look particularly good plus he also had some sort of nervous breakdown or something. So anyway they stopped shooting and offered it to me. Unfortunately I had commitments, I had some commercials to shoot. But anyway I took it over with barely ten days of preparation - which shows. It doesn't become my picture, it's a bit inbetween . . . [actor Oliver Reed was] scary at first because he was always testing you all the time. Difficult but not as difficult as Klaus Kinski. Because Oliver [Reed] actually had a sense of humour. I was rather fond of him; he could be tricky but he was quite warm really. He just played games and was rather macho and so on. Klaus Kinski was very cold. The main problem with the film was that the two didn't get on and they fought like cats. Kinski of course is a fabulous film actor and he's good in the part, the part suits him very well. They were both well cast but it was a very unhappy film. I think Klaus was the problem but then Oliver spent half the movie just trying to rub him up, pulling his leg all the way. There were shouting matches because Oliver just wouldn't let up. None of this is about art. All the things that you're trying to concentrate on tend to slip. So it was not a happy period."
- PatzerWhen Dr. Stowe is told to get up by Klaus Kinski, she anticipates the terrorist's action by grabbing the scarf before Kinski wraps her hand in it.
- Zitate
Commander William Bulloch: Look, could you tell me just how dangerous very dangerous is?
Dr. Marion Stowe: The most dangerous snake in the whole world, that dangerous.
- Crazy CreditsThe Producers wish to extend their thanks to David Ball, overseer of reptiles at London Zoo, without whose skill and courage in the handling of the deadly Black Mamba, this film could not have been made.
- VerbindungenFeatured in Sneak Previews: Personal Best/The Border/Venom/Zoot Suit (1982)
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 5.229.643 $
- Weltweiter Bruttoertrag
- 5.229.643 $
- Laufzeit1 Stunde 33 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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