Das Zauberschwert

THE MAGIC SWORD (1962) is a fantasy film that enthralled me as a child when I sat in a Bronx theater with a packed house of kids on a summer afternoon. We talked about it for days afterwards and acted it out in our street games. As a grown-up, when I returned to it on TV, I may have found some of the effects less than convincing, particularly the dragon, but I still found the film quite engaging and consistently memorable. The images have a bold graphic quality reminiscent of the best comic book art. Each shot cuts right to its essential information and uses whatever low-budget means at the filmmaker's disposal--make-up, costumes, color, lighting, simple optical effects--to make the image stand out. In addition, there are strong performers on hand who have a kind of comic book/fairy tale aspect to them, e.g. Estelle Winwood, as the hero's spell-casting guardian; Basil Rathbone, as the sorcerer villain; and Vampira as a beautiful woman the knights meet on the road, who turns monstrous at a moment's notice.

The film is not afraid of grotesque imagery and doles it out in small, effective portions. As an adult I was struck by the horrific nature of some of the images, e.g. the withered old hag that Vampira turns into; the acid pool that yields up the skeleton of a victim who'd fallen into it just moments earlier; the burned, reddened skins of two of the knights as they're caught in some kind of intense sun ray. But as a child, I wasn't frightened by these images; they helped make the story more believable and more involving. Filmmaker Bert I. Gordon (THE AMAZING COLOSSAL MAN) was not afraid to show us the dark, gruesome side of this mythical tale. He wasn't trying to shield the kids in the audience the way bigger-budgeted Hollywood films of this stripe would have at the time (e.g., Harryhausen films like SEVENTH VOYAGE OF SINBAD and THREE WORLDS OF GULLIVER). There was an honesty to Gordon's approach that I think we, as kids, even without being able to articulate it, appreciated and respected. As an adult, I can't get this film out of my mind, while more recent spectacles like the overstuffed LORD OF THE RINGS are but a dim memory.

The Magic Sword (AKA: The Seven Curses of Lodac/St. George and the Seven Curses) is directed by Bert I. Gordon who also co-writes with Bernard Schoenfeld. It stars Basil Rathbone, Estelle Winwood, Gary Lockwood, Anne Helm, Liam Sullivan and Danielle De Metz. Music is by Richard Markowitz and cinematography by Paul Vogel.

A young knight faces a hoard of mythical beasts in his quest to rescue a beautiful princess from the clutches of the evil sorcerer Lodac.

Cheap and bonkers but seen through a child's eyes actually quite fun. We are in a world of ogre's, dwarfs, Siamese twins, harpy hags, ghostly faces, two headed dragons and of course heroic knights and buxom wenches. The effects work ranges from the laughable (rubber mask wearing humans) to the passable because of the budget (model work and super imposed placements), while the sets pre-date Star Trek standard by some four years.

In the cast it's only Rathbone and Winwood who are good value because they firmly know how to play it in this sort of production. Major plus point is the colour photography, where even though it sometimes veers towards the garish, it's mostly very appealing and vividly brings to life the good standard of costuming (Esther Krebs and Oscar Rodriguez). So! If you can judge it on its own modest terms and accept it as the kiddie friendly fantasy it is? Then it's passable fluffy entertainment. 5/10

Why a re people so unkind to this very funny fantasy. Any adult can tell it is not meant to be taken as some sort of 'magnificent spectacle'. Yes it is low budget but it knows it, and Basil and Estelle seemed to be having a very sly old time brewing potent hammy acting to fling at each other and the hopeful cast. Kids love this film even today; it has the sort of 'crummy but fascinating' manginess cheap color fantasies have. Does anyone remember those equally hilarious and ghastly 'storybook productions' like Mother Goose or Jack and the Beanstalk? Terrible but lovably hopeless and thoroughly entertaining. THE MAGIC SWORD even has a pre 2001 Gary Lockwood; boy I bet he's glad Kubrick saw something in him after this. Kubrick would have seen this, you know, I am sure he saw everything Gary Lockwood made before casting him in 2001. And he still hired him. Besides, MAGIC SWORD has the unforgettable Estelle Winwood. She is like Edward Everett Horton in a dress. Pantomime? Sure. Hilarious? Yes. Enjoyable? Thoroughly in its mangy matinée way. Can you believe I saw this on a double feature with SINK THE BISMARK! Such were kids matinées in Australia in 1962. The next week we saw CAPTAIN SINBAD which almost looks like the out takes of THE MAGIC SWORD.

"The Magic Sword" is one of B-movie producer/director Bert I. Gordon's best known films. Granted, it's no masterpiece, but it is enjoyable on it's own terms. The plot, very loosely based on the 'St. George And The Dragon' legend, has a princess (Anne Helm) kidnapped by evil sorcerer Lodac (Basil Rathbone) and hunted by lovesick George (Gary Lockwood). Aided by his foster mother Sybil (Estelle Winwood) a good witch, George vows to save the princess and destroy Lodac. Although this plot has been done to death, it's the acting by the splendid Rathbone and Winwood which keeps this film consistently entertaining. Add some modest, but impressive special effects, and you have a very entertaining minor adventure for the family. Beware: this public domain film is available on several cut-rate DVDs, but only the newly released one from MGM/UA home video is worth the price. They have a beautiful print of the film (it was originally released by United Artists) which contains a fun theatrical trailer. This is the one to get!

I was 7 years old when this movie came out, and although I didn't see it then, I bet I would have loved it. Swashbuckling knights, a quest, plenty of adventure, some pretty evil bad guys, and a few memorable creepy images. Of course, I wound up seeing it at the age of 47, and I have to admit it's for the most part pretty cheesy. Gary Lockwood and Anne Helm are so badly miscast it's hilarious, the attempts at humor are excruciatingly bad, the plot is kind of lumpy (the 7 curses don't seem to have any pattern to them), and so on. But hey -- some films are for kids and not adults, and this is about as good as you're going to get from Bert I. Gordon. Let's give him his due on this one.