Camelot - Der Fluch des goldenen Schwertes

Both the stories of Sir Gawain and the Green Knight and Owain a the Lady of the Fountain are classic remnants of an oral tradition more ancient than the French Norman Romances and 14th Century Welsh Mabinogion story collections, yet both thought these two stories worthy of retelling and recording in written form much like Tristan and Parzifal. And there's a good reason for it, obviously good enough reason to get the likes of Sean Connery, Trevor Howard, Lila Kedrova, and John Rhys-Davies to take part in this admittedly cheesy production. (The fact that this was a Golan Globus production should have been a clue to any movie fan.)

The ancient Celtic bards had to memorize some 100 major stories and 200 minor ones to entertain the folks during those long cold winter nights. While Tristan and Parcival belong to the former, Gawain and Owain belong to the latter. These are ribald entertainments for light late night story telling entertainment much like a James Bond, or a cheesy B-Movie. In fact I have heard one professor of Medieval Studies refer to Owain as the James Bond of the Arthurian cycles. And the middle part of this film that deals with Lyonese captures the whole Bond formula (or I should say formula which Fleming followed) of impossible predicament (ala Dr. Evil's "No. Intend to set up an elaborate death and walk away assuming it happened."), narrow escape, beautiful damsel, daring do, hand to hand combat against impossible odds complete with tongue in cheek reparté.

I loved the movie for what it was from the moment I saw Trevor Howard's aging Arthur acting line the mean spirited cranky old fart the Welsh triads depict (not the "boyish" one of the Gawain poem) , through Lina Kedrova's scary horny old widow queen, Rhys-Davis's Fontenbras playing with toy soldiers, and of course Connery's transcendental Green Knight. Sure I missed some of the original story elements of both stories - the fountain and the ogre with the giant club - and I hated that cheesy last scene with Linet that they added on the end of the perfect ending scene with the Green Knight.

But this one captured the spirit of the older tales of the Mabinogion (from which we get the oldest Owain and the Lady of the Fountain) much better than the Saxon-Norman poetic retelling of the Gawain story. Ribald, cheesy, fun with a few moral lessons thrown in for "redeeming social value." In this film's retelling one gets a much better feel for the kind of story the bards might have told the assembled drunken retainers in the King's Hall on a late mid-winter night.

I give it a 7 for capturing the spirit of the tradition (that Monty Python Holy Grail feel that one detractors here noted as though it were a bad thing) , great acting by the legendary actors in smaller parts noted above and the James Bond pulp fiction feel. I'm detracting points for the music, skipping the fountain/storm and the ogre/giant, and that dumb ending scene.

(PS contrary to one reviewer's accusation that it looked like a back lot in Pasadena, these were real Welsch castles including Cardiff and the former Palace of the Pope in Avignion.)

The old English tale of Sir Gawain and the Green Knight is brought to the screen with a charming blend of action , imagination ,thrills , adventure , and tongue-in-cheek humor . The medieval legend of a supernatural chivalrous young squire who challenges the king's men to kill him . Being middlingly starred Myles O'Keefe as Gawain , Sean Connery as the Green Knight, and appealing Cyrielle Claire as Lynette ("The Lady of Lyonesse"). In Camelot on New Year's Day, King Arthur's court is waiting for the feasting to start when the king asks first to see or hear of an exciting adventure. At this a gigantic figure, entirely green in appearance and riding a green horse, rides unexpectedly into the hall. He wears no armour but bears an axe in one hand and a holly bough in the other . He insists he has come for a friendly "Christmas game": someone is to strike him once with his axe on condition that the Green Knight (Sean Connery) may return the blow in a year and a day . There appears Gaiwan (a wooden Miles O'Keefe) , a rookie knight in the court of King Arthur (Trevor Howard) who is sent out on a quest brought on by a challenge issue by the magical Green Knight . Gaiwan must solve a riddle in one year or die .

This flabby fairy tale adventure contains witchery , fantasy , cheesy special affects, stagy acting , surreal imagery and grimly marches . The picture has good settings , as thick rolling fog , deep forest , dark castles and rocky seacoast ; this movie delivers on locations ; however , it results to be mediocre and a little bit boring . Connery can only be on-screen for a few scenes but he adds zest to his character , he steals the show as an ironic Green Knight . Ronald Lacey, who played the character Oswald, also played the same character, also called Oswald, in "Gawain and the Green Knight" which was made in 1973, and basically, it was the same movie, same actor, same role .

This lumbering film version of one of the Arthurian legends is badly done , as the motion picture was regularly directed by Stephen Weeks . Filmmaker Weeks was one of two young British directors to emerge in the terror field in the late sixties , the other , Michael Reeves died at 25 . He began his professional film career at age 17, directing a series of short films . He made his film cinema short film, 'Moods of a Victorian Church' (1967) at age 19, and his first cinema drama, a film set in the First World War in France '1917' . Dr Jekyll and Mr Hyde was Stephen's second picture at age of 22 and he realized other horror films such as ¨Madhouse mansion¨ or ¨Ghost story¨(1979) and adventure movie such as ¨Gawain and the Green Knight¨ (1973) also with Peter Cushing , Ronald Lacey , Murray Head as Sir Gawain and Nigel Green and its remake titled ¨Sword of the valiant¨ (1983) and not much of an improvement . Rating : 5/10 . Well worth watching but only for Sean Connery fans .

Sir Gawain and the Green Knight is a late 14th-century Middle English chivalric romance. It is one of the best known Arthurian stories, and is of a type known as the "beheading game". The Green Knight is interpreted by some as a representation of the Green Man of folklore and by others as an allusion to Christ. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel, it draws on Welsh, Irish and English stories, as well as the French chivalric tradition. It is an important poem in the romance genre, which typically involves a hero who goes on a quest which tests his prowess, and it remains popular to this day in modern English renderings from J. R. R. Tolkien, Simon Armitage and others, as well as through film and stage adaptations. It describes how Sir Gawain, a knight of King Arthur's Round Table, accepts a challenge from a mysterious "Green Knight" who challenges any knight to strike him with his axe if he will take a return blow in a year and a day. Gawain accepts and beheads him with his blow, at which the Green Knight stands up, picks up his head and reminds Gawain of the appointed time. In his struggles to keep his bargain Gawain demonstrates chivalry and loyalty until his honour is called into question by a test involving Lady Bertilak, the lady of the Green Knight's castle.The poem survives in a single manuscript, the Cotton Nero A.x., which also includes three religious narrative poems .

This movie is based on an old English poem, unfortunately the scriptwriters couldn't match the prose.. It has a wonderful cast all earning a pay check and nothing more. But, it is fun to watch, for all the wrong reasons., The lead hero Gawain is obviously based on Prince Adam, AKA He-man, he looks the spitting image, the music is atrocious and the acting is woeful. Grand Moff Tarkin, James Bond, Gimli, a Time Bandit and Albert Steptoe and it's still awful (but fun in a bad way).

I thought the movie was entertaining. Sean Connery looked a little ridiculous as the green knight. I saw the movie as a love story between Sir Gawain, Miles O'Keeffe, and the Lady of Lyonesse, Lila Kedrova. It was amusing and cute.

What can you say about a film that tries to emulate another film for the sole purpose of capitalizing on its runoff?

Not a whole lot.

"Sword of the Valiant" feels like "Excalibur's" evil twin brother. Boorman used green gels on his lights in his Arthurian film to accentuate the green in the wilderness of the dark ages, and to underscore another theme. "Sword of the Valiant" also lights its characters with green gels clipped over the lights, but probably only because Boorman did it in his film, because there's no real purpose for it here. Boorman's "Excalibur" had fog effects, Maximillian like armor for the knights, pitched fights on a variety of terrains, and bases its tale on the King Arthur legends. "Sword of the Valiant" does this, but with a cheap-budgeted feel.

The acting, for what it is, is hit or miss depending on the actor and/or scene. There's little in the way of high drama here, but the performances are certainly above B-movie quality. Yet even here it depends on the character. A couple of the female supporting cast, notably the antagonists, are horribly directed, as is the case with much of the film's performances. Miles O'Keffe does a pretty good job of portraying a young knight in search of adventure, but his character never really does anything beyond going through the motions of the plot. Sean Connery does a good job, as usual, though the glitter and mini antlers on his head were just too much. I don't know who decided to go with that scheme, but it's pretty silly. Fortunately we know it's Connery underneath all that, and his performance helps to take away the two rediculous facets of his costume. The stunning Cyrielle Claire gives a performance that is much like that of everyone else in this film; good, but somewhat flat due to lack of direction. Everyone gets the job done in the end, but no Oscars will be found here.

And, as has been mentioned, the musical score is one of the worst ever married to a film. It almost sounds like some public domain music I've heard pasted onto cheap 16mm documentaries. It's that bad.

But the worst thing about this movie is the cinematography. It's cheap, bland, uninspired, and just plain worthless. A lot of zooms are used, as are a lot of cheap edits from equally cheap angles. I might blame the cinematographer, but somehow I get the feel he was just doing this gig to get a paycheque. There's no real heart to the look of the film, and that's the real killer for this movie. For if it had been better shot, then some of the other negative qualities might've been mitigated.

The art direction is probably the one real plus for this film. Connery's antlers and glitter aside, the costuming is fairly good, and the locations, though not very well shot, are likeable, and also fit the overall feel of the film.

And for those of you laughing at Mile's O'Keefe's "page boy" haircut you should know that a page-boy was squire in training in a medieval court. Pages were young boys who ran errands and served both lords and ladies of a castle, learning manners and other skills that would serve them should they ever reach knighthood. Their hair was usually cut short with bangs all around. This is where the term "page boy haircut" comes from. The worst that can be said is that poor Miles was given a pretty bad wig. That and the hair was probably too long for the period. Otherwise it's fairly accurate.

For a knock off of a high budgeted production "Sword of the Valiant" does OK. In fact given what's presented the film could've been a lot worse, but a talented cast and good art direction can only take a B-movie so far, particularly one that's poorly shot. I first saw this film back in the 80's on HBO, and picked up a cheap copy of the DVD yesterday. The transfer, as can be expected, isn't all that good, even though it's MGM publishing the title. In fact the only real clean (non-grainy) image is on the trailer that comes as a bonus feature. Go figure.

It's worth a look if you have nothing else better to do, but don't expect too much from it. If you're a die hard fantasy or medieval film fan, then it should entertain. That and the Linet character is fairly easy on the eyes :-)