Eine Probe für den Mörder

A superior T V movie, has Robert Preston as a playwright, trying to convince his friends, that his wife has been murdered,and not as the police think, that she committed suicide. He rents a theatre, then proceeds to put on a basics of a new play, in order to bring the killer to justice. Any film like this with such a good twist in the tail, is well worth watching.

REHEARSAL FOR MURDER

Aspect ratio: 1.33:1

Sound format: Mono

One year after his wife (Lynn Redgrave) died in mysterious circumstances, a grief-stricken playwright (Robert Preston) lures several prime suspects - all personal friends - to a lonely theatre where he proposes to unmask Redgrave's killer by reconstructing events on the night of her death...

Wonderful, old-fashioned murder mystery (written by Richard Levinson and William Link) which pulls an astonishing about-face during its final reel, though not before a number of talented thesps (including Patrick Macnee, William Daniels, Jeff Goldblum and Madolyn Smith) have acted up a storm as chief suspects in a tragic crime. Performances and dialogue are crisp and believable, plot-holes are neatly plugged, and the climactic 'reveal' will knock your socks off! Magical stuff, highly recommended, though viewers are advised to see it 'cold' for maximum effect. Directed by TV veteran David Greene (ROOTS, GUILTY CONSCIENCE, THE TRIAL OF LEE HARVEY OSWALD, etc.).

Alex Dennison, Robert Preston, A top Broadway playwright returns to the theater where his fiancée Monica Wells, Lynn Redgrave, acted in her first and last performance on Broadway just a year ago in the comedy play that Alex wrote for her "Chamber Music". Reflecting back to what became a tragic night Monica, a movie star, was acting in a play on Broadway for the first time in her career and was very apprehensive and nervous about how her performance on stage would be taken by the public as well as the Broadway critics.

When the play ended to the standing ovation of the theater audience the critical reviews coming in on "Chamber Music" were anything but overwhelming and at a party with everyone involved in the play later that night Monica seemed hurt and depressed. Alex trying to make Monica feel good tells her that no matter what the critics say, which weren't all that bad, about the play that she's not to let it get to her, that bad reviews are a part of life on Broadway, and that she'll always be tops with him. With the party over and everyone gone Monica alone with Alex asks him something the seemed to be a bit strange, if he loved her which of course Alex told her that he did. Later that night Alex gets a phone call from Monica that gets cut off in mid-sentence. Rushing to her apartment he finds that she jumped or fell from her bedroom window an was killed. Hurt and almost in shock Alex just couldn't believe that his Monica would have killed herself which led him to personally investigate her dead and what he found out he put into a play that he wrote with the murder suspects all playing major roles in it.

Using the theater as a backdrop to find out who killed Monica Wells and having the police Leut. MaElroy, William Russ who was in charge of the investigation of Monica's death helping him Alex gathered all the suspects together, who had no idea of what Alex had planned for them, to play their parts in the play which in the end revealed the one who killed Monica.

The movie "Rehearsal for Murder" is so well written with a script that builds to such a unexpected final that you'll immediately want to see the film over again. "Rehearsal for Murder" is so good that it makes movies with surprise endings like "The Usual Subjects" and "Se7en" look like high school plays in comparison. It's amazing watching the movie that every word every action and even every movement fit right into the story like a giant jigsaw puzzle.

Who killed Monica? was it her co-star in the play David Mathews, Patrick Macnee, who's advances she turned down? Was it the director of the play LLoyd Andrews, Lawrence Pressman, who was in love with her and thought that Monica was also in love with him and felt betrayed by her when she became engaged to Alex? Was it the producer of the play Walter Lamb, William Daniels, who was to lose $600,000.00 of his own money if the play flopped and could only get his money back if Monica who he heavily insured died during it's run on Broadway? Was it Monica's understudy Karen Daniels, Madolyn Smith-Osborne, who would do anything to get top-billing in the play? or her lover and fellow actor Leo Gibbs, Jeff Goldblum, who would do anything to help her get it?

Powerhouse whodunit that for some reason has been forgotten all these years but after seeing "Rehearsal for Murder" you'll wonder, just like I did, why?

The writers, Richard Levinson and William Link, openly declare their intentions within their own dialogue: "In a murder mystery, you take the audience by the hand....and you lead them in the wrong direction. They trust you, and you betray them". And that's what they set out to do as well. Clever script, fine ensemble acting (with a pre-stardom Jeff Goldblum making a strong impression). The direction is a little flat and cramped (except for the transitions in & out of the enacted play), but in this case it seems to fit the theme. Do NOT get spoiled on this. *** out of 4.

... because the quality of the two halves is a bit uneven.

Playwright Alex Dennison (Robert Preston) is opening his Broadway play with his fiancée, Monica Welles (Lynn Redgrave), in the leading actress role. He wants it to be a success if only for her sake, and the audience loves the play, but the newspaper critics consider it a bust. After the play, Monica says she wants to be alone for the night, but later calls Alex and tells him to come right over. When Alex arrives, the police are there, with Monica apparently having jumped to her death from an upper story window. The authorities rule the death a suicide.

A year passes and Alex returns to the theatre scene with a rough draft of a new play. He wants to do a reading and invites five people who were part of or close to his last production, the one that failed and starred his fiancée. It soon becomes clear that this play is about the death of his fiancée, but in this play Monica is murdered. Alex states that Monica was murdered, and that this reading will reveal the culprit. When this comes to light all five decide to leave, saying that Alex has become obsessed, but there is a cop in the theatre who says he advises that they stay if only to humor Alex and put to rest his theory. And plus suspicion will fall on anybody who does leave. Complications ensue.

Now just about everything I wrote in the second paragraph above is not true, but it appears to be. The denouement is actually quite clever and, like I said, there is a pay-off if you stay until the end. Otherwise, give up on it midway and you'll just feel like your time has been wasted with some rather hammy and ham-fisted plot devices. I'd say the first half is about a 6/10, carried on the strength of the performers and the second half is about an 8/10.